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Ultra! Ultra! for Vladimir 518 / Vinyl cover / Parallel Practice in collaboration with 20YY Designers

#vinyl #cover #parallelpractice #20yydesigner #ultra!ultra!#graphik #design #artist #3d #colors #type

Nike Unlaced / Branding and Typeface / Deutsche & Japaner

deutscheundjapaner.com

#type #design #branding #deutsche&japaner #nike #unlaced #fashion #3d #multidisciplary #typeface #graphik #effects #art #photography #retail #concept

Danish Design Award / Identity / Kontrapunkt

kontrapunkt.com

#type #danishdesignaward #kontrapunkt #idenitity #brandidentity #font #typography #design #composition

Mold Magazine / Editorial / Eric Hu

erichu.info

#editorial #magazine #mood #eric hu #typography #art #graphik #mold magazine #erichu

Commonwealth / Identity / 2018 / Neubau Berlin

neubauberlin.com

Visual Identity/Branding/Design for Commonwealth, a boutique NYC based agency representing photographers and stylists working in the fields of fashion, editorial and advertising. The typefaces for Commonwealth’s visual identity are custom designed.

#branding #identity design #neubau berlin #commonwealth #fashion #brand #photography #elements #typeface #design

Standard —Pickle Standard / Typography / Benoît Bodhuin

bb-bureau.fr

#composition #topography #type #typeface #typographer #sans_serif #calligraphy #legibility #expressed #graphik #bb-bureau #standard #pickle standard

Schaubühne Berlin – Bildband / Editorial / 2018 / Büro Bum Bum

buerobumbum.com

Book design for the theater Schaubühne Berlin. 1 theater, 5 years, 5 campaigns, 6 photographers, 48 actors, 158 photographs, 352 pages. From 2013 to 2017 Juergen Teller, Ute and Werner Mahler, Pari Dukovic, Brigitte Lacombe and Paolo Pellegrin portrayed the ensemble of the Schaubühne Berlin. This monograph shows these five campaigns in their entirety for the first time. Designed by Pascal at Schaubühne Berlin.

Published by KERBER Verlag ISBN 978-3-7356-0424-8 Most Beautiful German Books 2018 – Shortlist

#art #edtorial #graphik #communication #schaubühne berlin #büro bum bum #graphicartdesign #book #theatre #photography #graphicartist #creative direction

Baillat Studio 3 Year Anniversary - WATERPROOF DESIGN / Fashion / 2018 / Baillat. Studio

www.baillat.ca

#baillatstudio #waterproofdesign #water #exhibition #fashion #grafikdesign #grafik #design #print #visual

5th Berlin Biennial 2008 / Identity / LUDOVIC BALLAND

www.ludovic-balland.com

Every printed matter included “B” and “5” in order to activate the reader and to make the different objects and places that are inserted in the letters visible.

The Berlin Biennial communication includes ads, exhibition flyers, banners, citylight posters, billboards, etc. and were printed on a large range of different formats.

#ludovicballand #5thBerlinBiennial #print #poster #editorial #book #grafikdesign #design #type #experiment

Nike Statement House NYC / Exhibition / 2018 / DIA Studio

www.dia.tv

#DIAStudio #nike #research #grafikdesign #design #exhibition #kinetic #type #experiment #pixel #visual #network

Without Horizons / Graduation project, 2015 / Vincent Thornhill / Design Academy Eindoven

Vincent_Thornhill_Thesis_LoRes.pdf vincentwork.com

The horizon frames our sense of distance and scale. The self has no scale. With every perspective added, every new horizon created, our image grows out of proportion to our single point of perspective. Using one point perspective as a framework, this research publication and pictorial study considers an alternative orientational paradigm in order to expand our notions of self, as the use of digital imagery becomes more and more prevalent in our lives. The digital image offers more than representation through provoking us to question the way we see, our subjective relationship to the world and to each other.

The orientational paradigm of the digital image disrupts the linear perspective we use to structure our experience. With every image made, lines of perspective converge towards different horizons. The sense of individual points of convergence begins to diminish, and the texture of grid surfaces. With more perspectives taken into account, the grid becomes denser, more detailed. Its resolution increases.

Where our ‘one point perspective’ can be seen as a limiting the subject-object relationship, the grid of the digital image breaks apart this dichotomy, using multiplicity — the pixel, the camera, the screen, the network — to illuminate our plurality. In doing so, the digital image can show us the reality of our image, simultaneously more defined and more distorted than we are able to perceive.