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@friendofelphie
me: i have no fears
the voices: glinda sings high when she lies and low when she's telling the truth so what if girl in the bubble transitions from high to low during the duration of the song as she actively retakes control of herself and her life and decides to ride to kiamo ko to elphaba
me: i have one fear
It’s hard to watch other people live out your dreams
Elphaba literally tells Dorothy she thinks Dorothy is Elphaba’s lost soul trying to find its way back to Elphaba’s body and that that’s not going to happen because she refuses to have a soul because with a soul there is life after death and she’s done living and that she’s going to kill Dorothy and Dorothy is like whoopsie daisy! And accidentally turns Elphaba into the Nickelodeon kids choice awards
Wizard of oz fans are you still out there?
I’ve always been here
My boys. My beautiful ghost boys!!! Anyway I wrote a fic
An Archive of Our Own, a project of the Organization for Transformative Works
"Sozinha e sem amor, com essa estranha no espelho... Ela sou eu, a Bruxa Má do Leste"
Another Wicked Brasil fanart, this one portraying a scene I like a lot, while Nessa sings and Elphaba prepares her spell Nessa starts mimicking her movements as she says she is the Wicked Witch of the East. Very very iconic everyone should watch it
The faces of the Wicked Witch of the East (1)
When it comes to the Wicked Witch of the East... well, we don't have much of an idea of what she looks like, do we? Baum never described her in any way, beside her being very old and wearing the silver slippers.
In the Baum books the Witch of the East only appears twice. First in "The Wonderful Wizard of Oz", as the glimpse of a corpse by Dorothy, an unflattering description by the Good Witch of the North, and a name in the backstory of the Tin Woodman. One has to wait until "The Tin Woodman of Oz" for her to return and be fleshed out more - as we have a retconned and extended version of the misadventures of Nimmie Amee and her boyfriends. And it is by this book that we have the real first "illustrations" of the Wicked Witch of the East, courtesy of John R. Neill.
While the picture above, in black and white, is known as THE most famous and iconic depiction of the book-Witch of the East, down to being her profile picture everywhere, Neill also did another drawing of her which, when colorized, has her wear as colors black, orange and red... Very bizarre for the blue-coded Munchkin land, but at the same time orange-red DOES clash neatly with the blue of the Munchkins.
The second most famous picture of the Wicked Witch of the East (book-wise) is this drawing by Eric Shanower, not for a given book of Oz, but for the 1992 issue of Oziana. As you can see, Shanower took heavy inspiration from the drawings of Neill (same hat and scarf around the head, same edges of the apron and the shawl-thing around her shoulders) but simplified it - the checkered pattern is gone, and the long twisted staff became a shorter cane. Also note how Neill purposefully gave the Witch of the East traits that would echo Denslow's design of the Wicked Witch of the West (such as the ruff-collar, that Shanower removed).
But all of these pictures come from later Oz artists. It is commonly agreed that the original Oz illustrator, W.W. Denslow, the one who gave us the "iconic" Witch of the West design, never did any portrait of the Witch of the East...
... Wrong my friends!
If you check Wikipedia Commons, you can find the picture below, which apparently W.W. Denslow created to promote the 1902 "Wizard of Oz" musical (you know, the extravaganza Baum created out of his novel, and that paved the way for "The Marvelous Land of Oz" to be written). And this is a portrait of... the Wicked Witch of the East, Denslow style.
A fairly "traditional" witch as you can see, quite different from the more extravagant appearance of the Witch of the West... But a design some of you might recognize.
In 1991, Donald Abbott wrote "How the Wizard Came to Oz". This book is not considered part of the "Famous Forty" as Abbott never became an "official" Oz Historian... But this novel still got some fame because, not only does it act as a prequel to Baum's "The Wonderful Wizard of Oz" (by telling the story, as you can guess, of the Wizard's arrival in the land), but it also imitates Baum's own writing/storytelling style... With illustrations imitating Denslow' original drawings.
And this includes having the Wicked of the East appear... With the exact same design Denslow made (with just the additional of the silver slippers). Many thought it was Abbott's own invention, but no, he really just imitated Denslow's creation.
Later (around 2016-2019 if I recall?), Abbott turned his novel into a graphic novel, a comic which, interestingly, had quite a radical change in design, as this new version embraced much more the MGM movie's influence, resulting for example in the Wicked Witch of the West going from the "Denslow goblin" in her occult-pattern clothes...
... to a sexy witch in all-black outfit riding her umbrella like a flying broomstick.
As you can see, the "glamorizing" of the Wicked Witches I told you about before is at full work here. The Wicked Witch of the East, also became far more sexier, going from this tiny crooked crone... to a tall sexy jeweled witch-queen in armored bustier. The comic version also attributed names to the witches: Morella for the one of the West, Malvonia for the one of the East.
Speaking of comic books, I will conclude this first post with the Marvel comics adaptation of the Baum novels - written by Eric Shanower, but drawn by Skottie Young, and in which the Witch of the East makes several visual appearances.
And Young decided to make her a short, fat, hunchbacked hag with her face perpetually half-covered by a hood, which focuses the reader on her large mouth. A design which was made to oppose and complete the one of the Wicked Witch of the West, tall and thin with a great focus on her eye(s).
The Wicked Witches of the West (1)
With the release of the Wicked movie, and how everybody is jumping back on the old Oz train, I thought "Why not make a little series of fun posts to get back into the Oz mood?". My original plan was a series of posts exploring the "evolution" (aka the many incarnations) of the Wicked Witch of the West, the most famous villain of Oz (despite, ironically, being originally one of the most minor villains of the franchise...). Turns out A LOT of people are doing this already... So I won't have bonus points for originality X) But it won't stop me from still doing my little collection.
