TRAIN. HUNT. KILL. SACRIFICE.

indie highly selective far cry 5 / far cry new dawn oc blog. daughter of jacob seed. written by sav. low activity. sideblog to @cultfought.

[feralseed]

leaves crunched under tiny boots as the child rushed to keep pace with her ‘ big brother. ’ though ber was of no true biological relation, lark saw the way her father treated him. the favor given to the chosen. . . though no one had tried to tell her different, there was no convincing lark that the man who she was frantically trying to keep up with was anything other than family. “ see anything? ” her tiny voice piped up, a little over a whisper in the silent woods. it was her first time on patrol with a chosen -- and she was not about to let ber down. the six year-old, despite being out here as a part of her training, took her duties as seriously as any solider, “ ‘s quiet. . . ”

@kenneld​ / sc !!

[feralseed]

like this if you want a short starter bc i’m in a lark mood

[leneemusing]

DARKER THRILLING PROMPTS

content warning for themes of violence, gore, death,  horror and general dark themes as stated in title. obviously these can be used for any context but i figured i’d provide some content for spooky season. ♡

ANTAGONIST 

“  did you really think you could hide from me?  ”

“  no one is coming to save you.  ”

“  now,  i’m gonna have to kill you.  but i won’t let it hurt.  i promise you that much.  ”

“  what?  crying already?  ”

“  keep your goddamn mouth shut!  ”

“  oh,  don’t look at me like that.  surely you’re used to being hurt by now.  i always pick the damaged ones.  ”

“  damn—  you’re a really fucking fast runner you know that?  ”

“  it’s so cute that you think you’re going to survive.  ”

“  you can scream all you want.  no one will hear you.  ”

“  i’ve been planning this for so long.  ”

“  oh yes,  i remember now.  i had so much fun killing that one.  ”

“  i really wish you hadn’t said that...  ” 

“  well shit.  i didn’t want you to see this—  blood really isn’t my color.  ”

“  i’m warning you to walk away now.  forget you saw this.  ”

“  if i see you again,  i’ll take your eyes.  ”

“  don’t give up now,  i’m just getting started.  ”

“  i was hoping you’d put up a fight.  ”

“  stop squirming— it will hurt less.  ”

“  you’re not getting out of this.  ”

“  i’m afraid it has to be this way.  ”

“  it was always going to end like this.  just accept your fate.  ”

“  i really don’t like having to do this.  please don’t make it harder.  ”

“  just let go,  feel the life draining away. it’ll be peaceful.  ”

“  shh it’ll all be over soon.  ”

“  oh,  you’re going to be a fun one to take apart.  ”

[ INTIMIDATE ]  for one muse to use gentleness in a threatening manner  (  stroking their face or hair etc  ). 

[  CRUEL ]  for one muse to threaten the other by putting a hand around their throat without fully choking them. 

[ TRAPPED ]  for one muse to wake up bound to chair. 

[ GROUP ] for both our muses to wake up,  bound and about to be tortured. 

[ KNIFE ] for one muse to stab the other.

[ BULLET ] for one muse to shoot the other. 

[ CRACK ] for one muse to break the other’s bone  (  feel free to specify location  ). 

[ BRUISE ] for one muse to punch the other.  

[ CAUGHT ] for one muse to discover the other in the act of killing someone. 

[ LATE ] for one muse to discover the other after they just killed someone. 

[ QUIET ] for one muse to menacingly put a finger over their mouth to indicate the other to hush. 

[ WHISPER ] for one muse to put their finger over the others mouth while intimidating them.

TARGET/WITNESS

“  why are you doing this to me?  ”

“  what the fuck do you want from me?!  ”

“  i swear to god i’ll shoot!  ”

“  what the fuck is wrong with you?  ”

“  i’ll do whatever you want,  it doesn’t have to be like this.  ”

“  why are you like this?  what happened to you?  ”

“  please—  help me—  ”

“  i think i’m dying—  fuck i’m gonna die…  ”

“  i can’t keep running.  ”

“  please, stop—  ”  

“  go to hell you fucking bastard!  ”

“  i won’t cry for you.  ”

“  hurt me all you want,  i won’t let you break me.  ”

“  go fuck yourself.  ”

“  oh,  i don’t think you’re misunderstood.  i just think you’re a little bitch who only gets off when they’re hurting people.  ”

“  newsflash asshole,  we’re all fucked up.  you don’t see me going around killing anyone over it.  ”

“  what did you do? what the hell did you just do?  ”

“  you said you wouldn’t do this anymore.  ”

“  enough! just.  stop.  ”

“  okay,  you’re really starting to freak me out this isn’t funny anymore.  ”

“  just leave me alone! ” 

“  we have to keep running—  ”

“  get the fuck outta here,  it’s not safe!  ”

“  we can’t hide here forever.  ”

“  who’s after you?  ”

“  don’t leave me here!  ”

[ DEFEND ] for one muse to fight back against the other. 

