Trying to avoid spoilers

If it has top hats, tricornes, bicornes, deerstalkers or ruffs in, I'll watch it.

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Old headshots of Joseph Quinn by Phil Sharp

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Olivia Colman, Olivia Williams and Joseph Quinn in Mosquitoes, National Theatre London 2017  

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Hi res portraits of Joseph Quinn as Leonard Bast in the BBC Starz Howards End 

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Hi res stills from BBC Starz Howards End 

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Hi res stills from BBC Starz Howards End, original source Far Far Away Site 

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Joseph Quinn as Leonard Bast in BBC / Starz Howards End, hi res stills and BTS images from Far Far Away Site 

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Joseph Quinn as Leonard Bast in Howards End, BBC / Starz, hi res still from Far Far Away Site (since deleted) 

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Joseph Quinn and Tom Weston Jones in Dickensian, hi res stills originally from Far Far Away Site (deleted)

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Joseph Quinn as Arthur Havisham in Dickensian, hi-res still

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Joseph Quinn in Deathwatch, 2016, stills by Marc Brenner 

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Deathwatch with Joseph Quinn, 2016, image by Marc Brenner 

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Dickensian stills, forgotten where from. 

[beardbriarandrose]

Sir Edward Burne-Jones, School For Dragon Babies, 1884, pencil on paper

[ponqo]

i can’t believe you posted this without posting the sequel!

[a-book-of-creatures]

It gets better and better

[rionsanura]

Oh my god. This is the same Sir Edward Burne-Jones, the famous Pre-Raphaelite painter who in the extra-dramatic BBC series about them, was played by Peter Sandys-Clarke, whose oeuvre is more usually represented by this kind of stuff:

It’s that Sir Edward Burne-Jones. Who drew all the dragonbabies at school. I’m.

[radiodark]

Oh that’s delightful

“A handwritten inscription states that Burne-Jones gave his daughter, Margaret, a plain sketchbook before she married and moved to 27 Young Street. It goes on to state that the book was given to his granddaughter, Angela, when she was eighteen months old and that, “E. B-J began making drawings in it for her when he came to see her” (Burne-Jones). “ source

I’d like to postulate that the second set of dragon designs are at least a little based on a wombat his friend Dante Gabriel Rossetti (an absolute madman) raised for a while starting in 1859, following a dozen years of excitement about the animal. Oone, which he aggressively named Tops after William Morris’ own nickname,  allegedly met its end by eating one of Rossetti’s fancy cigars. Here’s a sketch by Burne-Jones of a wombat bounding across Egypt:

A whole bunch of the Pre-Raphaelites had a phase of drawing wombats like a cute in-joke for them and their friends, so I think it was likely a very comfortable shape for Burne-Jones to cartoon.

Plus anyone who’s studied dragons in european art history can tell you, folks tended to just draw them as familiar animals but with scales and tongues and such. So you get your dog-dragons and your horse-dragons and your snake-dragons. Theydies and gentlefolk, a wombat dragon! Many wombat dragons! precious <3

[nyotas]

[bbclesmis]

Director Tom Shankland on the set of Les Misérables. (x)

[tenlittlebullets]

June 1832 primary sources roundup

I have tentative plans to post things for Barricade Day that will add to this list, but in the meantime, if you’re interested in reading about the real June 1832 revolt in the participants’ (and witnesses’) own words, here’s your one-stop shopping.

Charles Jeanne’s letter to his sister: THIS IS PROBABLY THE COOLEST ONE. Nobody even knew it existed until it was unearthed a few years ago, but Charles Jeanne, leader of the Saint-Merry barricades in 1832, wrote his sister a detailed fifty-page account of the revolt from prison the following year. (How he wound up in prison instead of dead is a long story involving a suicidal ten-man charge against an entire army that unexpectedly worked. For certain values of ‘worked.’) The letter is incredibly cool and contains a whole bunch of incidents that Hugo included in Les Mis… with certain changes. Along with some incidents, like the final charge, that are so preposterous they wouldn’t have been believable in fiction. I’ve translated the whole thing; you can find it under my “à cinq heures nous serons tous morts“ tag, or if the post-in-French-reblog-in-English format is too awkward for you, it’s also up on my website in 8 parts: One | Two | Three | Four | Five | Six | Seven | Eight

Alexandre Dumas’ memoirs: are up in English on archive.org, and totally worth a read, because Dumas writing about his life is just as flamboyant as Dumas writing about swashbuckling protagonists. The bits that deal with June 1832 are in Vol. 6, Book IV, chapters 5-7.

Excerpt of a letter from George Sand to Laure Decerfz, 13 June 1832. Proto-feminist author and Romantic-era wild woman George Sand was living right across the river from the morgue at the time, and got a pretty gruesome view of the bodies coming in and the massacre of insurgents who weren’t dead yet.

Heinrich Heine’s June 1832 coverage for the Augsburger Allgemeine Zeitung: in English on archive.org. Heine was living in Paris and acting as their correspondent for French affairs. His analysis of republicanism in Europe starts on page 255, and his account of the insurrection itself starts on page 275. The “liveblogging” section (daily despatches to the newspaper) starts on page 299.

Later writing and non-firsthand accounts of June 1832:

Louis Blanc’s account of the revolt from his History of Ten Years. Hugo relied heavily on this as a source for his Les Mis research.

John Stuart Mill’s June 1832 coverage/analysis from his weekly column in the Examiner.

The London Times’ June 1832 coverage

Translated excerpt from R. Sayre & M. Löwy’s book L’insurrection des Misérables: why June 1832 struck a chord with the artistic world regardless of political affiliation.

Excerpt from Jill Harsin’s Barricades describing the revolt in the context of the wider republican movements of the time.

Stuff in French:

The most important primary source on June 1832 is probably the trial of the insurgents from Saint-Merry, which is really damn long and alternates between really boring and really fascinating. The whole transcript was published by the radical press (along with reprints of newspaper editorials favorable to the insurgents) to whip up public support for Charles Jeanne and the other defendants. The whole thing is available in PDF in volume 11 of Les Révolutions du XIXe siècle, and I was working on correcting the OCR and making it available in text format before I got sucked headfirst into another fandom and it was put on the back burner.

Hégésippe Moreau on the anniversary of the revolt published a poem called “Les 5 et 6 juin: chant funèbre.”

Among Verlaine’s juvenilia is a poem about early-1830s insurrections entitled “Des Morts.” Probably dates from the late 1850s or early 1860s, so after the June Days and Napoleon III’s coup d’état, but—tragically ironic, given the last line—before the Commune.

Several works published in the immediate(ish) aftermath of June 1832 that were censored by the government are up on Gallica, including Rey-Dussueil’s novel “Le Cloître Saint-Méry” and Noel Parfait’s poem “L’aurore d’un beau jour.”

The back pages of my “à cinq heures nous serons tous morts” tag contain some of Thomas Bouchet’s editorial notes to the Charles Jeanne letter, on the insurrection and how Hugo adapted it.

As for dead-tree sources, I highly recommend Sayre & Löwy’s L’insurrection des Misérables: romantisme et révolution en juin 1832, the Charles Jeanne letter published under the title of À cinq heures nous serons tous morts with extensive, fabulous commentary by Thomas Bouchet, Jill Harsin’s Barricades (English), and Mark Traugott’s The Insurgent Barricade (English).

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Les Miserables: Episode 6 Promo