And I will start this series with a set of illustrations depicting the Wicked Witch from the novel - because when you start with the Western Witch, you have to start with Baum's The Wizard of Oz. Of course, you have Denslow' hyper-famous, classical illustrations for the first edition of "The Wonderful Wizard of Oz":
Denslow's art heavily influenced how people view the "original" Wicked Witch, or how people think the Witch should be depicted, to the point that when other artists decide to do their take on the "novel-accurate" Witch, they always end up taking back elements from Denslow's design:
However, it is quite interesting to note that Denslow invented a LOT of elements. Baum's description is so brief, so lacking, so limited it is almost non-existent, as all we really know about the Witch is that she is old, dry, one-eyed, holding an umbrella and sometimes wearing a golden cap. That's literaly it. As a result, other illustrators sometimes decided to depict the Witch differently:
It is quite interesting to note that these "other" illustrations work to avoid the typical traits brought by Denslow: the Witch becomes creepily tall, prefers robes and cloaks over a more "modern" or fitting outfit, doesn't wear her hair into pigtails, avoids patterned-clothings (except in the illustrations above where the Witch wears the symbol of the setting sun to signifiy that she is of "the west").
Also, I don't know who did this version of the Wicked Witch of the West, but it is SO COOL, if anyone knows the artist please inform me!
However, these illustrations, no matter how cool or funny they are, are of course not the most famous "face" the Wicked Witch wore in her long, long mediatic life...
EDIT: I'll ad this illustration which uses the green skin of the MGM movie
Remember when Miss Piggy played all four witches of Oz?
The Witches of Oz
This is just my little collection of group pictures where you can see the several Witches of the land of Oz gathered. One of my personal criteria for an Oz adaptation is that the Witches must look good together. It is nice to give each of them their own unique look and design, but people have to remember that they are supposed to form a set.
But only one that mattered.
WICKED: FOR GOOD 2025, dir. Jon M. Chu
I SCREAMED OUT LOUD
DOROTHY GALE, YOU ARE MORE THAN A SILHOUETTE!
We are so back
📣📣📣SHE’S OFF TO SEE THE WIZARD
THE FACT THAT THE COWARDLY LION LOOKS SO MUCH LIKE THE ORIGINAL ILLUSTRATIONS TOO IM GONNA CRY
I SCREAMED OUT LOUD
DOROTHY GALE, YOU ARE MORE THAN A SILHOUETTE!
We are so back
📣📣📣SHE’S OFF TO SEE THE WIZARD
Glinda's "Maybe you're not as powerful as your think you are." during Defying Gravity is just devastating to me. It shows the audience the way Glinda views the situation and all her fears, which turn out to be ultimately true about her own position.
So, I know that Wicked the Musical is a different beast than Gregory Maguire’s Wicked: The Life and Times of the Wicked Witch of the West.
They’re different in tone and theme, and they aren’t trying to be the same thing. I usually don’t even think of them in the same breath; Maguire’s Oz is a different world than the one we see on stage.
However, there is one change made for the stage show that I think is a weakening of the story: the decision to have Elphaba fake her death, and run away with Fiyero. I get it, it’s a musical; Elphie melting at the end of her own story is a bummer. But Wicked is a tragedy, and I always thought it was a little bit of a cop-out to give Elphaba a happy ending.
THIS. IVE BEEN SAYING THIS FOR YEARS
The book is a story Elphaba would tell, and the musical is one Glinda would like - and to get a little more meta, it's because the musical is palatable, polished, and pleasant (Like Glinda) so that it can be profitable. I'm not saying it's bad - I think the musical is fun and the costumes and performances are wonderful. But there clearly was more of a focus on appealing to as wide an audience as possible rather than preserving Maguire's artistic vision (because a musical version that's true to the books simply wouldn't sell).
I also find it a tiny bit ironic when people criticize the book because they find it disturbing and it makes them uncomfortable...because that's exactly the effect Elphaba has on people. She's not palatable and she makes people think about things they don't want to think about.
Excellent points.
It is ironic since book!Glinda is definitely less stupid than musical!Glinda, and her magic talent is real, but overall she is a better person and much more "forgivable". She'd love to be that version of herself, but alas, she's too smart for that.
(Story of her life, really)
favourite quote from glinda? or anything you really like about her? <3
Ah this is so cute, and I'm sorry I did not answer it sooner since my blog was down.
Something I adore about Glinda off hand and without my books at the moment, is going to be a moment from Wicked. I love how in Popular, a supposed comedic relief song, we get a clear snapshot into Galinda's view of political savvy, and despite being incredibly shallow, the content being treated lightly and played for jokes, the musical proves her right. Her claim that "Think of celebrated heads of state or especially great communicators. Did they have brains or knowledge? Don't make me laugh! They were popular. Please, it's all about popular. It's not about aptitude, it's the way you're viewed, so it's very shrewd to be, very very popular like me!" is a completely valid viewpoint, and one that the narrative suggests is more practical and accurate in certain ways than Elphaba's. Although I don't agree with all her choices, I think moments like this are so well written and make me adore the character even more than I already did.
Also, I know this was sent after I posted a vent post on this blog. My apologies, and as I revive it that won't happen again, but thank you for thinking of me and trying to cheer me up, this was actually so sweet. Thanks anon! Ily