look at Diane Morgan as a knight right now. Look
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@gatoconfundido
look at Diane Morgan as a knight right now. Look
If you don't believe that...this is what exactly happened in the drama...Go watch the drama again...😌
omg, but that Li dude is up to some weird stuff D: Human experiments? Blood-eating monsters? I've got no idea, but it's something eerie.
We also get a mysterious symbol
EPISODE 26
In the novel, when Fei Du dug up his past memories, that was one of the most difficult parts to read. It was not any easier to watch.
He's been hypnotizing himself, ALONE but this time, he has someone to help him. Someone who hates seeing him hurt himself but understands how important finding this information is.
LUO WEIZHAO PUT HIS HAND OVER HIS EYES AND PULLED PEI SU OUT. Do you understand how important that is? This level of trust. 'Calm down.' This person Pei Su has shared his old pain and memories with, whom he has slowly let his mask slip around, this person who LOVES HIM and knows that he's better than who he thinks he is. "You're not them, you're not him."
I would also like to appreciate the level of closeness in these scenes, they did what they could and I appreciate it.
"I don't have any trauma." Says Mister 'Trauma is my middle name' OKAY. Got it.
I completely forgot about this kid. He's going to have a bad time.. 🥲
These two. I look forward to watching this play out.
Pei Su meow meow 1.0
… what’s this about a future plague plot I’m seeing people discussing on XHS down the line for Overdo
And honestly, why not.
It is a truth universally acknowledged, that a drama hero in possession of a medical education must be in want of a plague.
OP: The weather is unbearably hot, but running the AC all the time leaves me weak. Any solutions?
Cnetizens: Get a winter melon, lie on a bamboo mat and cuddle it to sleep.
OP: Here’s my experience from last summer. Temperatures in Shanghai stayed above 35°C through July and August last year. I almost never turn on the air conditioner at night, only run a fan. Waking up soaked from the heat was pretty normal. Then I roll over, and my arms and legs touch something nice and cool. It’s not that sharp shocking cold that makes you shudder just really pleasant. What’s more it holds a steady cool temperature. No matter how long I hug it, it barely warms up. Once my skin moves away from its surface it cools down quickly again. It regulates itself surprisingly well. You don’t need to worry about it turning lukewarm.
Pros Great at keeping a constant cool temperature energy-free totally silent thick rind means it lasts a long time up to three months multi-purpose you can even hold it while doing squats or use it as a barrier so you don’t roll off the bed. Cons You’ll reek of vegetable odour after sleeping all night with it. You can’t eat it afterwards. Don’t get any ideas about turning it into a stuffed winter melon bowl. Don’t ask how I found out. It’s really heavy. Getting it home from the market is tough and throwing it away later is just as much hassle. The inside turns completely mushy watery pulp so you have no choice but to dump it. (cr 星辰大海随风去)
AC and electric fans can be found in nearly every household across China, yet not everyone likes keeping the AC running nonstop. Some people with extremely weak constitutions cannot stand air conditioning at all, nor can they bear constant airflow. That’s why people have come up with all sorts of ways to beat the heat.
Winter melons are 96% water. Their surface stays several degrees cooler than the surrounding air, so sleeping with one in your arms is basically hugging a natural cold water pack. As long as the rind stays intact, you can use it all summer. Just watch out for ruptures — if it splits open, all the liquid inside leaks out. Using winter melons to beat the heat has been a folk custom in China since ancient times.
There’s also the zhufuren竹夫人(literally bamboo lady, aka bamboo wife), a similar popular cooling tool. It’s a hollow cylindrical cage woven from thin bamboo strips. Air flows freely through its gaps, carrying heat away nonstop.
Chinese people had plenty of other clever ways to stay cool. In 1978, the bronze jian fou was unearthed from the Marquis Yi of Zeng’s tomb in Suizhou, Hubei. Dating back over 2,400 years, it’s China’s ancient version of a refrigerator. Ice went in the outer vessel, and wine was stored inside the inner container.
The Tang Dynasty had cool pavilions built next to water. Waterwheels channeled cool air indoors. Some even pumped water up to the rooftops to create artificial water curtains. The cooling trick relied on waterwheels spinning fans paired with flowing water.
By the Tang Dynasty, plenty of icy treats already existed. The most famous one was su shan酥山, an icy dairy confection. Modern researchers have worked out its general recipe. First, heat dairy cream until it nearly melts and turns soft. Drip it onto a plate to shape it like rolling mountains, then store it in an ice cellar to freeze solid.
Song Dynasty people enjoyed frozen drinks too. Records of the Eastern Capital’s Dreams documents summer treats sold in Bianjing, the Northern Song capital.
