She/They, bisexual, INTJ, Scorpio. I love Severus Snape, Harry Potter Universe, fanfiction, books, K-pop, metal, Mo Dao Zu Shi, tea, French fries, TV shows, Marvel, morally gray characters. Can't stop reading HP fanfic so if you wanna talk about it DM me.
Or: Why He Says "Adequate" When He Means "I Love It"
The Core Truth About Snape
Severus Snape isn't actually that difficult to write—but you have to understand his emotional filtering system. Every thought, reaction, and word passes through multiple layers of self-protection before it reaches his mouth. Understanding these layers is the key to writing him authentically.
The Four Foundational Rules
1. He Analyzes Everything First
Snape's default mode is analytical. He doesn't react—he assesses, categorizes, then responds. However, his analysis is colored by pessimism: if it can go wrong, it probably will. His working assumption is always "assume the worst until proven otherwise."
Example:
Normal person: "They're being nice to me!"
Snape: "They're being nice. Why? What do they want?"
2. He Believes He's the Smartest Person in the Room
Always. This isn't arrogance (though it looks like it)—it's a defense mechanism born from years of being dismissed and underestimated. When someone says something foolish, it confirms his worldview: no one sees things as clearly as he does.
This means:
He's condescending by default (they genuinely don't understand)
He's perpetually disappointed (they keep proving him right)
He's isolated by his own intellect (no one operates on his level)
3. He Cannot Handle Emotion
Any feeling—positive or negative—gets immediately masked. His go-to deflections are:
Preferred: Sarcasm (appears unbothered, maintains control)
Fallback: Anger (when emotion breaks through despite his efforts)
Anger isn't his first choice—it's what happens when he loses control. Sarcasm lets him feel superior and detached. Anger reveals he's been affected, which he hates.
4. He Believes He's Fundamentally Unlovable
This is the core wound. Snape operates from the belief that:
No one will ever truly care about him
Anyone who tries has ulterior motives
Emotional self-protection > any potential relationship
Pushing people away is survival, not cruelty
The Tragic Cycle:
Someone genuinely tries to get close
He pushes them away (testing/protecting)
They withdraw (natural response to rejection)
He interprets their withdrawal as proof they had ulterior motives all along
Confirms he was right to push them away
Repeat
It's devastatingly self-fulfilling.
Snape Contains Multitudes (And Hates It)
Here's the thing about Snape that trips up a lot of writers: he's walking contradiction, and you shouldn't try to fix that.
Snape is simultaneously:
Brilliant and petty
Brave and cowardly (faces Voldemort regularly but can't face his own feelings)
Selfless and selfish (saves Harry's life repeatedly while tormenting him)
Desperate for connection but actively sabotages it
Craves respect but makes himself deliberately unlikable
Capable of immense love and immense cruelty, often in the same breath
For writers: These contradictions aren't flaws in his character—they're the point. He's a deeply damaged person who has never healed, so he's walking around full of unresolved tension, unprocessed trauma, and competing impulses.
Don't try to reconcile these contradictions. Don't make him "consistently cruel" or "secretly soft." Let him be both. Let him be unfair. Let him save someone's life and then be needlessly cruel to them five minutes later. Let him care deeply about something and then mock someone else for caring about the same thing.
Best Approach:
Snape is genuinely cruel AND genuinely caring, and those two things exist in him simultaneously without canceling each other out. He hasn't integrated his trauma, so he's fragmented. That's what makes him compelling.
Control is Survival
To understand Snape's behavior, you have to understand his relationship with control—because for him, control isn't about power, it's about survival.
Why Control Matters So Much:
Snape's childhood was defined by chaos and powerlessness:
Poverty (Spinner's End)
Abuse (his father)
Helplessness (couldn't protect his mother, couldn't escape)
Social isolation (the weird poor kid)
As an adult, he's obsessed with control because it's the only thing standing between him and that childhood vulnerability. If he can control the situation, he can't be hurt the way he was hurt as a child.
How This Manifests:
Intellectual superiority → If I'm the smartest, I see things coming, I can't be caught off guard
Emotional suppression → If I don't feel it, it can't control me or be used against me
Anticipating worst-case scenarios → If I expect the worst, I'm prepared; I can't be disappointed
Cruelty as preemptive strike → If I hurt you first, you can't hurt me; I control when and how pain happens
Rigid routine/environment → Predictability = safety (his classroom never changes, his behavior is consistent)
What Happens When He Loses Control:
When someone surprises him, outsmarts him, or makes him feel something unexpected, Snape doesn't just get angry—he gets vicious. It's not proportional because it's not really about the current situation. It's panic dressed as cruelty.
