1. Slow down at emotionally important moments.
Big emotions need space to land. If a scene feels rushed, pause the plot briefly to show how the moment affects the character.
2. Add reactions, not explanations.
Instead of explaining what a character feels, show it through physical responses, hesitation, or small actions that reveal emotion naturally.
3. Ground every scene in the senses.
If a scene feels thin, add one or two sensory detailsāsound, texture, smell, or temperatureāto make the moment feel lived-in.
4. Let thoughts interrupt action.
A line of internal thought can deepen a scene without slowing it too much. Thoughts show stakes, fear, longing, or conflict beneath the action.
5. Expand consequences, not events.
You donāt need more things to happenāyou need to show what matters. Focus on how events change relationships, decisions, or self-perception.
6. Strengthen setting where emotion peaks.
The environment should echo or contrast the emotion of the scene. Setting is not decorationāitās emotional reinforcement.
7. Add specific details instead of general ones.
Underwriting often relies on vague language. Swap āthey arguedā for one sharp line of dialogue or a specific breaking point.
Short dialogue exchanges without pauses can feel flat. Add beatsāsilence, gestures, interruptionsāto give the conversation weight.
9. Show transitions between scenes.
If scenes jump too quickly, readers feel disoriented. A brief transition helps establish time, mood, and emotional continuity.
10. Clarify stakes early in the scene.
If readers donāt know what can be lost, scenes feel empty. Make sure the character wants something specific and fears losing it.
11. Use the āwhat are they feelingĀ right now?ā check.
After each major beat, ask what emotion is dominant in that moment. If itās missing on the page, the scene is likely underwritten.
12. Expand scenes that feel ātoo clean.ā
If a scene resolves too neatly or quickly, it probably needs more tension. Messy emotions and unresolved feelings add depth.
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