Cold treats grew far more diverse in the Song Dynasty. Historical records show that as early as 962, the third year of the Jianlong reign—the exact timeframe featured in Where Winds Meet—the imperial court set up the Bingjingwu冰井务(Ice Well Service), an official department dedicated to making cold food for summer relief. Every summer the government handed out these icy delicacies to officials to help them beat the heat. Booming Song Dynasty commerce gradually made cold drinks accessible to ordinary people, and the variety of icy treats available to civilians expanded greatly. Documents note three major cold drink shops operating in Kaifeng, capital of the Northern Song, selling a huge range of refreshments including bingxue(icy snow), cold congee soup, licorice decoction, preserved papaya, fresh papaya, chilled lychee paste, golden tangerine balls, snow foam spleen-soothing drink, elsholtzia beverage, perilla drink, cold rice wine drink, soapberry syrup, sweet soybean candy, mung bean water, brined plum drink, jiangcha tea, Wuling San herbal mix, Dashun San herbal mix, lychee cream and snow foam plum wine. The most common cold drink back then was bingxue冰雪❄️, comparable to modern ice pops. In winter Song people filled bronze basins with water mixed with sugar, sometimes fruit juice and plant gel, and left them outdoors to freeze solid. These blocks were then stored in ice cellars. The following summer they would cut the frozen slabs into chunks or carve them into animal shapes such as dogs and foxes to sell at cold drink shops.
Street vendors also sold frothy soybean drink, pear juice, plum syrup, ginger honey water and papaya nectar. The menu rivals today’s trendy bubble tea shops. Vendors set up stalls everywhere — at street corners, alley entrances and bridge crossings.
EPISODE 25
I would like to give a lot of praise Fu Xinbo for his acting in this episode. He really did an excellent job portraying all the stress and emotions being piled on top of Luo Weizhao; dealing with Tao Ze being hurt, losing their potential lead with Lin Ming and the possibility of Chief Du being in involved in all of this.
I loved this scene of these three sitting together and the story Luo Weizhao told, "his love for you is like a gentle stream" 😭
If you need to get upset, there's no one here but me.
That part was straight from the novel - except it was a lot more emotional there - this was still really good.
YOU STILL HAVE ME. 🥹 They're in this together. Better or worse.
How Pei Su got Luo Weizhao out of his spiral here, made him focus on what he knows. That's important trust.
This part of was good, them working through the people involved and it was also a great way to recap, a lot has happened, here's the parts you need to remember.
I also wish to highlight:
"You grew up in light. It's very hard for you to accept betrayal from those around you. Unlike me, I've long been used to it."
🥲
he's also probably a 'lil mad. not that I'm complaining. good god, what a scene.
the same
The show is getting better, and I can't believe how good the writing is! Like absolutely solid within the constraints of the story it's telling. The dysfunctional OTP is getting the spotlight it rightfully deserves (and the backstory, and the new story), the evil shitty dudes are getting eviler and shittier (but some are also complex), the good brother is so unapologetically good you want to put him in a safe house and get a bunch of henchmen protecting him like an endangered species of family members.
Everything is just so coherent, and the show has devoted itself to being an unhinged melo - and just keeps on delivering episode after episode. Also - incredibly action-packed and emotion-packed, it's really thick with plot, but in a good way. Maybe I'm enjoying this so much because I usually don't watch stuff like this (or haven't in a long, long while), but it's just so well-made :D The costumes, the acting, the characters.
And yes, there comes a point when it starts being maybe a little too emotional - I couldn't help getting invested in some stories, ah. The brotherly love is so real in this one (spiced with lots of drama, but still). The dysfunctional OTP is perfect for each other in truly broken ways (I may wish for them to embark on a healing journey, but the narrative may decide otherwise, so).
And more than anything else - this show is damn enertaining, like A LOT :D Whomever isn't watching, do join the club - we've got guns, femme fatals, and pretty rainy scenes, to start with. And everyone is a 'lil toxic and trigger-happy :D
Seconded :D
Yes are there moments that seem over the top and cringe? Yes (but the English title is Overdo). But also even though I can see it being weird in a clip, within the emotional context and narrative of the episode, it fits. It’s all about heightened emotions and messiness and yet, with a surprising coherent narrative.
Also, it’s just really fun to watch. You genuinely don’t know where the story is going in the best way possible.
(And yes — this is me @ the recent trend of factory line cookie cutter idol historicals that aren’t bad per se, but seemingly designed by committee to not offend anyone.)
By no means is the show perfect (and it is over the top, but that's the whole point of it :D) but it's just solidly giving us what was advertised (and maybe even a bit more in the emotions department).
I'm just enjoying a story well-told, with the twists and turns that do feel like an homage to some 90s shows, when it was the norm (but now it feels refreshing smh). Also, it feels well-balanced with the shock-factor scenes, the ones reminiscent of horror flicks, and some family/relationship melo stuff.
The entertainment value is so high :D (for me). I just want to shout from every corner for ppl to start watching it, but I guess it's one of those shows XD that are definitely not everyone's cup of tea (but it's still surprising to me, ahah)
I get that it's not going to be everyone's thing (even though I'm like, it's fun to watch just for the batshit value alone :D)
But -- and I'm laying out my thought in a separate post, this is what made cdramas between 2013-2020 (around that time) so special. It's not that all of them were perfectly written or prestige or perfectly acted or had no plot holes. Many of them, if I was to look at them closely, were objectively not good (TM) (see: novoland: castle in the sky).