For writers: If you want to rattle Snape, make him lose control of:
Information (someone knows something he doesn't)
A situation (things spiral beyond his management)
His emotions (someone makes him feel something he didn't authorize)
His environment (forced into unfamiliar territory)
His response will be disproportionately harsh because you've triggered his core fear: powerlessness.
How to Write Snape's Dialogue: The Translation Process
Let's say Snape sees a flower he likes (a lily, perhaps?).
Normal person's thought:
"Oh, that's a really pretty flower! I would love to have one."
Snape's internal process:
Step 1: Analyze First
Why is it appealing? What specifically draws my attention?
→ "That flower looks well cared for—bright, healthy, colorful. I would like one."
Step 2: Add Intellectual Precision
Remove casual language. Use technical/formal vocabulary.
→ "The plant appears well maintained and visually appealing. I believe I would want one for myself."
Step 3: Strip All Emotion
Remove any indication of personal desire or feeling. Make it observational.
→ "The plant is well maintained and visually appealing."
Step 4: Minimize + Add Careful Pauses
Use the fewest words possible. Pauses indicate he's selecting words deliberately.
→ "The plant is... adequate."
And that's Snape dialogue.
He's gone from "I love this and want it!" to "adequate"—but if you understand his filtering system, you know those mean the same thing.
Additional Dialogue Patterns:
Questions as weapons:
He rarely asks genuine questions. Questions are tools for:
Exposing incompetence ("Can you explain your reasoning, Mr. Potter, or is that beyond your capabilities?")
Asserting superiority ("Do you expect me to believe that?")
Controlling conversation ("And why, precisely, would I care?")
Silence as punctuation:
Snape's pauses aren't hesitation—they're calculated. A pause before responding makes the other person uncomfortable, gives him time to formulate the most cutting response, and signals that their comment wasn't worth an immediate reply.
Formal speech as armor:
The more emotional he's feeling, the more formal and precise his language becomes. Contractions disappear. Sentences become clipped. If he's really rattled, his vocabulary becomes almost comically elevated—it's a retreat into intellectualism when emotion threatens.
What His Body Does When His Mouth Won't
Snape's physicality is just as controlled as his dialogue, but his body language often betrays him before his words do.
Snape's Physical Vocabulary:
Stillness as power
Doesn't fidget, doesn't pace (unless truly agitated)
Can stand motionless for extended periods
Uses stillness to make others uncomfortable
Economy of movement (nothing wasted, nothing revealed)
Looming and spatial invasion
Uses his height to intimidate
Invades personal space deliberately
Stands too close when he wants to unsettle someone
Towers over students (physical reminder of power imbalance)
The voice as weapon
Soft = dangerous (the softer he gets, the more trouble you're in)
Loud = loss of control (if he's yelling, you've genuinely gotten to him)
Silky/drawling = performing cruelty (enjoying your discomfort)
Sharp/clipped = barely contained emotion
Hands tell the truth
Clasped behind back = restraint, control, preventing himself from action
Clenched = barely contained emotion
Touching his wand = grounding himself, checking it's there, preparing
Steepled fingers = thinking, calculating, judging
Sudden movement = control slipping
For Writers: When Control Slips Physically
Snape's body betrays him before his words do. If you want to show he's rattled without having him say it:
A hand tremor (quickly controlled)
Moving too quickly (then forcing himself to slow)
Standing too close (invading space because he's feeling invaded)
Voice going too soft (overcorrecting for emotion)
A sharp intake of breath (suppressed reaction)
Eyes widening fractionally (surprise he immediately masks)
Touching his wand reflexively (seeking comfort/control)
Example:
His hand moved to his wand—not drawing it, just... touching it. Grounding himself. Checking it was still there. His fingers wrapped around the wood for a breath, two, before he forced them away and clasped both hands behind his back.
This tells you: He's rattled, seeking control, and forcing himself back into his controlled posture.
The Smartest Person in the Room: A Hierarchy
Snape doesn't treat all "not smart" the same way. Understanding the distinction helps you write his interactions more authentically.
