I don't sit in while you're running it down. I don't carry a blaster. I pilot.
Art by Rafal Rola | Instagram
ojovivo

izzy's playlists!
Keni
The Bowery Presents
Monterey Bay Aquarium

titsay
Cosmic Funnies

Jimmy Eat World
Doug Jones

PR's Tumblrdome
RMH
I'd rather be in outer space 🛸

Jar Jar Binks Fan Club
d e v o n
let's talk about Bridgerton tea, my ask is open
No title available
$LAYYYTER
Claire Keane
No title available
One Nice Bug Per Day
seen from China

seen from Singapore
seen from Bulgaria
seen from Canada
seen from Germany

seen from United States

seen from Argentina
seen from Cambodia
seen from Senegal

seen from United States
seen from China
seen from Peru
seen from United States

seen from United States

seen from Chile
seen from United States

seen from China
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seen from Brazil
seen from United States
@gilbbous
I don't sit in while you're running it down. I don't carry a blaster. I pilot.
Art by Rafal Rola | Instagram
the mental health situation in the galaxy far far away
ANDOR: Velcinta in every episode 1.08 | Narkina 5
Buffy the Vampire Slayer 1.08 — I Robot, You Jane..
A friend of mine has been getting me into watching Andor and I do like drawing portraits so this is the result! Asked my friend @skatankata for some coloring tips and stealing his entire process actually.
Not entirely Skarsgård’s likeness but thats what practice is for!
experimenting with some collage stuff on photoshop :)
you 🫵. make a self-indulgent au now
Every day I wake up and I try to figure out what I did wrong. You know, the big thing I did wrong that everyone knows about but me? which I have yet to figure out what it is, but hey, there’s always tomorrow!
la petite mort
Repost, now do your honors.
Trans people just existing is no more sexual than when cis people just exist.
Camp Miasma VHS Sleeves - The CAMP MIASMA Collection
my goat
I was scared to direct the sex scenes in the movie because I had never directed them before. My perspective on sex, especially before transition, was that I had deeply buried stuff that I was scared to show people or even myself, and so I just avoided it. I wanted to apologise for having a sexuality. It came to a point when I realized that I’m inviting these actors to perform this, and I felt that impulse of ‘this is ugly’ and ‘this is manipulative’. I’m gonna just let them lead. I went out to dinner with my partner, and I was talking about this anxiety. She was like, ‘The film is talking about dissociation during sex, and you are dissociating from directing your sex scenes.’ I realized that this is literally my job: to look this directly in the eye, instead of through my fingers. I’m proud of the way I grew as an artist in this movie. The sex scenes themselves are the emotional core of the film.
Jane Schoenbrun for i-D
ɢɪʟʟɪᴀɴ ᴀɴᴅᴇʀꜱᴏɴ ɪɴ ᴛᴇᴇɴᴀɢᴇ ꜱᴇx ᴀɴᴅ ᴅᴇᴀᴛʜ ᴀᴛ ᴄᴀᴍᴘ ᴍɪᴀꜱᴍᴀ
"ꜱᴏᴍᴇᴏɴᴇ'ꜱ ɢᴏᴛᴛᴀ ʙᴇ ʜᴇʀᴇ ᴡʜᴇɴ ʟɪᴛᴛʟᴇ ᴅᴇᴀᴛʜ ᴄᴏᴍᴇꜱ ʙᴀᴄᴋ"
ᴛᴇᴇɴᴀɢᴇ ꜱᴇx ᴀɴᴅ ᴅᴇᴀᴛʜ ᴀᴛ ᴄᴀᴍᴘ ᴍɪᴀꜱᴍᴀ
He's hungry.