After the most recent tumblr news, you can also find me at dreamwidth, bsky & pillowfort as evielukas
hello vonnie
I'd rather be in outer space đž
todays bird
No title available
ojovivo
The Stonewall Inn

gracie abrams
No title available
cherry valley forever
occasionally subtle
Claire Keane
Cosmic Funnies
h
đ©” avery cochrane đ©”

Origami Around
untitled

Kiana Khansmith
Game of Thrones Daily
đȘŒ
đ

seen from Belgium
seen from TĂŒrkiye
seen from Venezuela
seen from Japan

seen from France
seen from United States
seen from Brazil
seen from Switzerland
seen from Brazil
seen from Brazil

seen from Palestinian Territories
seen from United States

seen from United States

seen from United Kingdom

seen from TĂŒrkiye

seen from TĂŒrkiye
seen from Canada
seen from Argentina
seen from United States

seen from United States
@evielukas
After the most recent tumblr news, you can also find me at dreamwidth, bsky & pillowfort as evielukas
genuinely I'm so sick of people wanting all fiction to be ethical. can we all just get a little gross with it. the point of fiction is that it's not real. we can be unethical in fiction; same goes with being perverted with fiction, being unrealistic with fiction, and being grotesque with fiction. not all fiction has to be ethical, not every character has to be ethical, and that's okay. can we stop with the puritanism. be gross. be unrealistic. be whatever. if I don't like it it's not my business as long as we're all clear that its fictional.
via ered.bsky.social, the only kinds of unethical fiction:
people in the replies are going "what about books glorifying unethical things" and "what if it's propaganda" and you, my friends, are who this comic was made for
ER 30th Anniversary Celebration Favorite Character âș Carol Hathaway (2á¶źá” Place â 19.2%) You know my family. What's a little humiliation when there's free food and drink?
i miss watching the pitt through robbyâs eyes and seeing how he experiences everything happening around him.
The Pitt S1 x EP2 / Michael Robinavitch
I need Robby and Jack happy and in love right now
Boys
Loving Robby is like loving a sighted hare, Jack has learned. Skittish, nervy, prone to flee at the first hint of danger. Jack has built their entire relationship around that fact.
He never asked him out, the first time they kissed he just. Let it happen. Made it clear he was happy and then, later, subtly dropped into conversation that he wouldnât be seeing anyone else and held his breath until Robby hummed an agreement.
When he wanted to live together Jack just quietly moved his things into Robbyâs house piece by piece until Robby mumbled something about splitting bills and asked Jack how much his apartment sold for.
Marriage has been trickier. Heâs taken off his old ring, that lives with his wifeâs picture on the mantelpiece where Robby had set it up for him one day out of the blue. But how does one get married without everâŠdrawing attention to the other person. Heâs been agonising over it for weeks.
Heâs been agonising over it at the park this evening, he and Robby sharing a bench, shoulders pressing in the evening sun and bellies full of a nice dinner and ice cream. Heâs agonising, right up until Robbyâs knee hits the dirt in front of him.
His voice is a little hoarse, a little wobbly, when he tells Jack that he loves him, he wants to marry him and he hopes he says yes soon because heâs old and his knees hurt. Heâs holding a ring, matte brushed gold and still catching the light.
Jack hauls him into a kiss while heâs still speaking, muttering his yes over and over. Theyâre both laughing and maybe crying a bit and thereâs a very nice teenage girl who tells them that she got the whole thing on video, if theyâd like it.
Theyâd like it.
So theyâre engaged, because Robby asked. Robby even apologised, quietly in the dark, that Jack had done all the heavy lifting until now.
Jack isnât sure this is the end of Robbyâs tendency to run. He does think though, that maybe Robby wonât run from him.
@serinmatheson1
love the idea that when Jack and Robby finally get together, after ages of mutual pining and a deep fear that any indication of their feelings would ruin the most important friendship they have, they realize that almost nothing has changed other than the addition of some very, very good sex.
they were already everything to each other. already showing up for each other in all the ways that matter. now they could actually say it.
Please return us to a world where Notp and squick are used for a ship you donât like instead of just making up a load of bullshit about how immoral it is or w/e lolÂ
a short selection of concepts and phrases that used to be commonplace in fandom and weâd really benefit from making that a thing again:
NOTP: the opposite of an OTP (One True Pairing). It is a ship a fan strongly dislikes. The word is a portmanteau of ânoâ and âOTPâ and thus is not a contraction of any particular phrase.
Squick: anything that is a deep-seated, visceral turn-off. Squicks may be shared by many fans or be specific to one; one personâs kink may be another personâs squick.
YKINMKATO, or kink-tomato: Your Kink Is Not My Kink, And Thatâs Okay: used to indicate support for fannish diversity and to distinguish between disapproval or kink shaming and simply having different taste.
DLDR: Donât Like, Donât Read: a phrase used to warn against complaints about an aspect of fic or meta. A âlive and let liveâ philosophy of fandom, which places the responsability for avoiding content one doesnât want to see on the side of the fanwork consumer, rather that on the creatorâs.
SALS: Ship And Let Ship: similar to the above specifically about shipping tastes.
YMMV: Your Mileage May Vary: a phrase used to acknowledge that any given individualâs personal opinion on the topic at hand may differ due to their own tastes, standards, values, experiences, etc.
As the OP points out, all of these crucially imply no moral judgment of what theyâre designing.
(definitions lifted more or less wholesale from fanloreâs relevant pages)
bring the healthy fun back to fandom!
i just know jack is so very annoying in domestic life. robby refuses to shower with him after the umpteenth time he's turned his back on him once he gets out, only to have that asshole wind up a towel to snap it against his ass like every other stereotypical jock.
after robby gets up first thing in the morning, when he's half-leaning, half-slumped over the kitchen counter while stirring sugar into his coffee, jack makes it his mission to sneak up on him to then promptly shove his ice cold fingers up the front of his shirt, hugging him tightly to hold him in place while robby yelps and squirms. more than a few cups of coffee have been spilled because of this.
sometimes he'll see robby kicked back on the couch, face so serious with his reading glasses on, typing away on his laptop and he gives in to his impulsive thoughts and hurries over to lick a long, not very sexy, stripe up the side of his face. robby does not know a moment of peace but he's never felt more loved.
"robby does not know a moment of peace but he's never felt more loved."
The question Robby asks himself the most is "How long?" How long does he have to do this procedure, how long until the patient dies, how long has the bleed been occurring, how long can I keep this up?
How long until I kill myself?
It's the question that haunts every relationship he has, not even just the romantic ones. How long will this last? How long until I push you away? How long until you hate me? How long until you leave me? How long until you see the fundamental badness inside of myself that I cannot fix no matter how much I try?
And then there's Jack.
Robby has gotten really fucking good at expediting the end of his relationships, of making the other person leave just so that the unbearable uncertainty ends. The person is gone, the worst is over. The waiting is the hardest part because he knows that no matter what, they will leave and he will be alone. That is a fact without question. He will always be left. If he hurries the ending along then he has some control over it.
But Jack is tricky. None of Robby's standard methods work with him. He pushes, Jack pushes back. He yells, Jack doesn't quaver. He's an absolute fucking bitch and Jack just looks at him with an arched eyebrow like he's asking "Are you done?" to a tantruming toddler. Unstoppable force, meet immovable object.
He tries. He tries and tries and tries and he cannot make Jack leave; he cannot make Jack stop caring about him. It's terrifying because there is something fundamentally wrong with Robby, way down deep in the core of him. No one can withstand it. He's trying to do Jack a favor- trying to cut him loose so he can find someone, something else to make him happy because that happiness sure as shit can't be found within Robby.
He doesn't understand why Jack just won't go. Why he doesn't see that Robby is a millstone tied around his ankle, set to drag him to the bottom.
Robby destroys people, he eats up all the good intentions and kind words and leaves nothing but the bones in his wake. Look at his mother- Robby's desperation for her love led to her suicide. He suffocated her, smothering and selfish and endlessly needy for a woman already at the end of her rope. He doesn't want that to happen to Jack.
