𓂋

in the moon's wound

[screenshotsofdespair]

[apocalypse-polakiewicz]

chee fong

[gameofthronesdaily]

HOUSE OF THE DRAGON — 3.02: Queen's Landing

[soundcarvings]

I think there is something to be said about extreme optimism and extreme pessimism being different sides of the same coin. They both ultimately lead to the same outcome which is a kind of paralysis in taking meaningful action. And I do think this can be applied to many areas of modern day life, from psychology to politics.

[giragirameganedan]

[krasnoarmeyets]

before there was Online there was lying on the floor and studying the patterns of the carpet and tracing it with your finger

[kristina100000]

awesome picture how do i move on now from this moment

[wavesofundoing]

The lesson of Wuthering Heights, of Greek tragedy and, ultimately, of all religions, is that there is an instinctive tendency towards divine intoxication which the rational world of calculation cannot bear. This tendency is the opposite of Good. Good is based on common interest which entails consideration of the future. Divine intoxication … is entirely in the present.

Georges Bataille, Literature and Evil

[thekimonogallery]

Gofukuyasan

[thekimonogallery]

琴音 @cotocotton_

[jisuto]

[letterful]

“Writing is, rather, entering an immense cemetery where every tomb is waiting to be profaned. Writing is getting comfortable with everything that has already been written—great literature and commercial literature, if useful, the novel-essay and the screenplay—and in turn becoming, within the limits of one’s own dizzying, crowded individuality, something written. Writing is seizing everything that has already been written and gradually learning to spend that enormous fortune. (…) Thus in order to devote ourselves to literary work must we subscribe to the great scroll of writing? Yes. Writing inevitably has to reckon with other writing, and it’s from the terrain of the already written that the sentence might jump out that sets in motion a small admirable book or the great book that displays a trajectory and constructs a unique world of words, characters, and conflicts.”

— ELENA FERRANTE, from In the Margins: On the Pleasures of Reading and Writing, trans. Ann Goldstein.

[kosmogrl]

The City by C. P. Cavafy

[nocturnaltigerrevelation]

>have problem

>recognize it as part of my divine punishment

>no problem

[odissea]

saw them at the farmers market...i couldnt leave them there...!

[papayajuan2019]

i could add a few more stages to grief if they let me

[onlycheffings]

Anne Teresa De Keersmaeker