Helen Stratton
Sade Olutola
Peter Solarz

titsay

JVL
Cosmic Funnies
$LAYYYTER

#extradirty
let's talk about Bridgerton tea, my ask is open
noise dept.

❣ Chile in a Photography ❣
hello vonnie

Kiana Khansmith
Misplaced Lens Cap

tannertan36

shark vs the universe
styofa doing anything

Love Begins
Monterey Bay Aquarium
tumblr dot com
One Nice Bug Per Day

seen from Denmark

seen from Singapore
seen from United States

seen from Canada

seen from Malaysia

seen from Malaysia

seen from Brazil

seen from Brazil

seen from South Africa
seen from Brazil
seen from Brazil
seen from Austria
seen from Brazil
seen from United States

seen from Pakistan

seen from Germany
seen from United States

seen from United States
seen from United States
seen from United States
@friskysatyr
Helen Stratton
Faun, take me from this modern place into a meadow that is ignorant of time. Lay me down in hills of clover. Kiss me with the sweet taste of honey on thine lips.
Filippo Lauri
ROME 1623 - 1694
A SATYR HELD BY TWO PUTTI BEFORE VENUS
French, 18th century, attributed to Barthélémy-François Chardigny (1757-1813)
SATYR AND NYMPH
This terracotta is part of the corpus of "Clodionesque" works. Among the sculptors who were greatly influenced by Clodion, we can mention Barthélémy-François Chardigny (Rouen, 1757-Paris, 1813). Student of Christophe-Gabriel Allegrain and Augustin Pajou, First Prize of sculpture in 1782 and resident-artist in Rome, Chardigny proves a great technical mastery and a particular way to treat the surface on researching effects blending realism and idealization. The bust of Claude-François Achard, around 1791(plaster imitating terracotta, Marseilles, Academy of Sciences, letters and arts, Inv. No 69) recalls our group, notably the softness its modeling and the realism that emerges, along with the attention paid to the rendering of matter. A few years later, Chardigny executed the two terracotta representing Bacchus and Ariane Reclining (dated 1802, Paris, Drouot, 20 March 1992, lot 54). If his approach evolved endlessly, Chardigny retained his inkling for the depiction of details and the constancy of certain iconographic elements such as the tambourines and cistus blossoms here present.
Attributed to Giovanni Bonazza (1654-1736) Italian, Padua, circa 1700 Satyr and Nymph
A Roman Marble Head of a Satyr, circa 2nd Century A.D.
Joé Descomps, Paris
Jeweled Cup set with amethysts and purple glass cabochons.
The bowl featuring satyrs and nymphs playing love games is supported by three cranes. The bird’s wings form the stem and their claws form the circular base.
AN ITALIAN FRUITWOOD TRIUMPH OF BACCHUS PANEL, LATE 19TH CENTURY
Ferdinand-Victor-Eugène Delacroix
SATYR EMBRACING A NYMPH, AFTER PETER-PAUL RUBENS
AFTER CLODION (1738-1814), FRENCH, FIRST HALF 19TH CENTURY, INFANT SATYR RUNNING WITH A CUP INFANT SATYR RUNNING WITH A BIRD'S NEST
Clodion (French, 1738–1814). Pair of Bacchic Groups with Nymph, Satyr and Infant, ca. 1775.
Of Ritual Madness and Ecstasy.
Painting i did for my friend’s bday
It’s one hell of a gorgeous day for an erection, but when five guys can’t get it up, you know you’ve got a problem! 😜
The Belfast Pan found a home in the shade garden. I love how his color blends with the maples.
The satyr is particularly well featured in Ex-libris book plates.
1) Pan And Nymphs"Erotic Ex Libris by Julian Jordanov
2) Ex-libris, Chester Dodge, Satyr
3) Ex-libris by Yasukiko Aoki.
4) Ex-libris by Walter Helfenbein
5) Satyr and Nymph Ex-libris by Graf Mayr, 1916
6) Ex-libris by Jenö Haranghy
7) Ex-libris by Robert Baramov
8) Ex-libris by August Stoehr
9) Satyr and Nymph Ex-libris by Graf Mayr, 1916
9) Ex-libris by Jelena Kisseljowa
10) Ex-libris by Norman Lindsey
Stefano della Bella, Study of a Satyr, 1647
Illustration from The rose of Venus. Handwritten by a devotee and illustrated by various unknown artists. Diosa Venus Immortal Reina del Universo. Tangier 1938