Jack has to live because the world needs him; he is fundamentally, unshakably good. He has so much to offer and such a wonderful future ahead of him. If he just left Robby, he could have that future. So why won't he leave?
When he has exhausted his bag of tricks and even invented several new ones and Jack still shows no sign of leaving, Robby takes the nuclear route. He'll leave instead. He'll get on his motorcycle and drive off some far, beautiful cliffside and that will be that. For once- just once- he'll flip the script of who's left and who's leaving. It will be better that way. He's really doing everyone a favor, you know. This is a mercy. Maybe the last bit of mercy remaining in his chest.
(At home, Jack makes a list. He catalogs their relationship, of everything Robby has ever given him. The physical: the med school pictures, lovingly framed. The jacket he wears every winter. The spare house key Robby copied when Jack lost his own set. The paint he bought for Jack's porch because Jack forgot his wallet. The books, the records, the ultra-tacky magnets Robby loved to get at flea markets and force Jack to put on his fridge, despite the fact that neither of them had been to Aruba or Morocco or St Petersburg, Florida. Jack's fridge was covered in glittery bits of kitsch because Robby thought it was funny and Jack put every one of them up. 20 years of birthday sticky-notes because Robby always forgot to buy him a card. A receipt for the take-out Robby bought last week.
He is looking for proof.
He makes a list of the emotional: love, support, connection. Happiness, contentment, a hand held out to coax him on the right side of the rooftop railing. He writes down Robby's funniest jokes, as best as he can remember. Writes down all of Jack's favorite memories. Writes down all of the worst memories. Fear and anxiety and hopelessness and loneliness, right now. Even those are a gift. Even the current fear is one of the best parts of Robby, because if he fears losing him, it means he had him in the first place. And that means something. The pain that lives in his chest, aching and sore and ever-present, is the proof that he had Robby, once.
He backs up all of his photos and videos, makes sure he has one of Robby laughing. He wishes he had one of the way Robby's brow furrowed when concentrating or the stupid way he yawned or the little rumbling half-snores he let out while dead asleep. If Robby comes back, he'll take videos of all of it, just in case.
He doesn't want to forget Robby in the way he's started to forget his wife. He hasn't forgotten any of the big things with her, but the little things. The corner of her mouth did a funny thing when she scowled at him, but it's hazy now. Did it quirk up or down? He can't remember. He can't remember the exact timbre of her voice when she was mad. He never thought to record the bad moments and now he has nothing to remind him. He is so, so afraid.
He stares at the little cactus on a spring, a magnet for Sedona, Arizona, watching it wave back and forth and back and forth on the fridge. How long until he gets the news? How long until he forgets?
Is it worth it to keep living if he forgets? Memory is a tether; he fears that once he forgets the thin spot on the back of Robby's head that there will be nothing holding him here.
He listens to a voicemail Robby left him once, one where he's trying to tell Jack something, but he's laughing too hard to get the words out. What was he trying to say? He doesn't remember. He wishes he could remember. He finds a hoodie that Robby accidentally left and adds it to the list. It's his now; Robby can't have it back even if he wants it. If he's even alive to want anything. It's only fair.
Later, so much later, he has a woman at his house. He can't stand to be alone anymore. He doesn't form attachments to these women, but they're there to keep the silence at bay.
She looks at his fridge. "You've been to Greece?" she asks, excited to get any scrap of information on him. He doesn't offer much these days.
"I haven't. My friend thinks it's funny to buy them."
Thinks. Present tense.
That's the day he goes to the roof.)
*Abbot arriving at the Pitt with a tight gray t-shirt, army pants, shouting orders while he does CPR*
Robby: Damn, I wish I was gay. Men are so hot.
Dana, sighing: I can't do this anymore.
The sexiest outfits a person can wear are a 3-piece suit or motorcycle leathers
Add a smudge of eyeliner + dark nail polish to really push for a cardiac event
Robby falls asleep listening to brutal true crime documentaries.
Jack thought it was cute at first until he woke up to the phrase, "She stapled her lovers ballsack to his anus then cut off his penis."
And Robby sleepily mumbled, "Good for her." Without waking up