Response: Frustrated, condescending, but occasionally lets a decent attempt pass without comment
Why: He recognizes effort even if he despises the lack of natural talent
The tell: If Snape says nothing when Neville does something right, that's his version of praise
For writers: This is grudging acknowledgment at best, never warmth
Genuine stupidity (Crabbe, Goyle)
Response: Dismissive, writes them off entirely, barely wastes energy
Why: They're beneath his notice; can't fix stupid
The tell: He doesn't even bother insulting them creatively—it's not worth the effort
For writers: Use short, bored dismissals ("Out") rather than elaborate takedowns
Willful ignorance (people who should know better)
Response: Rage. This is what truly enrages him.
Why: They could be better and choose not to be, which is unforgivable to someone who clawed his way up from nothing through sheer intellect
Examples: Harry not reading instructions, Lockhart being a fraud, people who coast on privilege
The tell: His cruelty becomes personal and creative
For writers: This is where the cutting remarks come out, where he'll humiliate someone publicly, where his anger is cold and precise
Fake expertise (Lockhart, frauds)
Response: Barely concealed contempt mixed with amusement at their inevitable downfall
Why: He knows they'll be exposed; he's just waiting for it
The tell: Snide remarks, letting them hang themselves with their own incompetence
For writers: He's patient with these people because their failure is inevitable and he'll enjoy watching it
What Actually Impresses Snape (And He'll Never Admit It)
If you're writing Snape in any kind of relationship—friendship, mentorship, romance, rivalry—you need to understand what earns his respect. Because without respect, you have nothing.
What Snape Respects:
✅ Competence without arrogance
Do good work, don't brag about it
Let your results speak for themselves
Example: Hermione's actually good at potions; he hates that he can't fault her work
✅ Standing up to him intelligently
With facts, logic, or genuine counterarguments
Not with emotional outbursts or moral posturing
Example: Hermione correcting him with evidence = grudging respect; Harry mouthing off = rage
The key: Challenge his conclusions, not his authority
✅ Seeing through his bullshit
If you call him on his deflection tactics and don't back down, he's intrigued (even if furious)
Shows you're actually paying attention
Means you're not easily manipulated
Warning: This only works if you're also competent; otherwise you're just annoying
✅ People who don't need his approval
Desperation repulses him
Indifference intrigues him
If you don't care whether he likes you, you're more interesting than 95% of people
Example: McGonagall doesn't give a damn what he thinks, and he respects her for it
Not Quidditch, popularity, or emotional intelligence
Exception: He respects Dumbledore's manipulation skills even though it's emotional—because it's strategic emotional manipulation
✅ Quiet strength
People who endure without complaining
Strength that doesn't need to announce itself
Example: Lupin's quiet dignity in the face of discrimination
What He Does NOT Respect:
❌ Emotional vulnerability without accompanying strength
❌ People who fold under pressure
❌ Blind optimism or naivety
❌ Anyone who reminds him of James Potter (arrogance, entitlement, charm-based success)
❌ People who coast on privilege, looks, or popularity
❌ Moral grandstanding without personal sacrifice
❌ Seeking his approval or validation
For Writers: Cracking Snape's Walls
If you want to write someone who actually gets through to Snape, they need to:
Earn his respect first (be good at something he values)
Stand their ground (don't back down when he pushes)
Not need him (indifference is more attractive than eagerness)
See through his defenses (recognize what he's doing and why)
Give him space (forced proximity works; forced intimacy doesn't)
Match his intellect (he needs someone who can keep up)
Not pity him (pity is humiliating; understanding is different)
Common Mistake:
Writing someone who "fixes" Snape with love and patience.
Better Approach:
Writing someone who's compelling enough that Snape chooses to do the work of letting them in—slowly, grudgingly, with frequent backsliding.
Common Misconceptions
"Snape is incapable of love"
Wrong. Snape is terrified of love and believes he doesn't deserve it—which is entirely different from being incapable of it.
His intense attachment to Lily and Dumbledore isn't evidence he can only love them—it's evidence that he latches onto the rare people who seemed to care for him despite his flaws. The problem? Neither relationship was healthy:
Lily:
Abandoned him after he called her a slur (understandable), but then dated his bully (brutal). It wasn't just leaving—it was choosing James Potter, the person who tormented Snape for sport, who had sexually assaulted him, who made his life hell for years. That's not just moving on; that's choosing his abuser's side and erasing their entire friendship. The person who was supposed to understand him best chose the person who understood him least—and made it look effortless.
