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i like my ocs and a lot of other things
expect lots of anime these days
i’ve never been spoiler-free in my LIFE
☆ art tag ☆

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YOU ARE THE REASON
Cosimo Galluzzi
One Nice Bug Per Day
he wasn't even looking at me and he found me
KIROKAZE
h

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Claire Keane
Fai_Ryy
PUT YOUR BEARD IN MY MOUTH
Stranger Things
"I'm Dorothy Gale from Kansas"
NASA
Keni
🩵 avery cochrane 🩵

pixel skylines

JVL
Aqua Utopia|海の底で記憶を紡ぐ

PR's Tumblrdome
seen from United States

seen from Türkiye

seen from United States
seen from Sweden

seen from Netherlands
seen from Malaysia
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seen from Türkiye

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@fiowerbed
⭑🛸๋⭑
i like my ocs and a lot of other things
expect lots of anime these days
i’ve never been spoiler-free in my LIFE
☆ art tag ☆
Fat bitches frotting
sposnored by thee fucking frito lay corporation
because fat bitches are Fri to Lay down and frot with me
I know Toby seems to write queerness as mostly textually "normal and ok" but I think it's really sweet and important from our irl perspective how the Susie and Blue break is just basically an older fem gay man telling a teenage butch lesbian girl that it's ok and beautiful to love however she wants
Deltarune! Tomorrow!
please please please be aware that if you and your friends get addicted to saying YIPPEEE like fortnite und cola yippee it will have an intoxicating effect and you might accidentally say it in a really important business meeting to a bunch of men you don't know
if i was a popular minecraft youtuber id just tweet "hey guys stop drawing shipping fanart of me and my friends/coworkers, i only fucked one of them and seeing me paired with anyone else is kinda weird and crosses my boundaries" and then i'd turn my phone off
also can we talk about the game design of count the rice?? brilliant
the only challenges that require multiple people are at the beginning and end - at the beginning to allow the players to bounce around there for a bit before they realize they need to go down, and also at the end to ensure that a runaway player has to wait for another to catch up
count the rice itself, of course, can only be played with one player, so that players never actually have to count rice (if you had to wait for a second player at the end, then whoever got closest would win) (this is ofc not accounting for hannah pilkes)
the middle rooms are great too, because they are easy to intentionally fail, and hard to win. the spot the difference rooms are especially good, because you think you understand what it is (spot the difference between the two halves of the room), and this is seemingly confirmed when you successfully loose, but once you come back to try to win, you realize you did not actually fully understand the game. the placement of these is important, too - only players who were intentionally trying to lose got to those rooms. any higher in the sequence, and they might have had a player trying to win reach the rooms first, and then they'd realize the twist
and also the decision to split the rooms up? 2 and 3 in a separate space from 4-8, so players would assume there are only 3 until someone loses enough, subtly hiding the majority of the game from them
ugh just so many little details in the game design here are so perfect and well thought out, game changer is clearly such a labor of love
catherine might be the first game changer player who understood the assignment, immediately failed the assignment, figured out the assignment better, told everyone else the assignment, and then failed multiple times cause she truly cannot describe pictures (or name songs). player of all time. i love seeing someone who clearly gets and loves game changer and is just plain bad at games. representation for all of us.
Recently, I began a weekend creative writing workshop with this exercise: write your sexual life story in five sentences. Short of gratuitous usage of semicolons, there was no wrong way to do this; the five-sentence story could be as abstract or as concrete as my students wanted. It could be a chronological list of the five most high-topography sexual events in their lives, or it could be a list of images more akin to a surrealist poem. After the allotted five minutes, they all set their pens down with a touch of weary accomplishment. Then I asked them to do it again. This request was met with stares, some uncomprehending, some with a touch of contempt. I pressed on. The only requirement was that they not reiterate any of the previous five sentences—they could zoom in to a single event, zoom out to a philosophical summary, make it silly, make it emotionally opposite, make it more honest, make it less or more abstract. After they’d finished, I asked them to do it for a third time. A fourth. At this point, many of their stares implied that I was unhinged, sadistic, or simply ridiculous. Eventually they stopped staring and started writing faster. Here’s the point: Their writing got better. It became truer. It became more theirs. I told them, We could do this all day. I meant: and not run out of ways to tell that story. More importantly, they would bear witness to something greater than mere improvement. Over the years, I’ve come to look forward to the point in my own writing at which continuing seems both incomprehensible and loathsome. That resistance, rather than marking the dead end of the day’s words, marks the beginning of the truly interesting part. That resistance is a kind of imaginative prophylactic, a barrier between me and a new idea. It is the end of the ideas that I already had when I came to the page—the exhaustion of narrative threads that were previously sewn into me by sources of varying nefariousness or innocuity. It is on the other side of that threshold that the truly creative awaits me, where I might make something that did not already exist. I just have to punch through that false wall.
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Body Work (Melissa Febos)
Whenever I see some anon asking an artist if it's "okay to take inspiration" from their art it makes me want to make some kind of manifesto or billboard or PSA or skywriting campaign to undo whatever damage strange litigious illustrator types inflicted upon the most basic foundations of the creative process. We can't let them get away with this
little bitty blellow commisshy from @rosie-toast ^_^
just gonna find a good place to bury myself alive
How the turntables
Does she really think she’s not a part of “fucking each others brains out”???
(USAmerican trying to imagine a societal environment) Okay, so picture a highway,
inability to correctly perceive 3d objects is in fact far more dangerous when someone is driving a car next to you then when they're like, sending emails to you.
can we focus on the gnome for a second
wait sorry i was not wearing my glasses. that is a cat
these are the people i have to share a highway with
girl with ptsd voice: hey, so something really bad is gonna happen, right? you guys are picking up on that too, yeah? The other shoe is about to drop, I just know it.