[ LOGIC ] for one muse to try and reason with an antagonist. 

[ FLEE ] for one muse to witness the other do something violent and immediately run away. 

[ LIVE ] for one muse to be injured by an antagonist and barely survive. 

[ HELP ] for one muse to stumble upon the other after getting attacked. 

[ SURVIVE ] for one muse to have to leave the other behind to run from an antagonist. 

[ GRIEF ] for one muse to watch the other get hurt/killed. 

[ PURSUIT ] for one muse to chase the other. 

[ SURPRISE ] for one muse to grab the other from behind,  hand over their mouth but with the intent to help them hide. 

[ COLLIDE ] for one muse to run into the other’s arms after fleeing from an attacker. 

[ AID ] for one muse to find the other in shock,  hiding from something or someone. 

[ RESCUE ] for one muse to just narrowly get saved by the other. 

[dailygingerheads]

ROSE LESLIE as CLARE ABSHIRE || The Time Traveler’s Wife - 1x03.

[feralseed]

@ezerkenegdc said : ❝  you can come to me with anything.  anything at all.  ”

the young woman's brows knit together as she looks up from the relentless sharpening of an arrowhead. it's quieter here than it is in the mountains -- the wolves keep farther from this part of the county. the sun seems brighter here, perhaps since it doesn't have to fight it's way through the leaves of tall trees. it's peaceful. . . or perhaps that peace radiates from the woman who sits beside her. hannah seed. the wife of the prophet. her aunt. " do i. . . look like i hide something? " she asks cautiously, raising a thick red eyebrow. hannah's offer is meant to comfort, but lark struggles to take it that way. her purpose is clear -- there is no time for emotion. emotion will make her WEAK. and if she's showing through. . . perhaps more training is in order. the thought frightens lark, though she wouldn't admit it. she likes this assignment -- jacob has sent her here to protect joseph and hannah as the threat from the resistance grows -- and she'd hate to lose it. her eyes dart for a moment, hoping no one is close enough to overhear this interaction. " am happy. " she promises hannah, with a short nod, " my purpose here is to protect. you and the father. " her green eyes meet hannah's, and she offers the other woman the closest thing she can to a smile. a tight lipped curve of her lips. bared teeth were for enemies -- not her pack. " i. . . like it here. don't want to ruin that with. . . feelings. "

affectionate prompts / accepting !

[feralseed]

in an au where lark is older in fc5. . . i feel like she's 19, still the daughter of jacob and an unknown woman ( well, unknown to lark obviously ). she is pretty much exactly the same -- frighteningly strong, devoted to her father, joseph and eden's gate, tends to prefer the company of the judges, etc. i don't think she's a chosen, and maybe she isn't even a cult vip. . . i feel like lark is Her Own Thing -- she struggles to fit into the hierarchy of the cult, mostly because she doesn't speak a lot. but her achievements as a soldier and a devotee of eden's gate speak for themselves her primary directive is to protect joseph and ensure his safety -- like her father, she believes her primary purpose is to protect the project at all costs, including her own life :)

[feralseed]

some short facts about lark because she’s On My Mind

when lark talks, her speech pattern is very odd -- and she’ll often drop pronouns or articles and struggle to find specific words. this is because she doesn't speak a lot, and she's pretty out of practice compared to someone raised in a traditional american education system

if she can, lark prefers to communicate nonverbally. she uses touch and expression to communicate what she needs to communicate

lark is functionally illiterate and cannot read or write. she was never taught!

lark's favorite foods are raspberries and blackberries and when she finds them she picks a whole bunch and hoards them in a little pouch until she eats them all ( don't tell her dad! )

she usually makes all of her own tools -- arrows, knives, etc. especially as she gets older, lark likes to work with her hands and craft her own things

her favorite thing she's ever crafted was a bow with some very cool carvings. she's very proud of it

lark loves the smell of campfires

[litterae-ignotae]

My father calls me Wolf. He says that I will see things other people will not see at night. When he holds me, heat comes out of his big arms & I belong to him.