Dumbledore:
Manipulated his guilt and grief into unconditional loyalty. I don't think Dumbledore was malicious—just emotionally disconnected enough not to realize (or care about) the damage he was doing. He used Snape's love for Lily as a leash and called it redemption.
The real issue: Snape doesn't know what healthy love looks like. His mother couldn't protect him. Lily abandoned him. Dumbledore used him. So he pushes love away, assuming it will hurt him eventually—because in his experience, it always does.
Someone who won't be a punching bag (pushes back, doesn't let him weaponize his damage)
Time (enough exposure that his defenses slowly erode despite his best efforts)
Respect established first (he has to respect them before he can trust them)
This is actually harder to write than "emotionally unavailable man learns to feel"—because Snape already feels too much. He's built elaborate fortifications against his own emotions, and dismantling them is terrifying.
"He could never move on from Lily because he'd feel like he's betraying her"
Also wrong.
Snape's love for Lily is on a pedestal, yes—but not because he feels romantically loyal to her memory. She wasn't loyal to him (see: James Potter). His devotion to her memory is about:
Guilt → He got her killed by telling Voldemort the prophecy
Debt → Keeping Harry safe is how he atones
Dumbledore's manipulation → Leveraging that guilt into eternal servitude
Lost possibility → She represents the person he could have been if things had gone differently
She represents his lost happiness, his greatest mistake, and his last connection to the person he was before he became what he is. But that doesn't mean he's incapable of moving on—it means he'd need someone patient enough (and compelling enough) to let him hold both truths simultaneously:
I loved her and I lost her, and she's gone, and I can still care for someone new.
For writers: Moving on from Lily doesn't mean forgetting her or stopping his protection of Harry. It means accepting that he can honor her memory and build something new. These aren't mutually exclusive unless he makes them so.
Let's Look at How Canon Does It
Sometimes the best way to understand a character is to see them in action. Let's break down some iconic Snape moments and examine why they work.
Example 1: "Turn to page 394" (PoA, Lupin's classroom)
The Scene:
Snape takes over Lupin's Defense Against the Dark Arts class without warning, immediately assigns werewolf readings (targeting Lupin), and dismisses the students' concerns entirely.
Why This Works:
✅ Enters silently (intimidation through presence alone—he doesn't need to announce himself)
✅ Doesn't explain (assumes authority, doesn't justify his presence)
✅ Ignores their confusion ("But sir, we're not supposed to—" "Turn. To. Page. 394.")
✅ Dismissive of their concerns (they're children; their opinions are irrelevant)
✅ Controls through stillness and tone (never raises his voice, but everyone obeys)
✅ Strategic cruelty (the werewolf assignment isn't random—it's a message to Lupin)
For writers: Notice how much Snape accomplishes without explaining himself. He doesn't need to justify, defend, or elaborate. His authority is assumed, and his silence is more powerful than any speech.
Example 2: The Unbreakable Vow (HBP, Spinner's End)
The Scene:
Bellatrix and Narcissa arrive at Snape's home. Bellatrix openly questions his loyalty to Voldemort. Snape turns her suspicion into an Unbreakable Vow to protect Draco.
Why This Works:
✅ Analyzes the situation instantly (Bellatrix is testing him, Narcissa is desperate, both are useful)
✅ Appears calm while making a life-or-death decision (shows no fear, no hesitation)
✅ Uses Bellatrix's assumptions against her (turns her trap into proof of loyalty)
✅ Commits to protecting Draco while hiding true motives (Dumbledore's plan, but Bella thinks it's for Voldemort)
✅ Controls the entire interaction (he's in danger but never shows it)
For writers: This is Snape's strategic mind at work. He's simultaneously:
Protecting his cover
Following Dumbledore's orders
Manipulating Bellatrix
Saving Draco
Concealing his terror
And he does it all while appearing bored. That's mastery of self-control.
Example 3: "Look at me" (DH, the Shrieking Shack)
The Scene:
Snape is dying from Nagini's attack. His last words to Harry are "Look at me"—he wants to see Lily's eyes one final time.
