BITCH THIS TEA IS PIPING FUCKING HOT. I BURNT MY MOUTH SIPPING ON THIS SHIT.
FUCKING ROASTED

if i look back, i am lost
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Today's Document
Noah Kahan
Lint Roller? I Barely Know Her

Andulka

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2025 on Tumblr: Trends That Defined the Year
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will byers stan first human second
Monterey Bay Aquarium
hello vonnie
taylor price

Origami Around
sheepfilms

shark vs the universe
đ©” avery cochrane đ©”
noise dept.
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Kiana Khansmith
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@feminismandghostbusterscrit
BITCH THIS TEA IS PIPING FUCKING HOT. I BURNT MY MOUTH SIPPING ON THIS SHIT.
FUCKING ROASTED
âI didnât think that I would ever really have a friend until I met Abby and then I feel like I have a familyâŠâ
More Things We Should Talk About In Regards to Ghostbusters:
Not just four female leads, but four female leads over the age of 30. Three of the four are over 40.Â
All are single. No one is distressed about this fact. NO ONE.
Itâs like⊠a movie finally recognized that itâs okay to be a single woman? And that women are still valuable members of society at any age? And maybe there are more interesting stories to be told about women?Â
Always reblog
Ghostbusters (2016)
End Note
And thatâs it. The project is done. Thank you so much to everyone who submitted, reblogged posts, send me links to posts to reblog, or helped in general. Also thank you to the 15 people who followed this blog as I worked on it and posted content. You guys rock!
This blog will remain a living archive. If I see something that relates to the content of this blog, I will reblog it and tag it appropriately.
Thanks again for coming with me on this journey. It was a blast.
Best always,
Ty
Final Conclusion
So, after all of that, what do we know? What did we learn? And why is it important?
Well, lets start from the beginning.
We know that Ghostbusters was attacked as a feminist movie from the beginning, and in some cases the haters were right. Ghostbusters does indeed incorporate aspects of female humor, feminist humor, and lesbian feminist humor in order to tells its story, and that is one of the reasons it is not understood and attacked by men. The shared cultural experience of women that is portrayed in Ghostbusters, along with its portrayal of strong, smart, and funny female characters subverts dominant male culture comedy in which the woman is supposed to be submissive, demure, and stupid. It was attacked because it pushes back against this dominant male culture and turns the tables on men.
Ghostbusters passes most, if not all of the feminist media tests, including the Bechdel test, the Mako Mori test, and the Sexy Lamp test. It also created its own feminist media test, the Pizza test. However, Ghostbusters is not intersectionally feminist.
Ghostbusters features four female leads in a non-demeaning comedy/action movie, and the movieâs humor is based on feminist and female comedy, overall Ghostbusters: Answer the Call seems to throw the stories of the intersectional characters under the bus to uphold a white, straight, neurotypical feminist narrative.
The reaction of fandom to the erasure or downplaying of intersectional characters by giving them intersectional background of their own shows a growing movement in fandom to tell diverse stories. It also shows a demand for media that portrays intersectional characters in the first place.
So What?
Why does all this matter? Why does Ghostbusters matter? Or does it not? Is Ghostbusters: Answer the Call just another movie to fall through the cracks, forgot as just another mediocre summer movie flop?
Well, Ghostbusters was the first all-female reboot of a male-casted movie, and the reaction to it shows that we as a culture have a long way to go. We need to take a harder stance in dealing with sexism and racism in our media and in our population. If feminist media is already non-mainstream, we should go all the way and tell intersectional stories that represent the intersection of being female and being a minority instead of just telling the stories of white women. We need to actually give our intersectional character concrete diversity in our media instead of baiting minorities with half-issued promises of diversity and inclusion.
While Ghostbusters: Answer the Call was a good first step, it could be improved on. The world has seen how Ghostbusters failed and how it is succeededânow it is up to media creators, both current and upcoming, to pave the way for more intersectional media and more intersectional comedy. This upcoming media should continue to fly in the face of a dominant male culture and empower women and minorities alike so that these individuals can continue to succeed in real life as they succeed on the big screen.
Yatesmann + touch
So there you got Abby and Erin, the core relationship of the movie with Erin literally jumping on the other side for Abby. But you also have Holtz and Abby whoâve known each other for a while and worked together all these years and Abby was Holtzâs family as stated in her final speech. BUT you also got Patty and Holtz, always being the dynamic and fun duo, the Babyâą petnames and having each otherâs backs. BUT ALSO you got the heavy gay subtext on literally every scenes with Holtz and Erin, The Wink âą, The Danceâą, The Bickeringâą, The Swiss Army Knifeâą Â and so on..
SO what I mean to say here is: every ships in Ghostbusters (2016) are wonderful and whatever pairing youâre shipping, it is good and pure so please enjoy
â i didnât really think that i would ever have a friend until i met abby. â
@just-debarging-in
â abby was the only one who believed me . â
Patty Tolan & Erin Gilbert in âGhostbustersâ
â- Screw that. We are scientists. Plus Patty.Â
 - Thank you.â
Tolbert + touch
Sheâs [Holtzmann] in charge of perfecting the machinery. â Kate McKinnonÂ
Bonus:
In a power couple, if one person is flawed, the other person makes up for their weaknesses in strength.Together, they are the epitome of what anyone would desire in a relationship. They encourage goodness in the world and make it a better place by being together. (insp)
honestly, I think the most important thing about kate mckinnon being cast in ghostbusters, for me personally, as a girl attracted to girls, is that i can finally obsess over and have a crush on a queer coded character and the ACTUALLY NOT STRAIGHTâą actress who plays her. for the first time in my lifetime, lgbtq+ girls are able to experience love for a character in a hollywood blockbuster, and the person who plays them, without erasure of their sexual identity.  through kate mckinnonâs casting, and her portrayal of holtzmann, my sexuality, as a non-straight consumer of popular media, is normalized rather than ignored, and this is so so so important.
Seeing questions about Holtzmannâs sexuality either being skirted around or shut down entirely hurts on a spiritual level. It hurts that director Paul Feig canât confirm that his obviously queer character is queer. It hurts that actual lesbian Kate McKinnon is not allowed to discuss that aspect of her character. It hurts that a character I have come to see as the queer hero of my dreams has been shoved into the closet. It hurts that itâs 2016 and queerness is still silenced, considered a risk, and viewed as undesirable or intolerable.
This whole thing communicates such a fucked up message to the LGBT+ community. Itâs basically like someone saying âpeople like you should not be seen,â âpeople like you should not be heard, âpeople like you donât deserve heroes.â I understand reality and Iâm not totally uneducated about how the film industry works but damn it in this day and age characters like Holtzmann should be allowed to be out and proud, not have a significant part of themselves smothered to death by the bigotry of studios and audiences.