Lucie Brock-Broido, Birdie Africa

[feralseed]

what if i made an au where lark was older in far cry 5. what then

[leneemusing]

AFFECTIONATE  AND  AFFIRMING  PROMPTS 

❝  i’ll always want to listen to you.  ❞

❝  any time spent with you is time i treasure.  every second.  ❞

❝  my favorite color changes but it’s always the same,  whatever color you’re wearing.  ❞

❝  whatever matters to you matters to me,  you’re important to me.  ❞

❝  you’re so strong.  and brave—but i wish you knew you don’t always have to be.  i’m here,  if you’re ever willing to let me help shoulder those burdens.  ❞

❝  i’m not staring,  i’m admiring.  ❞

❝  i’ll always be yours,  in one way or another.  ❞

❝  you don’t ever have to worry with me.  i’m here for good.  ❞

❝  you are more beautiful than you know.  ❞

❝  you have a beautiful mind and a wonderful soul,  don’t ever let anyone make you think differently.  ❞

❝  i’m happier when you’re here.  ❞

❝  you’ve become my joy.  ❞

❝  whatever else happens,  if i have you,  i’m content.  ❞

❝  well,  i do feel a little better now that you’re here.  ❞

❝  you do make me happy,  it’s important you know that.  ❞

❝  you will always be my priority.  ❞

❝  i love you forever.  ❞

❝  you don’t know how glad i am to see you.  ❞

❝  you look wonderful.  ❞

❝  i want you to feel safe with me.  ❞

❝  i’m not letting you go until you say it out loud.  you’re beautiful and strong.  you deserve to believe it.  ❞

❝  sometimes you amaze me—i mean you always do.  but you have such intuition and real wisdom about things.  i like understanding the way you see the world.  ❞

❝  you carry yourself with such grace.  ❞

❝  you have a way of lighting up even the darkest moments.  ❞

❝  a tender heart is a courageous thing to preserve.  don’t ever be ashamed of having one.  ❞

❝   being around you makes me a better person.  ❞

❝  i hope you know just how full of worth you are.  ❞

❝  you always make me see things differently.  i appreciate your perspective. ❞

❝  i’m just enjoying you.  you look happy today and i like seeing that.  ❞

❝  you’re very valuable to me.  ❞

❝  you can come to me with anything.  anything at all.  ❞

❝  there is not a place in the world i would rather be than right here with you.  ❞

❝  come here,  come sit in my lap and tell me about your day.  ❞

❝  come put your head in my lap and tell me something new.  ❞

❝  i love it when you smile at me like that.  ❞

❝  i don’t think i can share you with anyone today.  ❞

❝  i’ll take you anywhere you want.  just tell me where.  ❞

❝  bored? of you?  impossible.  ❞

❝  if you like it i’ll get you one.  ❞

❝  your happiness matters greatly to me.  ❞

❝  you deserve to reach the goals you want in life.  you deserve to obtain anything you wish.  ❞

❝  you’re doing well.  you’re just discouraged and tired.  ❞

❝  you need to rest,  you don’t have to do it all today.  ❞

❝  the way i love you goes beyond description.  even those words don’t seem like enough.  ❞

❝  you come first.  you’re always my first choice.  ❞

❝  no,  if you’re upset that’s what matters right now.  talk to me.  ❞

❝  i want to share in your joy.  i want to be part of all things that make you happy.  ❞

❝  all of my best moments are the ones that have you in them.  ❞

❝  i would give you anything you ask of me. ❞

[ COMFORT ]  sender discovers receiver brooding and quietly approaches to carefully hug them from behind. 

[ SOOTHE ]  in the midst of a tense moment,  receiver turns away to conceal their emotions but sender wraps their arms around them and holds them from behind. 

[ CLOSE ]  sender reaches out and pulls receiver into their lap as they’re walking by. 

[  STOP  ]  sender reaches out and takes receiver’s face into their hands,  drawing them away from what they’re doing so they can just look at receiver for a moment.  

[ GIVE ]  sender greets with receiver with a gift. 

[ BRING ]  sender takes receiver out for the day to pamper them. 

[ ATTENTION ]  sender peppers a series of caresses over receiver’s face in an attempt to make them laugh or smile. 

[ COAX ]  sender knows receiver has had a lot on their mind,  so they hold them for a while to help them relax and hopefully open up. 

[ CARESS ]   sender sits by quietly while receiver works,  petting their hair and simply providing company. 

[ RELAX ]  sender gives receiver a massage. 

[ LOOK ]  for receiver to catch sender gazing adoringly at them.

[ MORNING ]  for sender to wake receiver with a kiss. 