Why This Works:
✅ Only moment of total vulnerability in the entire series
✅ Still trying to control the situation (needs Harry to take the memories, see the truth)
✅ Dies reaching for connection (eye contact = intimacy he normally avoids at all costs)
✅ Finally lets someone see him (because he has nothing left to lose)
✅ Doesn't apologize or explain (even dying, he won't justify himself)
For writers: This is devastating because it's the only time Snape drops his defenses completely. Seven books of walls, and they all come down in his last thirty seconds. Notice what he doesn't say:
No "I'm sorry"
No "Tell Harry I—"
No explanation
Just "Look at me"
He doesn't ask for forgiveness or understanding. He just wants to see Lily's eyes one more time before he dies. That's it. That's all he allows himself.
The Lesson: Snape's most powerful moment is his most vulnerable one, and even then, he barely says anything. His restraint is what makes it hurt so much.
What These Scenes Teach Us:
Silence is power (Snape says less than you'd expect, and it's more effective)
Control under pressure (the worse the situation, the calmer he appears)
Strategic cruelty (his cruelty always serves a purpose)
Actions over words (he rarely explains; his actions speak)
Vulnerability only at the end (defenses down only when death is certain)
For writers: Study his contradictions. He's cruel to Harry for seven books, we watch him murder Dumbledore, and we still cry when he dies. That's masterful character work. The key? He's never softened. We just see why he was the way he was.
Quick Reference Guide for Writers
✅ DO:
Let him be contradictory (cruel AND caring, brave AND cowardly)
Show emotion through physical tells before dialogue
Make him the smartest person in the room (he always is)
Use silence and pauses as weapons
Have him analyze situations before reacting
Make his cruelty serve a purpose (control, protection, deflection)
Let sarcasm be his default; anger means he's lost control
Remember he believes everyone has ulterior motives
Show that loss of control terrifies him
Earn his respect before trying to earn his trust
❌ DON'T:
Have him apologize easily (he won't, even when wrong)
Write him crying or breaking down unless it's EARNED (his control is everything)
Make him emotionally available just because someone is patient (it takes YEARS)
Have him explain his feelings clearly (he doesn't understand them himself)
Soften his edges for romance (he's not a project to fix)
Make him suddenly warm and fuzzy (vulnerability ≠ softness)
Have him fold under pressure (he thrives under pressure)
Write him forgiving easily (grudges are forever)
Give him modern therapy speak (he'd rather die)
Final Thoughts
Severus Snape isn't hard to write once you understand this:
He's not cold. He's afraid.
Every cutting remark, every wall he builds, every person he pushes away—it's all fear dressed up as superiority. He feels everything and has spent decades learning to show nothing. He's not emotionally stunted; he's emotionally overwhelmed and has armored himself against it.
The tragedy of Severus Snape isn't that he can't love.
It's that he can—deeply, painfully, all-consumingly—and he's convinced himself that no one will ever love him back.
Write him like someone who's already been hurt as badly as a person can be hurt, and who's determined never to let it happen again.
Then watch what happens when, despite his best efforts, it starts to happen anyway.
Now go forth and write the greasy dungeon bat with accuracy and depth. 🫡🖤
Big Brother Snape [23] Stories where Snape and Harry have the same parents, or one parent in common with each other. May be biological or adopted, officially or not.
Snape Equal Status to Harry [279] Snape and Harry have the same status and are equals in social power. Subcategories are Colleagues Snape and Harry, Foes Snape and Harry, and Comrades Snape and Harry.
Healer Snape [251] Stories where Snape heals Harry in some way. Healer - one that heals or attempts to heal. Healing: the process of recovery, repair, and restoration.
Master Snape [38] Stories where Snape has absolute authority over Harry; consists of Apprentice Harry, Headmaster Snape, and Slave Harry.
Parental Snape [1159] Snape exercises paternal care over Harry; to perform the tasks or duties of a parent or father. Subcategories include Biological Father Snape (Sevitis and Severitus stories), Stepfather Snape, and Guardian Snape.
Reverse Roles [51] Harry Potter takes care of Severus Snape. Roles are opposite or contrary in position, direction, order, or character. Subcategories include Big Brother Harry, Healer Harry, Master Harry, Parental Harry, Teacher Harry.
