I'm gonna be honest
I didn't make enough gifs of him
sheepfilms
★
One Nice Bug Per Day
KIROKAZE
I'd rather be in outer space 🛸
macklin celebrini has autism
Cosmic Funnies
PUT YOUR BEARD IN MY MOUTH
art blog(derogatory)
hello vonnie

PR's Tumblrdome
"I'm Dorothy Gale from Kansas"

ellievsbear
d e v o n
Sweet Seals For You, Always
Monterey Bay Aquarium

Product Placement

pixel skylines
Mike Driver
🩵 avery cochrane 🩵
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@geeky-gossip
I'm gonna be honest
I didn't make enough gifs of him
this movie y'all.......
check out my other art here :)
Alien: Priority One - art by Paolo Rivera (2020)
we bestfriended too close to the sun and ended up saving the entire galaxy
2 and a half hours of pure wonder and delight (and occasional existential dread), please go see Project Hail Mary while it's still in theatres
Grace go home. Project Hail Mary (2026) dir. Phil Lord, Chris Miller
Dog years
"play whatever part you like, just don't pick mine for me"
!!!!
DO YOU GET IT???
anyone who's saying the break room confrontation was pointless and came out of nowhere is watching this show with their eyes closed.
this scene is about robby, even though he's not even there: the damage he's done in the past, the damage he continues to do, who might be able to stop him, and how.
the set-up is so clear: langdon and whitaker have both been robby's protege, we've seen it ourselves. and now it's even more clear - both langdon and whitaker house sitting for robby, living in his space, a sort of dress rehearsal for being him.
the scene starts with a reference to langdon's back injury flaring up. the injury (and the related opioid dependency) is a physical manifestation of the harm robby did to langdon, who is (was?) the quintessential golden boy heir to the throne: conventionally gorgeous, a former athlete, a star student, adored and supported by his family. we've seen that robby took advantage of his insecurity, his desperation to be seen and liked and adored, his willingness to go above and beyond for it until he was physically incapacitated, by moulding him in his own image: teaching him bad habits, instilling aggression and cynicism and ego into the foundation of his practice as a doctor and how he conducts himself as a man.
then there's whitaker, salt of the earth farm boy, who is 'weird', who doesn't seem to really care what anyone (including robby) thinks of his weirdness. he's the baby of his family, probably mostly left to fend for himself, and struggled to get where he is all on his own. his innate kindness and self-possession and independence and resourcefulness. he's flown mostly under the radar as a doctor and a man, being polite and careful, working hard, learning from his mistakes, and getting it right without resorting to dazzling 'cowboy' feats to try and prove himself. he's proved himself to be strong, assertive, steady, unfailingly gentle.
langdon tries on his old robby act at first, making himself the older brother: negging whitaker by ribbing him about getting into shape, making fun of his farm work.
and then a miracle happens: instead of letting langdon walk all over him, whitaker sees through it and literally in the scene breaks the cycle. he stops him in his tracks, not unkindly. his level of anger is appropriate to the situation but he doesn't attack him personally, he just calls out his behaviour and draws a clean boundary: I'm not going to let you tell me who I am.
he may as well be speaking directly TO robby.
and langdon doesn't embody robby in that moment, doesn't deflect or posture or dominate. instead, he rises to the challenge. for once, he takes responsibility for his behaviour in full - because after all, what were the sarcastic jokes for except to avoid accountability for how he's treated everyone? he stops, regroups, takes whitaker's feelings into account, admits fault, apologises, and even encourages whitaker to keep standing up for himself in that way: assertive but not unkind. langdon chooses not to play a part. maybe for the first time ever.
they leave in a good place, with seemingly mutual understanding and maybe even burgeoning respect.
in the very next scene, we get robby having a childish, overblown meltdown about his motorcycle, and taking his feelings out on everyone in proximity.
then later in the episode, robby defers to langdon's courage and skill, and langdon proves himself by pulling off a one in a million risky save and leaving everyone around him in awe. but instead of peacocking and soaking up the praise like he did in season 1 langdon steps out for a quiet moment by himself, where he's shown to be rattled but relieved. not a hint of smugness to be found.
just like that, the cycle is broken.
and a clear power shift is taking place. we just saw it all play out in that 'useless' scene ...
"Return to the Moon" Artemis Ⅱ 2026
l Andrew McCarthy 1,2 l Alex G Perez 3,4 l Alexander Gerst 5
Run it back!
Here’s a recap of our historic Artemis II launch and a preview of what's to come.
Follow along as four astronauts continue their journey around the Moon and back: nasa.gov/ways-to-watch/
April Full Moon and Artemis Ⅱ © astronycc
❤︎
Dragons of Westeros
By UnderRavenWood
Not sure of the originally artist for this one, but I will never get over the fact that I got to be alive at the same time as these incredible actors.
R.I.P Dame Maggie Smith 💔
#rest in peace, Dame Maggie Smith
Maggie Smith as Professor Minerva McGonagall HARRY POTTER AND THE SORCERER'S STONE 2001 | dir. Chris Columbus
Dame Maggie Smith as Muriel Donnelly The Second Best Exotic Marigold Hotel (2015)