FAVORITE OUTFITS IN FILM (1/?)
ANNIE POTTS as JANINE MELNITZ GHOSTBUSTERS II (1989) dir. Ivan Reitman Costume Design by Gloria Gresham
almost home

titsay
EXPECTATIONS
Sweet Seals For You, Always
Stranger Things
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NASA

Product Placement
art blog(derogatory)
cherry valley forever
Game of Thrones Daily
Jules of Nature
Monterey Bay Aquarium
RMH

izzy's playlists!
Cosimo Galluzzi
Aqua Utopia|海の底で記憶を紡ぐ

★
I'd rather be in outer space 🛸
hello vonnie

seen from United States
seen from Argentina

seen from United States

seen from Italy

seen from Germany

seen from Türkiye
seen from France

seen from Malaysia
seen from United States
seen from United States
seen from United States
seen from United States
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seen from United States
seen from Peru

seen from Germany

seen from United States

seen from Germany
seen from Malaysia
seen from Malaysia
@frankenbaby
FAVORITE OUTFITS IN FILM (1/?)
ANNIE POTTS as JANINE MELNITZ GHOSTBUSTERS II (1989) dir. Ivan Reitman Costume Design by Gloria Gresham
The Extended Version Of The In-universe "Ghostbusters 2" Commercial
Carolyn Jones as Morticia and Ted Cassidy as Lurch in The Addams Family episode entitled Mother Lurch Visits the Addams Family, originally broadcast by ABC on January 15th, 1965.
Horror beauties
The Bride Of (The Monster) Frankestein - Elsa Lanchester
Vampira - Maila Nurmi
Morticia Addams - Carolyn Jones
Lily Munster - Yvonne De Carlo
Elvira - Casandra Peterson
John Astin and Carolyn Jones - The Addams Family (1964)
THE ADDAMS FAMILY (1965) 2.02 Morticia's Romance pt. 1
Vincent Price as François Delambre and Ed Wolff as The Fly - Return of the Fly (1959)
Vincent Price horror movies that I love
Houses don't have memories The Amityville Horror (1979)
David Duchovny & Gillian Anderson behind the scenes of The X-Files
🦇 "𝐈 𝐟𝐨𝐮𝐧𝐝 𝐭𝐡𝐚𝐭 𝐚𝐬 𝐕𝐚𝐦𝐩𝐢𝐫𝐚 𝐈 ~𝐰𝐚𝐬~ 𝐇𝐚𝐥𝐥𝐨𝐰𝐞𝐞𝐧." -𝐌𝐚𝐢𝐥𝐚 𝐍𝐮𝐫𝐦𝐢 🦇 Maila Nurmi in her iconic Vampira garb during the run of her horror movie series The Vampira Show, broadcast in Los Angeles on local station KABC from 1954 to 1955, photos by Dennis Stock, 1954.
Annette O'Toole as Lana Lang
She looks so pretty and sweet 😍😍🌸✨
OOZEPUNK
WHAT IS OOZEPUNK?
Oozepunk is the term I'm coining for the microgenre of urban heroic sci-fi horror-fantasy that first exploded in the mid-80s with movies, shows, and comics like Ghostbusters, Teenage Mutant Ninja Turtles, The Toxic Avenger, Who Framed Roger Rabbit, Hellboy, Street Sharks, and others. Lots of natural crossover with Biopunk and Cyberpunk, aesthetically and philosophically.
Your childhood trauma didn't let you forget Roger Rabbit heavily featured colorful nightmare slime, did it?
A ragtag gang of weirdos (often horribly mutated--more on that soon) band together to save a city that doesn't understand them. Grimy sewers, abandoned buildings and graffiti'd brick walls are lit up by neon lights, streams of mysterious, glowing goo and/or the unearthly lights of futuristic particle weapons--ideally all of the above!
Beyond the "cracked concrete and gutters full of liquid plutonium" aesthetic, Oozepunk prankishly asks "What if catastrophic aberrations of science, particularly DUMPING TOXIC FUCKING WASTE STRAIGHT INTO THE ENVIRONMENT created fucked-up monsters... but they're HEROIC fucked-up monsters!" These catastrophic aberrations of science grant the heroes incredible powers, but COST them their place in human society. (Ghostbusters and Roger Rabbit eschew character mutation in favor of discovering that the undead and olde tymey cartoons are real [and exploitable!], respectively. 'Busters and 'Toon sympathizers alike are treated like insane idiots and/or frauds in their respective universes.)
Oozepunk heroes are challenged not only by strange supernatural beings, but by human society itself. The Ghostbusters battle with local politicians as much as they do the undead. In the recent (and delightful) TMNT: Mutant Mayhem, Splinter warns the Turtles of humans and their obsession with "milking" mutants for their blood--on top of the villainous mutants they're trying to thwart!
Crank up the creep factor in Oozepunk and you get awesome anti-establishment goo-horror like 1988's The Blob, The Stuff, Street Trash, and probably a bunch more. Toxic Avenger is a batshit crazy splatter-comedy (i.e. classic Troma)... and still garnered sequels, a kid's cartoon and toyline!
And there's a Shredder's Revenge-style Crusaders beat-em-up coming out next year??
This looks dope as shit