Teacher Snape [1002] Snape teaches or instructs Harry, esp. as a profession; instructor. Contains Trusted Advisor Snape, Professor Snape, and Unofficially teaching Snape.
Starting points
Which relationship are you aiming for? - see categories and Severitus relationship
Canon/Canon divergent/AU
In which time is the story set? (era)
Is there a background Severus/xy ship (for example Lily, James, Sirius, Petunia, OC, …) or a background Harry/xy ship (Ginny, Hermione, Ron, Draco, Cho, OC, whoever you can think about)
Tropes
Hurt/Comfort - injury at school/after encounter with Voldemort/ because of the Dursleys
Family fluff
Time travel (reversed Severitus?)
Angst
Humour
…
Setting
Hogwarts
Spinner's End/Cokeworth
Potter Residence/Gordic’s Hollow
Surrey
…
How old are the characters
Toddler
Kid
Student
Adults
…
Classic prompt ideas
Hogwarts setting
Severus is the only adult at Hogwarts to notice how Harry is doing after Quirrel's death/ Cedric’s death/Sirius’ death
Severus is the one to find out about the Dursley’s neglect/abuse
Someone discloses that Severus is in fact Harry’s biological father, but Lily had to hide it
Harry is put in Slytherin and therefore Snape can’t [be seen to] hate him
Friendship between two professors
Reverse Severitus
Harry travels back in time (to prevent Severus’ death?) by looking after him from a young age
Either as a professor/mentor or he adopts him
Severus is de-aged and Harry decides to look after him
AU where their roles are reversed and Harry notices how much Severus struggles
Early in Harry’s life
Severus decides to adopt/care for Harry directly after Lily’s death (he is godfather?)
Severus is sent to look if everything in Privet Drive is all right and finds out about cupboard
Dumbledore places Harry with him against his will
Sev decides to take Harry away
Dursleys refuse to take Harry in - needs to be places somewhere else
Harry runs away - is taken in by Severus
Severus finds him by accident
Severus is tasked to find him
Lily put in her will that Harry should go to Severus (turns out he is his father but didn’t know)
Severus knows he is Harry’s father but promised Lily not to tell, after the Potters' deaths he takes on his responsibilities
AU - Potters survive
Severus and Lily are together
Severus and James are together
Triad Severus/Lily/James
Godfather Severus, Uncle Severus…
(Adoptive) brother Severus
...
Actual prompts
Challenges created by P&S members can be found here:
I keep trying this new colouring technique. It's weird tho. I really like how it works, but... when I'm looking at it, I got the same feeling like when I'm wearing make-up and looking at myself in the mirror. "It's not me", heh (so I'm not using it).
I need something more... rough, I guess (๑•́ ₃ •̀๑)
Would love more Snarry fics where pre getting together Snape just throws himself into a fight to protect Harry, even tho Harry can easily protect himself, it’s just Snape’s protectiveness flaring up, and Harry swoons a bit
if there is a Dollar Tree near you, they have entire food aisles
Planet Fitness also has $10 memberships. you can shower and they have free food days! pizza night 1st monday every month, bagel tuesday the 2nd tuesday every month.
i am so glad that i renblogged this however so long ago. i saw this post and shared it with others in mind, but now i am the one who really needs this. id like to think of this as good karma i guess
Ah, guys, Christmas is almost here soo... I was thinking about a Muggle AU Christmas party where Lily and James live at Spinner's End right next to Eileen and Severus. And they spend Christmas Eve together. Harry visits his parents every year. He's in his thirties now, but his teenage crush on mom's old friend never gone away!
Also let's pretend that the person on the right pushed Severus against Harry by accident xD
(And now I'm itchy to write it (ᗒᗨᗕ))
Ah, guys, Christmas is almost here soo... I was thinking about a Muggle AU Christmas party where Lily and James live at Spinner's End right next to Eileen and Severus. And they spend Christmas Eve together. Harry visits his parents every year. He's in his thirties now, but his teenage crush on mom's old friend never gone away!
Also let's pretend that the person on the right pushed Severus against Harry by accident xD
(And now I'm itchy to write it (ᗒᗨᗕ))
My holiday started today and I'm feeling pretty good. Also trying to catch the proper mood for writing and of all things, my brain is coming back to the one story only, hehe.
kianamaiart
stormborns
turnnoffyourmind
titsay
origamiaround
izzy806
kaledo-art
blakekathryn
