She's so real
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@fadingembers
She's so real
do you ever find something that is so funny and you want to share it with everyone but it also requires 18 layers of context spanning things like. 90s anime. aviation history. europop. canada. in order to even remotely understand why it is so funny
in the late 90s there was an anime called initial d which was all about street racing and drifting. naturally every single drift was played for great drama and excitement.
in 1999, an italian named giancarlo pasquini released a europop song under the alias dave rogers called Deja Vu. this song was picked up as the theme song for the above anime. it in turn became a meme, a shorthand for drifting and Cool Moves as a concept.
in 1983, air canada flight 143, a full sized 767, ran out of fuel halfway to edmonton, alberta. this is not something you want to have happen to a huge airplane. the flight chose to try and make an emergency landing at a nearby decomissioned airforce base (as they were falling fast and could not make it to a proper airport), where they ran into a second problem: they were falling out of the sky at 500 feet per mile, but reached gimli (the base in question) while still too high to safely land. normally a plane would just do a big loop-de-loop to lose altitude, but they had maybe three minutes of airtime left before they hit the ground: not enough time to make any kind of circle. the pilot, therefore, decided to execute a side slip to lose speed and altitude. this is Not a move you want to do with a massive 767, because airplanes are not built for that and if you screw it up that plane is hitting the ground at a high speed at a weird angle and breaking into a million pieces. nevertheless, the captain tried it... and succeeded. the plane landed perfectly, and there were no major injuries! (a couple of people did get minor injuries when evacuating the plane after.) he did it so well, in fact, that the plane was refueled, flown out of gimli a couple days later, and continued to fly for another 20 years with the nickname "Gimli Glider."
what is a side-slip, you ask?
it's drifting.
the guy goddamn drifted his 767.
in 2008, the tv show Mayday: Air Disaster featured the gimli glider with full reenactments as an episode on season five of their show.
and so, in conclusion, the thing i have been giggling to myself about all weekend:
Turns out the horsemen of the Apocalypse now prefer to go by Shareholder Profit, Private Equity, Corporate Personhood, and Workforce Optimization.
Shareholder Profit: War (the casus belli for attacks on workers' rights)
Private Equity: Pestilence (they are parasites that voraciously strip the value out of a healthy business until it withers and dies)
Workforce Optimization: Famine (cutting hours and employees until the business is starved of staff, barely functioning)
Corporate Personhood: Death (a hollow, shambling mockery of a human with rights and needs)
Yeah I can work with that.
Pavlov is pissing himself laughing
Putting all tabletop players into a college level ethics class and forcing them to turn in a paper on moral philosophy before buying a new book
This is…. An interesting thing to say… on this post in particular….
I think a lot of people reblogging this from @probablybadrpgideas are interpreting this as “this would be such a funny wacky way to make the table soooo complicated” but I mean this as a complaint about the way that so many tabletop players seem to just. completely lack an understanding of ethics. what it actually means to behave ethically and treat others ethically. and i dont mean this as "why do people want to be mean and play as villains? :(" i mean "why are there so many tabletop players that sympathize with outright fascist factions to the point of wondering why theyre listed as 'Lawful Evil' in the book"
can you talk me through why this was a particularly bad or challenging thing for your party to have done
Goblins were in fact, for me, a turning point on this concept. I had a player who wanted to be a goblin, and I forgot about this fact up to the point that the party got a quest to kill goblins. As soon as I was announcing the quest I realized it would be a problem, though I didn't have anything else ready so I went with it. And it was! The players immediately questioned why the mayor was paying mercenaries to kill goblins, and then further questioned his justifications, at which point I realized it would be a better story if the goblins were a scapegoat and not an actual villain. This turned into a terse interrogation where the mayor threatened to put them in jail once their questions got pointed enough that he would have to either field accusations or lie; they then went CSI on the situation and drilled through his political cabinet to get answers. I had to improv pretty much all of it and I don't remember the actual ending (I know they sided with the goblins and the mayor was guilty), but this helped me realize that the Gary Gygax writing style of "certain races are just BAD and that's why they hang out in dungeons" was very short-sighted.
D&D writing, by and large, encourages a lack of questions. The surface runs deep. "Go into a cave and chop up goblins." Why are we doing this? "Goblins are bad." All goblins? "Yes."
I think the question of "why are there players comfortable siding with fascist factions and wondering why they're called 'lawful evil'" is pretty easily answered with... because D&D itself is inherently kind of fascist. And it's the most insidious kind of fascist, too- its villains are fascists, so how could you point fingers at the book?
Fire Giants are dwarf slavers. Drow are a megalomaniacal theocracy who hate men. Orcs are violent tribes of marauding killers. Illithids want to destroy all life and keep an entire civilization to scrub their floors. But these narratives still push the idea that "evil" is a racial trait. The players are not only justified in their campaign to destroy these cultures, they're encouraged to do it.
They let the cat out of the bag by making these playable races; because now, they're not cut-and-dry villanous societies. They're people. There are Drow accountants whose lives are about balancing taxes, not worshipping Lolth. There are Yuan-Ti who don't sacrifice babies on altars, and much prefer playing the lute or sewing blankets. Yet we're still expected to read "Chaotic Evil" under the Monster Manual entry for a bugbear and take it seriously.