[feralseed]

ROOK VC: THAT'S MY DAUGHTER!!!!!!!!!!!

" MOM?!?!?!?! "

@handsigned

[feralseed]

“  please don’t scare me like that again.  i can take a lot of things,  but not losing you.  ”

" 'm sorry, " it's lark's instinct to SHRINK BACK, eyes closed -- expecting swift punishment and redirection. however, nothing comes. . . no slap, no swift pop to the jaw, no yelp of pain. . . and lark wrenches an eye open, looking worriedly at her aunt. it takes a minute, but she realizes she won't be getting retaliation for what she's done, and the girl straightens. " i. . . didn't mean to scare you. " she mumbles, before dropping the kill in front of her. her arm still dripped blood, claw marks wrapped around her small arm, but the wolverine was dead, with one of lark's arrows in it's eye. she'd won, but not without a fight. " it was too close. wanted to protect you. "

soft angst memes / hella accepting !!

[leneemusing]

SOFT(ish) ANGST PROMPTS

“  i thought you were gone.  for good. ”

“  you left and—  i thought you weren’t coming back.  ”

“  i miss you.  i know i’m not supposed to,  but.  i just had to see you.  ”  

“  please don’t scare me like that again.  i can take a lot of things,  but not losing you.  ”

“  i can’t even take the very thought of you getting hurt.  ”

“  you could’ve gotten yourself killed! you could’ve— fuck!  you scared the shit outta me.  ” 

“  yes.  i am telling you what to do.  i’m telling you not to pull something like that again because—  ‘cause fucking hell.  i care about you.  okay? ”  

“  i found myself driving home and then.  well i was on my way here.  ‘cause i guess…you’re still my home.  ” 

“  please,  tell me why you’re upset.  tell me who did this?  ”

“  you don’t have to come over here and take care of me you know.  i can clean up my own messes.  ”

“  don’t talk.  just get the fuck over here and hold me.  ”

“  loving you is like having my heart just out in the world.  outside of my body walking around.  every time i see you hurting,  it kills me.  ”

“  i made you cry.  and i hate myself for that.  i swore i wouldn’t be one of the people who left you hurting.  ”

“  you really hurt me this time.  but i want to let go of that.  i really do want to forgive you i’m just scared you’ll hurt me again.  ”

“  i know you’re mad at me right now,  but i’m the one who’s here.  let me be here.  let me help.  you can be angry later.  ”

“  i’m here now.  i know i wasn’t before.  but i should’ve been.  and i’m not going anywhere.  i’m not gonna let that happen again.  ”

“  it’s time to come home now.  ”

“  that’s enough.  you’ve got your revenge.  let’s go.  ”

“  i know you’re hurting.  and i can’t fix that.  but i can refuse to let you hurt alone.  ”

“  i’m never letting go of you.  i missed you so fucking much.  ”

“  look at me,  you’re safe.  and you’re not alone.  and i’ll never let you be alone again.  you understand?  ”

“  i broke my promise to you once.  i’ll never do it again.  ”

“  i don’t need you to go white knighting and fix all this.  i just want you here.  with me.  that will make me feel better.  ”

“  just stay still and let me hold you.  ”

“  you don’t have to hide your tears.  let it out.  then we’ll move on,  together.  ”

“  i just.  needed to talk to you ‘cause.  somehow you always know what to say.  ”

“  don’t bury your feelings.  sadness.  hurt.  rage.  feel it.  acknowledge it so you can decide what you want to do with it.  not what it will do to you.  ”

“  i miss your smile.  and not that sad one you try to fool everyone with.  the real one.  the one you used to show me.  ”

“  come here.  i’m taking care of you tonight.  and you’re gonna let me.  ”  

1) our muses reunite after sender thought receiver was dead. 

2) our muses reunite after receiver thought sender was dead. 

3) sender shows up at receiver’s house drunk after they’ve broken up. 

4) receiver shows up at sender’s house drunk after they’ve broken up. 

5) our muses are on bad terms but reunite after one of them nearly dies. 

6) sender finds receiver crying and approaches,  clearing the tears with their hands while demanding to know what happened. 

7) receiver finds sender crying and approaches,  clearing the tears with their hands while demanding to know what happened. 

8) our muses haven’t been speaking,  but sender rushes to take care of receiver after they’ve been injured or fell ill. 

9) our muses haven’t been speaking,  but receiver rushes to take care of sender after they’ve been injured or fell ill. 

10) sender hurt receiver in some way,  which led to receiver doing something reckless and sender shows up to stop them/or deal with the aftermath. 

