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@frenchcinemareview
Given a warm reception at the Sundance Film Festival where it premiered in January, Anne Fontaineâs Les Innocentes is intelligent, nuanced filmaking at its best. The rape of Polish nuns in a Benedictine convent by Russian soldiers during the winter of 1945 raises a multitude of questions and contradictions skillfully handled by Fontaine inâŠ
Back in 1963, director Gilles Grangier had a box-office hit with La Cuisine au Beurre (My Wifeâs Husband) starring two of Franceâs best-loved comic actors Fernandel and Bourvil. Director Florent Siri has updated this tale of two men married to the same women and brought in comic heavyweight Franck Dubosc and cinema stalwart GĂ©rard LanvinâŠ
Thomas Bidegain's Les Cowboys is the kind of well-crafted, meticulously detailed film to be expected from Jacques Audiard's long-time collaborator
Anne Giafferi peppy, US-style romantic comedy, based on the play by Muriel Magellan L'Eveil du Chameau, is a perfect tonic for the winter blues.
Joann Sfar's take on SĂ©bastien Japrisot's 1966 novel is an intriguing, psychological thriller which plunges the audience back into 1970s France lovingly recreated by the director with sexy Scottish...
l loved this French remake of Japrisot's novel
Un Illustre Inconnu (Nobody from Nowhere) - Matthieu Delaporte
Un Illustre Inconnu (Nobody from Nowhere) â Matthieu Delaporte
For his eagerly awaited follow-up to Le PrĂ©nom (Whatâs in a Name), Matthieu Delaporte completely changes tack by directing an intriguing, dark thriller with the versatile Matthieu Kassovitz in the lead role.  Un Illustre Inconnuraises a number of questions about identity and isolation in a tense, well-paced film, but avoids drowning under these weighty issues with a sly streak of black humour.âŠ
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Respire - MĂ©lanie Laurent
Respire â MĂ©lanie Laurent
MĂ©lanie Laurent is better known for her appearances in front of the camera. She has starred alongside some of Hollywoodâs biggest names including Brad Pitt (Inglorious Basterds), Jake Gyllenhaal (Enemy), Morgan Freeman (Now you see me, now you donât) and Ewan McGregor (Beginners). After a lukewarm reception to her directorial debut, Les AdoptĂ©s, she is back with Respirean adaptation of the novelâŠ
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Qui Vive (Insecure) - Marianne Tardieu
Qui Vive (Insecure) â Marianne Tardieu
After Sylvie Ohayonâs Papa was Not a Rolling Stone and CĂ©line Sciammaâs Bande de Filles, French cinema once again turns to life on one of Franceâs much maligned, high-rise housing estates for inspiration. While Ohayon and Sciamma found fresh takes on a well-documented social stratum, Marianne Tardieuâs Qui Viveis a disappointment, lacking rythmn and focus despite the best efforts of Reda KatebâŠ
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La Prochaine Fois Je Viserai le Coeur - CĂ©dric Anger
La Prochaine Fois Je Viserai le Coeur â CĂ©dric Anger
For his third outing as director, former Cahiers du Cinema journalist CĂ©dric Anger has gone back to May 1978 and the true story of Alain Lamare, a gendarme, who went on an ten-month killing spree causing widespread fear among young women in the Oise region of France.  Angerâs La Prochaine Fois Je Viserai le Coeuris a chilling account of these murders which, although meticulously portrayed, offersâŠ
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'Pour Une Femme' - Diane Kurys
âPour Une Femmeâ â Diane Kurys
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Une Nouvelle Amie (The New Girlfriend) - François Ozon
Une Nouvelle Amie (The New Girlfriend) â François Ozon
After the award winning Jeune et Jolie, which was in competition for the coveted Palme dâOr at the 2013 Cannes Film Festival, François Ozon again explores sexuality with the noirish-drama, Une Nouvelle Amie(The New Girlfriend). Loosely based on a short story by British author Ruth Rendell â the mistress of the psychological thriller â Ozon packs out his film with a witty examination of gender andâŠ
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Bande de Filles (Girlhood) - CĂ©line Sciamma
Bande de Filles (Girlhood) â CĂ©line Sciamma
Widely praised at this yearâs Cannes Film Festival, CĂ©line Sciammaâs Bande de Filleslives up to expectations with an emotionally-charged, vibrant tale of four young women living in one of Franceâs notorious housing estates just to the north of  Paris. Sciamma brings an authenticity to her film by avoiding clichĂ© and caricature and searching beyond the headlines of drugs, violence and crime toâŠ
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Vie Sauvage - CĂ©dric Kahn
Vie Sauvage â CĂ©dric Kahn
Award winning director CĂ©dric Kahnâs Vie Sauvage(Wild Life) is an intriguing film based on a true story which defies expectations and raises several questions over the issue of child rearing in a techology-obsessed society. It also challenges the idea of the superiority of the mother-child bond and presents a compelling argument for greater acknowledgement in French divorce courts for the role ofâŠ
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Geronimo - Tony Gatlif
Geronimo â Tony Gatlif
The opening scene of a young woman in a wedding dress running for her life sets the tone of Tony Gatlifâs Geronimo, a high-energy, vibrant story of clan rivalry set in the south of France. Â The director uses an hypnotic mix of dance and music, professional and non-professional actors, set against the heat of a Mediterranean summer, to bring this reworking of West Side Story to the big screen.
TheâŠ
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Samba - Eric Toledano, Olivier Nakache
Samba â Eric Toledano, Olivier Nakache
Itâs a tough act to follow. Intouchables took 332 million euros worldwide and made a star of Omar Sy.  Directors Eric Toledana and Olivier Nakache have kept to a winning formula by again casting Sy in the lead role, but Samba lacks the magic ingredient that made Intouchablessuch a big hit. Its stellar cast including Charlotte Gainsbourg and Tahar Rahim â in a lighter mood than usual ââŠ
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French Cinema Review turned 1 today!
Papa was not a Rolling Stone - Sylvie Ohayon
Papa was not a Rolling Stone â Sylvie Ohayon
For her first outing as director Sylvie Ohayon has adapted her autobiographical novel, Papa was not a Rolling Stone,to the big screen. Itâs a coming-of-age film set in the notorious 4000 housing estate in La Courneuve on the outskirts of Paris which pulls no punches in it depiction of how grim life was back in the 80s when families from all ethnic backgrounds were forced to live in closeâŠ
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