Reblogging again to add a quick take: as a DM introducing ethics makes your game so much better.
I had an intro to my campaign that involved a mad scientist kidnapping someone and turning them into a wererat. I didn't think much of it and I spent way more time fleshing out the other NPCs, I just wanted to use that wererat as a boss fight.
Once the party encountered him though they immediately saw what I totally missed: the guy who became the wererat was absolutely the victim of this story. I did my best at thinking on my feet and made the wererat this defeated guy who only followed the mad scientist because he felt like his life was ruined. So they, through good rolls, convinced him to help them fight the mad scientist and it made for such a better story.
The moral I'm trying to convey is that you need to treat every NPC in your game as a world within themselves. And I mean EVERY NPC. Why are the wolves attacking people? Are they desperately hungry? Mind controlled? Territorial due to poachers? Why are the goblins working for the wizard? Extortion? Promise of riches? If the bandits see that everyone is in armor, why wouldn't they just let the party pass and wait for easier prey? If one of the bandits die, why wouldn't the rest of them run for the hills?
here’s a couple of articles on the history of racism + xenophobia in tolkien & how that influenced dnd
This is the first installment of a two-article series about the racist origins, nature, and ramifications of orcs, a malevolent humanoid spe
This is the complement to my previous article , “Orcs, Britons, and the Martial Race Myth, Part I: A Species Built for Racial Terror.” In t
anyone interested in the subject should definitely also check out the whole Three Black Halflings podcast, which talks about being black in nerdy spaces. a lot of times they’ll have on guests talking about their intersections and experiences in nerdy spaces. they have an episode with the author of the articles above.
they’ve also played a ttrpg based on african mythologies rather than mostly european ones like most mainstream fantasy.
highly recommend!!
[Image descriptions:
A Tumblr comment from "smudge-goblin" that reads: "Why not a political theory class. I wanna war crime accurately".
2. Tumblr tags from "grad-school-fool" that read: "do you know how hard it is to DM a party with MORALS"; "their first dungeon they unionized the goblins"; "because thats what happens when you treat sentient species as sentient". /End ID]
trying to watch this video and that team flare pikachu is so fucking distracting. hes just standing there
OH MY GOD
His husband is the pokemon fan and picks out a different pokemon plush to sit in the background of each episode. Its ADORABLE.
my favorite so far was seeing a notification for him doing a video on the history of spam a little while back, and wondering what the plush choice would be for that, and it did not disappoint.
Im a fan of the hidden Applin in his newest video
Image description: A white N95 is positioned under a banner that reads “what your mask tells me”. 7 speech bubbles around the mask read “you deserve access to this space, I do not assume those around me are able bodied, I acknowledge I could be carrying COVID even if I don’t feel sick, I appreciate my community, no death is acceptable when it can be easily avoided, I take my role in public health seriously, your life is of worth.” At the bottom is a collection of items used for COVID mitigation: an air purifier, a mask, a sticker that says I am vaccinated, a nose spray, a COVID test, hand sanitizer, and mouth wash. The colours are warm, cozy, and pastel. Watermarked by @graesalisbury
Note: alt-text from Bluesky. Free download from their shop.
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when I tell u I had to scroll a week back in my twitter likes to find this video bc I genuinely couldn’t sleep until I did
brushbug banging out the tunes
[ID: A looping gif of the brushbuddy from Witch Hat Atelier patting its paws repeatedly, edited to have a PNG of a toy xylophone (the same one from the "Neil banging out the tunes" photo) beside it so it looks like the brushbuddy is playing it. End ID]
Was reminded of my old monster Cinderella x Snow White story and felt like redesigning them a bit
15 years of aeiou
july 17 2010
Being a calm, gentle, non-reactive person is really hard work, which is probably why many people are none of these things. Personally I think it’s worth it but sometimes one does want to just roll around on the floor wailing at the top of one’s lungs
People in my notes who think I’m repressed or dissociating: you will feel better when you learn emotions are not a binary of Not Feeling It vs Being Overwhelmed By It
Ok but How Do I Do That
Learn strategies for enhancing self-regulation skills, and discover the benefits of mastering this essential life skill to help emotional dy
There are many techniques (also, there are drugs)
Emotional regulation is about managing emotions to maintain balance.
A little meatier than the Harvard page but covering the same ground. These pages will give you additional phrases to google for advice
For all Terror fans (and general Cold Boy Likers-) I think you'd enjoy this game.
Inua: A Story of Ice and Time is a point-and-click narrative/puzzle game centering on Inuit myths and folklore of the Franklin Expedition, spread across three protagonists and almost two centuries. And, yes, there is a big polar bear involved.
Edit: the title for this comic is “Puzzle Rat” this one’s a few days late due to having a lot of doctors appointments sorry it’s just 9 pages, and about some rats… it’s more symbolic than anything really
(it’s completely unrelated to any of my songs that have to do with “puzzleboy”) Patreon: www.patreon.com/PengoSolvent