11) receiver hurt sender in some way,  which led to sender doing something reckless and receiver shows up to stop them/or deal with the aftermath.

12) our muses are in a fight,  but cuddle anyway because they don’t like sleeping alone. 

13) receiver wakes sender from a nightmare. 

14) sender wakes receiver from a nightmare. 

15) sender wakes up in the hospital and finds receiver at their side,  who is in the same clothes as the day they were admitted because they’ve refused to leave their side. 

16) receiver wakes up in the hospital and finds sender at their side,  who is in the same clothes as the day they were admitted because they’ve refused to leave their side. 

17) our muses are currently on the outs,  but receiver goes through something traumatic and sender pushes past their friends to get to them. 

18) our muses are currently on the outs,  but sender goes through something traumatic and receiver pushes past their friends to get to them. 

[feralseed]

@iscariotsdeputy asked : ‘i let you down.’               soft angst starters. / / accepting !

❝ not possible. ❞     her voice is matter-of-fact as she looks at the older man. PRATT. he’s grown very much – it’s very clear these past years have taken their toll, but she understands. they’ve taken their toll on her as well. she’s no longer the scrawny child that curled into his arms in the rain of the whitetail mountains. she’s GROWN, no longer a pup – a creature now with a name and a world of her own. it might be years since she’s seen him, stumbled upon him by chance in the forest, but she hasn’t forgotten him. hasn’t forgotten his kindness, hasn’t forgotten their BOND. lark doesn’t talk much, less so now as she’s learned to sign, but it’s important in this moment to talk. important that he understands. she leans forward in the chair on staci’s porch, fingers wringing together before she speaks. ❝ you can’t. . . let me down. we’re pack. ❞     she says, without explaining the bond. staci was in the mountains, with the judges, she knows he UNDERSTANDS.      ❝ mostly the pack stays together but sometimes. . . it’s not safe. you have to stay safe. you can split up for safety. ❞ the girl looks up, tilting her head at staci. it’s funny, because she remembers her first judgment of him -- she thought him SOFT. she thought herself fierce and wild and deadly and she thought pratt would be lucky to survive more than a week beneath her father’s heel. since that night he helped her, he’d been part of her pack. but even as a child, she’d thought him the RUNT. but now, her father was dead, and staci pratt was alive. the strong had survived. ❝ we do what we have to do to survive. that’s why you left. he would have killed you some time, i’m not stupid. or. . . ❞     she struggles for the word for a moment,     ❝ naive. i’m not naive. ❞ lark gives him a smile, it’s tight-lipped and somewhat awkward, but it’s still a smile.      ❝ i’m called lark now. . . happy to have my pack back, pratt. ❞

[elimemes]

SOFT ANGST STARTERS.

‘stay for me.’

‘what’s this between us?’

‘i don’t want your apology.’

‘you know i have feelings for you.’

‘yeah, i remember the drill.’

‘you’ve never hurt me. ever.’

‘then leave her/him/them. at home.’

‘i don’t believe it.’

‘this is breaking my heart.’

‘you met me at a very strange time in my life.’

‘what keeps you up at night?’

‘i wish you were here.’

‘i let you down.’

‘something strange happened here.’

‘you’re not safe here.’

‘i wasn’t ready to say goodbye.’

‘we are not the same, and never will be.’

‘don’t touch me.’

‘is it my fault?’

‘i’m not like them.’

‘i forgot my name again.’

‘i don’t know who i am.’

‘your fear of looking stupid is holding you back.’

‘are you still alive?’

‘i don’t like being told what to do.’

‘am i making you uncomfortable?’

‘nobody cares if you don’t go to the party.’

‘it was supposed to be fun, and you ruined it.’

‘where the hell are my friends?’

‘stop pretending life doesn’t terrify you.’

[moonskek-deactivated20251028]

“Eekholt” by Frank Stöckel 

[feralseed]

IT’S HARD FOR HER TO KEEP UP -- little legs tumbling through the brush as she tries her best to keep step with her father. jacob seed is a tall man, something the little girl at his side is very aware of as they walk together through the forest. despite her size, the girl is quick and silent -- occasionally dropping hands to the ground to help her move faster, a trick she’s picked up from the judge. from her pack. still, she’s got her small bow strapped to her back, and the quiver of arrows as well -- some of which she’s made herself. she doesn’t usually get this TIME ALONE with her father, and she’s eager to hunt with him. eager to prove her STRENGTH. it’s a moment before she speaks, breaking the silence between them.                      ❝ . . . what are we hunting? ❞

@badwclv