can’t believe I’m only now finding out that hiro suzuhira redrew her anime goth girl in 2020 after finding out how iconic she is in the west
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@galacticdragonpriestess
can’t believe I’m only now finding out that hiro suzuhira redrew her anime goth girl in 2020 after finding out how iconic she is in the west
all energy healing is a scam except for when a kitty lays on your chest and purrs and purrs and sends restorative rays of magic into your bones and nerves. fellas that one’s real.
Some context for the destruction of that Aboriginal site:
When indigenous ppl complain that their sacred sites are being destroyed and they say stuff like "we have a cultural connection to this place" "if we can't come here it's like ripping off our roots" "we need this place to communicate with our ancestor spirits" etc., white australians are conditioned to handwave statements like that away with shit like "oh well they're just saying that, it's just a random tree, they'll get over it, obviously ancestor spirits aren't real, sacredness of trees isn't real", and that is total bullshit.
Aboriginal sacred sites are integral parts of highly sophisticated mnemonic techniques that have been proven to preserve information for (i know this sounds hard to believe but) at least ten thousand years (they accurately describe coastlines that are now underwater, or dry areas that have since been rainforests for 7000 years, or extinct megafauna etc.)
Physical features (either in one place, or along a track known as a songline) work as subheadings in an encyclopaedia. Ritualised teachings tell people what rituals or song cycles (like subheadings in an encyclopaedia) to associate with specific visual cues, and then those songs all contain stories that have (for example) systematised knowledge of every local animal and plant, contained in songs for easy memorisation. White anthropologists mostly handwave these techniques away as "animist beliefs" and "ancestor worship" but in reality it's this extremely sophisticated system of knowledge that's something like a cultural encyclopaedia, and that's why it's such a big deal when this fucking anglo settler state and its profiteers destroy these locations like it means nothing bc "oh it's just a tree" or "what it's a rock they'll just go to another rock"
In case you all need it said: this is cultural genocide.
Have you ever heard of the memory technique of having a giant house inside your head where you "store" bits of knowledge associated with household items in specific locations & to remember it you can mentally walk yourself to where it is and supposedly never forget anything again? Their physical walks are exactly that, and as the above states, wondrously accurate. Destroying the path and features destroys vital cues for priceless ancestral knowledge preserved for millennia.
There's a really good book about this called The Edge of Memory and it's available online free as an EPUB!
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Reblogging again because Tumblr hides links in reblogs but here's a link to a book about this subject, The Edge of Memory by Patrick Nunn
I think an important instinct you have to build up when you read/watch sci-fi is discerning which things are givens. If Arrival tells you that the alien language is atemporal, it is, that's not a puzzle for you to pick apart, it's a prerequisite to getting the rest of the story. When I talk sci-fi with people who don't consume a lot of it this seems to be a thing they get hung up on.
“But why—“ because it make story go. “But I don’t understand what—“ because that’s how the society works. I told you the important parts, the parts that are relevant to the story. I’m not interested in writing a 200-page speculative history Re the entire course of galactic civilization to explain why it’s rude at dinner time to eat before the ambassador eats. “But I don’t understand how (whatever) works—“ it works because it’s science fiction and that’s how it works. The propulsion systems work because the story requires interstellar travel.
I am more interested in the people and the events and the weird ideas. The weird ideas are just weird ideas, this made up fiction story isn’t a thesis statement predicting why cockroaches will be skilled surgeons 10,000 years in the future.
I think this is really important for writers, too. I know I get hung up on worldbuilding details and it's good to have a reminder that I don't need to reinvent DNA just for an alien to have green skin.
This is also how real life works. I don't understand how the internet works and I wouldn't even if you explained it to me, but I'm still using it. The average protagonist in your sci-fi story isn't going to be able to tell you about how the faster-than-light engines work because they aren't a space ship engineer.
I don’t know what I was expecting, but that wasn’t it chief.
She loves her strange children
idk who needs to hear this today, but don't go lurking on ex friends and partners. nothing you see or read will make you feel better there. all you're doing is hurting your own feelings. leave them in the past and do your best to move on with your own life, to make what you have now happier rather than dwelling on things that used to be (:
tag game where were u and what were u doing when u found out the queen of England died
*gets dressed up to spend time in the woods alone*
once at dawn i dressed up in my regency suit and went for a walk in the woods where i heard someone go “oh” (a little like a moan) and i got terrified i’d interrupted someone dogging or something so i immediately tried to walk away before i saw the person in question, who was just walking their dog (dogging in a sense!) and i got even more scared because they were wearing black skinny jeans and a black hoodie so they looked like they had very long slender arms and legs, and both of us were really shaken so i quickly tried to get out of sight. anyway i forgot i was wearing full 1810s regencywear complete with hat and probably looked significantly more like a ghost than they did. remember you’re never alone in the woods
imagine walking your dog in the woods and seeing an obvious Regency-era ghost notice you and bolt out of sight, visibly shaken
I'm CRYING this is hilarious
Also remember that Labor Day being in September and not on May 1st (which the US made "Loyalty Day" during the first red scare) was a deliberate attempt to deradicalize the USAmerican labor movement and separate it from the international working class and socialism.