Ghostbusters and TMNT are the only current, "evergreen" (or radioactive green!) Oozepunk franchises I can think of off the top of my head, but Oozepunk elements are buried in almost all of the stories and settings I love the most. Heroic kaiju like King Kong, Godzilla and Gamera paved the way for our freaky friends, but so did comics characters like Fantastic Four's Ben "The Thing" Grimm, The Hulk and Swamp Thing. Hell, I think I blame SESAME STREET of all things for starting me down the Oozepunk path.
Surprise! I've loved screaming trash monsters with secret hearts of gold since I was a fucking baby, and they've ALWAYS been there for me!
But it's not just Oscar, Sesame Street as a whole is a proto-Oozepunk utopia, years before the big Ooze-splosion of the 80s. Muppets, monsters, talking animals and chill humans all live and work together to scrape by with a little dignity in a gritty-but-wholesome urban world!
Sesame Street, a decades-long reminder that educational childrens' programming can and SHOULD be cool as hell looking and loaded with all kinds of friendly mutant freakuloids.
OOZEPUNK! Whaddya think?
sometimes I read a radioactively bad take and just sit there like "not only do you not understand this story but you fundamentally do not understand how stories work in general, and you have never considered that your discord with every piece of fiction you come across could possibly be a problem on your end"
EXCELLENT TAGS OP SAY IT LOUDER FOR THE PEOPLE IN THE BACK
This is something I've been trying to say to people for years. So many people walk away from a story (and many other pieces of art) angry that it wasn't what they thought it should be; the story they would have written, rather than accepting it and evaluating it on its own terms as the story that it is.
When you start accepting things for what they are rather than what you want them to be, I swear to god the world becomes so much more beautiful.
DAREDEVIL: BORN AGAIN 1.09 'Straight to Hell' (2025 - )
“The Immortal Weapons, laughing as one? I never would’ve thought I’d live to see such a day.” — Immortal Iron Fist #13 by Matt Fraction, Ed Brubaker, Tonci Zonjic, David Aja, Kano, Matt Hollingsworth, and Artmonkeys Studios
Iron Fist Week, Day 5: A Favorite Team-Up
One of my favorite superhero teams of all time. Forget the Avengers, forget the Justice League. Let's talk about the Immortal Weapons.
This is a group of people that is not meant to be friends. Each of the Capital Cities of Heaven exists on a separate plane of existence, and each Weapon is intended to be a tool of their city, first and foremost. Their only interactions with the Weapons from the other cities seem to be at formal events like the Tournament of Heavenly Cities, in which their job is to mindlessly beat the hell out of each other for the glory and advancement of their people.
The Weapons, for the large part, are shown to be solitary in their experiences in the role. Even in cities where there is a close connection between the Weapon and their community, as seems to be the case with Tiger's Beautiful Daughter and her sisterhood of soldiers, and maybe also with the Crane Warrior and Crane Daughters (though we've never met a living Crane Warrior so it's all a little vague), the harsh experience of being an Immortal Weapon is singular. Nobody else will truly be able to understand what that is like. We are shown the former Iron Fist Wu Ao-Shi and her mild-mannered fisherman husband, who were deeply in love but could never fully see eye-to-eye. We see Fat Cobra, who is jovial and outgoing and gathers friends wherever he goes and yet, at heart, is alone. We see Orson Randall, who had so many people who cared about him but who ultimately couldn't save him from what the trauma of being the Iron Fist had done to him. These are people who are living a difficult, dangerous life, gifted with enormous power that they must use to battle tremendous hardship. And so often, no matter how many loved ones are around them, at the end of the day they are doing it alone.
And yet. And yet! The new generation of Weapons forms a bond. They connect. They become friends and allies, a team that was never meant to exist. And these people who are so different, yet have everything in common, find each other and care for each other and joke around and kick ass together, and it's beautiful every time because it is in defiance of everything they're supposed to be to each other. And seeing people who are meant to be enemies usually, or acquaintances at best, forming friendships that transcend dimensions and defy all odds is profoundly cool to me.