Finnish National Gallery @finnish-art-gallery - Tumblr Blog

Duke Karl Insulting the Corpse of Klaus Fleming, Albert Edelfelt, 1878, Finnish National Gallery

http://kokoelmat.fng.fi/app?si=A+I+212

#finnishnationalgallery #museumarchive #finngallery #artmuseum #europeana

Kristuksen ylösnousemus, ylhäällä leijuva Kristus, alapuolella yksitoista opetuslasta, Berndt Abraham Godenhjelm, Finnish National Gallery

http://kokoelmat.fng.fi/app?si=A+II+985%3A130

#museumarchive #finnishnationalgallery #artmuseum #finngallery #europeana

Istuva nainen ja jalkaharjoitelmia, Alfred William Finch, Finnish National Gallery

http://kokoelmat.fng.fi/app?si=A+III+2211%3A117

#finngallery #museumarchive #artmuseum #finnishnationalgallery #europeana

nationalmuseum-swe

Okänd dam, Marguerite Gérard, Nationalmuseum, SWE

http://collection.nationalmuseum.se/eMuseumPlus?service=ExternalInterface&module=collection&objectId=24871&viewType=detailView

#nationalmuseum #museumarchive #natmuseumswe

Asgårdsreia, luonnos, Nils Jakob Olsson Blommér, 19??, Finnish National Gallery

http://kokoelmat.fng.fi/app?si=A+I+456%3A4

#europeana #finnishnationalgallery #artmuseum #finngallery #museumarchive

radishshev-art-museum

Сельский вид, 1880, Radishshev Art Museum

Дерево, масло

http://ogis.sgu.ru/ogis/katalog/cgi-bin/museum.cgi-picid=sid-pac=va-id=g-166-bpicid=a-bid=83-bl=a-bs=0.htm

#museumarchive #radishchevartmuseum #saratovartmuseum

aic-european

Self-Portrait, Vincent van Gogh, 1887, Art Institute of Chicago: European Painting and Sculpture

In 1886 Vincent van Gogh left his native Holland and settled in Paris, where his beloved brother Theo was a dealer in paintings. Van Gogh created at least twenty-four self-portraits during his two-year stay in the energetic French capital. This early example is modest in size and was painted on prepared artist’s board rather than canvas. Its densely dabbed brushwork, which became a hallmark of Van Gogh’s style, reﬂects the artist’s response to Georges Seurat’s revolutionary pointillist technique in A Sunday on La Grande Jatte—1884. But what was for Seurat a method based on the cool objectivity of science became in Van Gogh’s hands an intense emotional language. The surface of the painting dances with particles of color—intense greens, blues, reds, and oranges. Dominating this dazzling array of staccato dots and dashes are the artist’s deep green eyes and the intensity of their gaze. “I prefer painting people’s eyes to cathedrals,” Van Gogh once wrote to Theo. “However solemn and imposing the latter may be—a human soul, be it that of a poor streetwalker, is more interesting to me.” From Paris, Van Gogh traveled to the southern town of Arles for fifteen months. At the time of his death, in 1890, he had actively pursued his art for only five years. Joseph Winterbotham Collection Size: 41 × 32.5 cm (16 1/8 × 12 13/16 in.) Medium: Oil on artist’s board, mounted on cradled panel

https://www.artic.edu/artworks/80607/

#europeanart #artinstituteofchicago #vincentvangogh #museumarchive