Sam…
@copperbadge
Absolutely screaming in joy at the very idea. Can’t wait for the scene where Paul Hollywood says “soggy bottom” and Guy Fieri badly hides a laugh in a cough, and he just keeps almost losing it every time the soggy bottom gets referenced until finally Hollywood just snaps and that’s when they end up in the celebrity chef equivalent of the time-out cabin (hair and makeup trailer?)
[ID: A screengrab of a tweet by itspeterj reading “Hear me out. Parent Trap remake where one twin grew up in the USA and one grew up in the UK.” Beneath the tweet are two PR photographs of Guy Fieri and Paul Hollywood, who look reasonably similar – both are large-framed men with goatees and light-colored hair, bleached in Fieri’s case and grey in Hollywood’s case.]
people online will just say "I don't trust the Chinese" as if that's normal and not the sort of thing a cartoon racist would say out loud
Op is denying us the fucking golden replies to this tweet omg
When i had breast reduction surgery, i got into the OR and got put on this table that looked like a flat crucifix (arms out so they could get to the girls), and i said ‘god, don’t nail me down’
they put the mask on my face and the nurse said ‘no jesus treatment today’
and the last thing i said to her was ‘jesus with some big ass titties’ and then passed out.
inspired by that one post about how you can cut out the middle of “fine looking” for an expert YTP style sentence mix
due to inflation you must answer my riddles five
One of my biggest frustrations in trying to discuss queer media is how many people seem incapable of separating "this is an important milestone in representation" from "I did or did not enjoy this piece of media." Media analysis goes beyond just "fandom stuff," and queer media in particular deserves analysis and discussion because of how hard it's been stifled.
It doesn't matter if you hate Steven Universe, it's still important to talk about, because it showed the first queer wedding in American children's television. It has been cited by the creators of subsequent queer family animation as a major milestone in allowing their shows to enter production. The Ruby/Sapphire wedding is a historical milestone, and that doesn't stop being true just because you hate the show or think the ending was bad.
It doesn't matter if you think Will & Grace is entertaining or if you have any real interest in watching it, it's still a majorly important entry in televised queer representation. It kicked down the door to allow even more to come after, and deserves credit for what it did even if you don't personally care about the story.
It doesn't matter if you have any personal interest in Rocky Horror Picture Show, it's still got a ton of important history in queer spaces. Understanding why Rocky Horror showings were and still are hubs of queer expression is important even if you despise the movie and the creator.
Giving credit for representation milestones doesn't mean you can't have criticisms of a piece of media, it doesn't mean you have to like the media, and it doesn't mean you can't prefer other media. It doesn't mean it's free from problematic material, it doesn't mean it's god's gift to television, it doesn't mean it's better or worse storytelling than other stories.
It just means it's worth talking about and understanding the context in which it was made.
Reblogging this to mention a couple specific examples people have brought up in the notes, that I thought were really good--
Glee. How many of us fucking hate Glee? I do. You couldn't pay me to watch an episode of Glee today. Damn important at the time, though!
Rent. Fucking goddamn Rent. I hate Rent. But how many people did it introduce to broader queer stories and issues and community?
The Ellen Show. The show was a HUGE deal, and the impact of Ellen DeGeneres coming out was far, far reaching. Ellen as a person, however, is the kind of rich asshole who hangs out with fucking Dubya. And that's something that can (and should!) be talked about in the analysis of the show and its aftermath, without ever saying that "the show is bad and shouldn't exist and Ellen's coming out should never get talked about."
I just blocked someone for going on a tag rant about how Rocky Horror doesn't deserve to be on this list because it's "irredeemably transmisogynistic," and I need all of you to sit down and listen.
I never said you had to like the things on this list. I never said that you are required to engage with them.
What you are obligated to do, if you want to exist in queer community spaces, is respect the history and culture of the space you're in. You don't get to go into queer spaces and shit on the communities and traditions that kept the community alive. It doesn't matter if you "approve" of those traditions, what matters is that they kept. people. alive.
Every now and then someone gets over-the-moon pissed at me for defending Rocky Horror, and I just want so badly to introduce all these people to the 60-something year old trans woman who came up to the cast & crew when I was helping clean up after a RHPS shadowcast performance to tell us all about how she and her fiance have both been coming to Rocky longer than I've been alive, and how heartwarming it was to see people keeping the tradition alive.
If you have never been part of a queer space putting on a Rocky show for other queer people, don't talk to me about Rocky. Go count your fucking blessings that you live in a world where we can have new, better kinds of representation, but don't you dare act superior to the queers who have been Time Warping since before either of us were fucking born.