I love threatening to kill myself. you can never take it away from me. and if you try to stop me I’ll really do it this time

Love Begins
Cosimo Galluzzi
dirt enthusiast
Keni
Cosmic Funnies
he wasn't even looking at me and he found me
we're not kids anymore.

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oozey mess

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noise dept.

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Aqua Utopia|海の底で記憶を紡ぐ

祝日 / Permanent Vacation

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@fraudiya
I love threatening to kill myself. you can never take it away from me. and if you try to stop me I’ll really do it this time
hey has anyone found a way to act on your desires without opening yourself to failure
Hannibal | 2x11 Ko No Mono
that’s like soo funny I’m like dyinggg
what’s so funny
can’t i just have one private thought to myself
WHAT WAS THIS NOTIF
timmy turner: i wish anybody who dies goes to hell no matter what
The Autopsy
- Guilllermo del Toro’s Cabinet of Curiosities (2022)
Hannibal (2013-2015)
1x04 || 2x03
legitimately the "implicit suicidality" lens, once applied to mizumono, gives abigail hobbs as a character so much dimension and interiority (and in turn, agency!). a common way to read abigail as a character is her role as a daughter of many fathers, she survived one and she is trying to survive another two (and in the end failed). but i fear that isn't giving her nearly enough credit where it is due.
just in the third episode of season one, meeting hannibal in under a week, she figures out he was the one who phoned garret jacob hobbs—which in turn triggered his murder suicide attempt—and that hannibal is not who he says he is (or rather, much more dangerous than other people realize). she gains more leverage over him even when she didn't know about his identity as the ripper, and he now is forced to keep her closer because she is not anymore a chess piece that he could easily discard without risking his own freedom.
we aren't given a lot of scenes where abigail and hannibal interact later in season one, and the ones we have later (s3) are flashbacks or of course, mizumono. but it is fair to extrapolate abigail knowing she reminds hannibal of Someone, she may not know mischa, and she may think she is a placeholder killer while hannibal waits for will to finally accept his nature, but the conclusion she draws will be the same. she gives herself up in mizumono, walks over to hannibal willingly and presents her neck, knowing she is about to die. she is not afraid of death. she sees hannibal extending a hand to her like a courtesy that her biological father never gave her, and maybe that was as much love as she could have asked for.
what i hope to say is that abigail is a deer, a lamb, is isaac in the sense that she is fully cognizant of what will happen to her. that in order for the world to continue turning she would have to lay down her life. isaac didn't blame his father when he hiked the mountain for sacrifice, he asked his father only where is the lamb to give him a chance to confess, which abraham didn't take. and isaac forgave him for it, just continued walking with his father in what he thought was the last time.
when abigail saw hannibal stab will she knew her role in all of this, that to hannibal it was love or freedom, and it was mutually exclusive. she didn't want to insult him by making him give chase, didn't want to debase herself into another one of his prey. he gave her his hand like an equal, like a father, and she stepped into his arms willingly because she didn't want hannibal to be torn apart between the two decisions.
Hannibal s3e12 "The Number of the Beast Is 666" | s3e13 "The Wrath of the Lamb"
something something cycles of abuse repeat when its all we know. abigail knew her father wanted to kill her. she had been forced into a situation where she had to help him kill girls who looked like her to survive. she had been taught to gut a splitting image of herself the way one would gut a deer. she had been taught about fear, death, cherishment, love and honour. she spent every day of her life desperately trying to make it to the next, hoping if she hunted well enough that maybe she could live another day, only to end up bleeding out on her fathers kitchen floor. and even after that, she resented will for killing her father. she constantly spoke of her father but rarely ever brought up her mother. she mourned her fathers death because even though his love had led to her pain, it was what she had known. he had been such a primary part of her life. and then there was hannibal. she knew he was the man on the phone. the man who had left the call that led to her mothers death, that had nearly led to her death. and yet she ran to him when she was scared. she seeked comfort in him. she would sneak out of the hospital to spend time with him. and she said herself "i dont know if its wise to trust you," but she did. because she knew he was a killer, she knew he was like her father. and she missed her father. so what else could she do other than trust a man just like him? to run into his arms and sob, to smile at the dinner table with him, to hunt his victims, to realize that the last time she hunted with her father it had led to her bleeding out on a kitchen floor. and so when hannibal reaches a hand out and gently calls her over, she knows the cycle repeated. abigail knows its just like last time. and wouldnt you rather have a choice in how you died? wouldnt you rather walk into deaths arms with acceptance, than struggle to avoid the inevitable? abigail had never been given a choice before. and the one time she was, she chose to willingly walk into the arms of a man she knew was going to kill her. because it was the only choice she had ever been given. she didnt try to pry his arm away, she didnt beg him to let her live. she accepted her death. she chose her death, just so she could have a choice. destined to die on the kitchen floor at the hands of someone she trusted, someone who claimed to love her. but at least she chose it this time. at least she had a choice.
the scar continuity in s3 was one of my favorite things ever i LOVEEE scar continuity. and hannibal’s little cheek scar too
Hannibal s3e12 "The Number of the Beast Is 666" | s3e13 "The Wrath of the Lamb"
the beatles are an infuriating band to me as a relentless contrarian. liking them is cliche, hating them is cliche, being indifferent towards them is cliche. it's impossible to have an novel or interesting take on the beatles in current year. like how am i supposed to win here?
the first scene is deleted and was supposed to be directly before the second scene. in both, will uses the "i'm just pointing out the snare around your neck. what you do about it is entirely up to you" line. there are SO many deleted scenes that would've made will's tendency/capacity for manipulation so much more obvious, and this is one of them
now this gets me thinking.. what was will's plan? yes, he sets up and agrees to the whole 'kidnap and kill hannibal with mason' plan, but then at some point he decides to cut hannibal free of the straitjacket.
if he didn't get knocked out by carlo, what would he have done? was he planning to use the knife to kill mason and carlo and whoever else showed up with hannibal? would he have just stood back and watched hannibal do it? would he have joined in the killing and hid behind the excuse of self defense when questioned? would he have shared the savage pleasure of problem solving hunting mason with hannibal?
he made mason think he was his man in the room while he (kinda) made hannibal believe he was his as well. when the time came, he betrayed mason and freed hannibal. this, in some way, parallels and foreshadows will's betrayal of jack and choosing of hannibal in mizumono (with the 'they know' phone call). at the last moment, when will is forced to choose a side, will will always choose hannibal.