Spider-Girl #40 Writer: Tom DeFalco, Pencils: Pat Olliffe
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@fyeahpeterparker
Spider-Girl #40 Writer: Tom DeFalco, Pencils: Pat Olliffe
Amazing Spider-Man #151
Spectacular Spider-Man 194.
By J.M. DeMatteis and Sal Buscema.
Spectacular Spider-Man 188.
By J.M. DeMatteis and Sal Buscema.
Amazing Spider-Man (Vol. 1) #123 Writer: Gerry Conway, Pencils: Gil Kane, John Romita
Amazing Spider-Man 122.
By Gerry Conway and Gil Kane.
Spider-Man & Co. ↳Paolo Rivera
Amazing Spider-Man #123, written by Gerry Conway, art by Gil Kane and John Romita
And then he literally ignored God and went ahead and made a deal with the devil anyway. Nice work, Quesada.
Sensational Spider-Man v2 040.
By Roberto Aguirre-Sacasa and Clayton Crain.
This is one time when even Spider-Man can use some help!
Strange Tales Annual 002.
By Stan Lee and Jack Kirby.
Amazing Spider-Man Annual (1964) #21
Ignoring that this is a huge over exaggeration and that Slott is just trying to ridicule fans, this is actually a valid complaint from spider-fans? But, of course, when you oversimplify it like this it only makes Spidey fans look silly.
If you think about all the advancements and character development that previous writers have put Peter through, Slott pales in comparison. Even with Slott’s “character progression,” he seems either A) more concerned with making his mark than writing good stories or; B) taking the character places he shouldn’t be going.
And there’s a difference between natural character progression and throwing the character somewhere just ‘cause.
Peter Parker: Spider-Man v2 049.
By Paul Jenkins and Mark Buckingham.
J-just looking at you reminds me of everything... All the pain... All the death--
Spectacular Spider-Man 183.
By J.M. DeMatteis and Sal Buscema.