But (second but) -- it was also an era where the screenwriters had the "fuck it, we'll do it live" energy. They were committed to their vision, and if it gets roasted or offend public sensibility, so be it. It's how we got Novoland: castle in the sky 1 & 2 AND novoland: tribes and empire & eagle flag.
yes, I'm tapping into some earlier cdramas of various genres, and a lot of them are so-so good (for various reasons, but mostly they feel original, tight, and less glossed over). in terms of unique atmosphere, some pre-2020s shows would kick ass of the majority of modern ones (which do have better cgi and cooler special fx). so there's definitely been a shift in there somewhere, I don't know if it was genre-specific or an overall trend, but I do seem to like the earlier suff quite a lot :D
it was also an era where the screenwriters had the "fuck it, we'll do it live" energy.
absolutely second this :D
My take is that c-ent is determined to canabalize itself. For every fan war thread on XHS, there is a thread by drama viewers (aka no fan affiliation) bemoaning how the atmosphere for following dramas these days in mainland are terrible because it's all about agencies and rivals and production companies and fandoms trying to take down each other.
Unless you're one of those CCP backed dramas like that Zhang Yimou drama, I don't remember the last time I watched a drama where the premier wasn't accompanied by blackwater. The only exception is if it's a surprise break out (for example, the atmosphere around the Best Thing or Blossom was good because no one paid attention to them and expected them to do well, viewership numbers wise.).
We are in the era of marketing accounts (some have literally been arrested by the police for extortion, as in pay up or we'll keep posting negative things) and public opinion. Douban is a battle for fan space, where fandoms organize to give rival fandoms 1-2 star reviews.
And obviously, there were fanwars pre 2020, but it wasn't as prominent. They were treated -- rightfully so -- as a niche corner of the internet. Yes, censorship is a factor, but so is the creatives being afraid of public opinion. To me, it's not that different from BookTok and how western genre romance novels are getting more and more contained.
Idk if I'm right, but it also seems that viewers/fans weren't as close and didn't have as much influence on the creators directly some 10-20 years ago. Social media really bloomed and expanded, causing some vicious trends. Like, of course I was happy that the creators of Overdo changed the opening sequence to a normal one, but they wrote a freaking official apology letter to go with it D: this all reeks of fear (of losing views or ratings or whatever) and doesn't seem healthy at all.
well, I'm an outsider in this obviously, but as a viewer who enjoys cdramas, I can only wish the creators and actors to have more creative freedom and less fear that they wouldn't do well in numbers or because some antis waged a war on the show(((
EPISODE 24
I really enjoyed this scene. These two understand each other on another level. Du Jia will carry his trauma from the loss of his brother forever but he can't let it consume him.
"I don't stare into the abyss. I am the abyss." Alright Batman. (Sorry 🤣) That was genuinely a good line.
I'm sorry how cute was the scene? 'Look at my new uniform, here to help you.' But you have to tell me where you are and what you're doing all the time.
Yes..thank you. 👏 I appreciate little moments where they get to smile at each other.
Their conversation was nearly copy pasted from the book and I'm so glad. The relationship and what transpired between all them is so important. I can't wait to watch it all unfold.
ALSO, shout out to the IT part one cameo in the movie theatre. I was not expecting that. 👏
Anyway. Why is baby a rubio now? 😅
I wish I didn't have strong opinions on stuff I'm not competent in. But I'm just as an ape as everyone else.
I feel like kids would be less "loud/annoying/tantrum prone/whatever the complaint about them is this week" if they weren't forced to live in a world that doesn't treat them like human beings and constantly forced to obey the whims of other people with no consideration for their own thoughts and emotions. And if they weren't actively conscious of this. Blaming kids for occasionally breaking down over their treatment is like blaming women for yelling at their abusive husbands or crying about the sexism inherent in society. It's "the women's disease/hysteria" but directed at children instead of women.
Even if they have genuinely loving families that don't neglect them, which is rare, children are still put under constant abuse from every other aspect of their life. They're living on ultra-mega-hard-mode. Emotions are understandable.
I also completely understand people who can't be around loud children, or who hate it when a kid breaks down crying or screaming in a store or a restaurant. I hate it when a kid breaks down crying or screaming in a restaurant or store. Like, that's not an unreasonable feeling to have when someone is making an uncomfortable amount of noise. I get it. You don't want that kid to be crying or screaming any more than they want to be doing it.
These kids didn't ask to be forced to sit in a fancy restaurant in uncomfortable clothes around people they don't like eating disgusting food for hours. Those kids didn't ask to be hauled around a supermarket looking at things they're not allowed to have. That kid is crying because they're in a situation they don't want to be in, and they probably didn't have any say over how they got there. They've been forced into Situations for probably their entire lives, and sometimes they snap and have breakdowns. Breaking down after the level of constant psychological abuse inherent in modern childhood would be considered normal and understandable for any other age group, but when children do it it's considered irrational and bothersome and annoying. I get that empathy and compassion are hard, we're all suffering, but maybe for once try to have some instead of just writing the suffering of children off as too annoying to deal with.