Years of personal growth can be unraveled in 2 days at your parents house
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Misplaced Lens Cap

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2025 on Tumblr: Trends That Defined the Year

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cherry valley forever
Not today Justin

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@generalfandomtomfoolery
Years of personal growth can be unraveled in 2 days at your parents house
writing your fave having sex with with their love interest is OUT writing your fave shamefully jerking off and coming pathetically fast at just the idea of fucking their love interest is IN
Alysa Liu sketch! Her joy is super contagious!! š„ŗš
Alysa Liu, the 2026 Olympic Champion in Women's Singles Skating
90s Max Mayfield ā¤ļø
(90s lucas ⢠el ⢠will ⢠mike)
I know, Johnny. I know you want me so bad it's like acid in your mouth.
PATRICK SWAYZE AS BODHI & KEANU REEVES AS JOHNNY UTAH Point Break (1991) dir. Kathryn Bigelow
90s Lucas Sinclair š
(90s max ⢠will ⢠mike ⢠el)
first time for everything (Grimmauld Roommates AU)
bylerlumax picnic double date (summer of ā94)
happy valentines day!
Thank you for having the courage and vision that the Duffers sorely lack.
90s Will Byers š
(90s mike ⢠el ⢠lucas ⢠max)
90s Mike Wheeler š
(90s will ⢠el ⢠lucas ⢠max)
How to Fix Underwriting
1. Slow down at emotionally important moments.
Big emotions need space to land. If a scene feels rushed, pause the plot briefly to show how the moment affects the character.
2. Add reactions, not explanations.
Instead of explaining what a character feels, show it through physical responses, hesitation, or small actions that reveal emotion naturally.
3. Ground every scene in the senses.
If a scene feels thin, add one or two sensory detailsāsound, texture, smell, or temperatureāto make the moment feel lived-in.
4. Let thoughts interrupt action.
A line of internal thought can deepen a scene without slowing it too much. Thoughts show stakes, fear, longing, or conflict beneath the action.
5. Expand consequences, not events.
You donāt need more things to happenāyou need to show what matters. Focus on how events change relationships, decisions, or self-perception.
6. Strengthen setting where emotion peaks.
The environment should echo or contrast the emotion of the scene. Setting is not decorationāitās emotional reinforcement.
7. Add specific details instead of general ones.
Underwriting often relies on vague language. Swap āthey arguedā for one sharp line of dialogue or a specific breaking point.
8. Let dialogue breathe.
Short dialogue exchanges without pauses can feel flat. Add beatsāsilence, gestures, interruptionsāto give the conversation weight.
9. Show transitions between scenes.
If scenes jump too quickly, readers feel disoriented. A brief transition helps establish time, mood, and emotional continuity.
10. Clarify stakes early in the scene.
If readers donāt know what can be lost, scenes feel empty. Make sure the character wants something specific and fears losing it.
11. Use the āwhat are they feelingĀ right now?ā check.
After each major beat, ask what emotion is dominant in that moment. If itās missing on the page, the scene is likely underwritten.
12. Expand scenes that feel ātoo clean.ā
If a scene resolves too neatly or quickly, it probably needs more tension. Messy emotions and unresolved feelings add depth.
"goddess" "matriarchy" "female wisdom" girl your civic rights
āBut I didnāt and still donāt like making a cult of womenās knowledge, preening ourselves on knowing things men donāt know, womenās deep irrational wisdom, womenās instinctive knowledge of Nature, and so on. All that all too often merely reinforces the masculinist idea of women as primitive and inferior ā womenās knowledge as elementary, primitive, always down below at the dark roots, while men get to cultivate and own the flowers and crops that come up into the light. But why should women keep talking baby talk while men get to grow up? Why should women feel blindly while men get to think?ā
ā Ursula K. Le Guin
unexpectedly sexy part of the Sinners credits. we LOVE a thoroughly sourced film.
Leather and Steel š”ļøš¤
(available as stickers via patreon through september 2025)
[ID: Digital illustration of a nude trans masculine person, cropped from thigh to neck. They are posed head on, one hand resting on the strap of a black leather strap-on harness. The other hand is holding the hilt of a sword, pointing down. They have top surgery scars, body hair, and a bandaid on their thigh for their T-shot. They are framed in thorny vines, with some 6 pointed stars around them. The background and figure are both a ochre yellow, with black lineart offset by red. /. End ID]
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PS there are a few more on patreon, that are a little š¶ļø