i liked this scene, so i made it pixels
taylor price

pixel skylines
No title available
Lint Roller? I Barely Know Her

tannertan36

#extradirty

Origami Around
Mike Driver

titsay
hello vonnie
Today's Document

Discoholic 🪩
art blog(derogatory)

if i look back, i am lost
I'd rather be in outer space 🛸

Love Begins

Jar Jar Binks Fan Club
YOU ARE THE REASON
The Bowery Presents
Not today Justin
seen from Vietnam

seen from United States
seen from Russia

seen from Austria
seen from Canada
seen from Brazil
seen from United States

seen from United States

seen from Canada
seen from Türkiye

seen from United Kingdom
seen from United States
seen from Philippines
seen from United States
seen from Colombia
seen from United States
seen from Malaysia
seen from United States
seen from Germany
seen from United States
@government-issued-cat
i liked this scene, so i made it pixels
Yeah
Camp Hail Mary!!!
WTF this is masterful, 10/10.
Other people have said this in notes, but the Bulwer-Lytton contest involves writing the most absurd opener you can think of and submitting it to the contest. It's not a judgment like the Razzies or the bad sex in books award or something; it's a game. Diana Murtaugh of Baltimore is to be congratulated for this win.
He said, I locked you in this body, I meant it as a kind of trial
Anklet
c. 1898-1899
by René Lalique
Musée des Arts Décoratifs
Belonged to Liane de Pougy, a courtesan. possibly a gift from her lover, actress and writer Natalie Clifford Barney
(Reminder that anklets would not fit over the generally high-top boots back then, or even stockings with low evening pumps, and would seldom be visible under long skirts anyway. So this gift has an erotic component inherently- it only works, given late Belle Epoque clothing, if worn when nude or scantily clad)
Sorry you’re gonna have to drag me kicking and screaming off the thirty year old social reject woman website. These are my people
Felt like doing a quiet boarded out moment of Grace and Rocky on the shore of Grace's biodome.
Wanted to have a go at drawing Rocktiz........ and then had to do Adrian. and Grace is here too
Mock poster for a fake post-PHM cartoon
Featuring a whole bunch of lovely Eridians I snagged off of Art Fight and Discord! Thanks for letting me borrow your rocks
Went to the grocery store with my kindergartener. We weighed some bananas: 2 pounds even. We weighed a watermelon: 4 pounds even. We weighed some mangos: a little over 1 pound. We weighed the watermelon AND the bananas: 6 pounds even.
“That’s funny” said the child “because 2+4=6 and two pounds and four pounds is six pounds. It’s like the same as math!”
“What happens if you add 6+1?”
“SEVEN”
“What if we put one pound of mangos on the scale?” <mangos added>
“IT’S THE SAME!!”
“OK, what’s 7-4?”
“Three?”
“What if we take the four pound watermelon off the scale?” <watermelon removed>
“Mama! Are you telling me math works In Real Life? Think of all the things you could measure!!”
kind of hate my stupid caustic pussy for dissolving my underwear over time but it's kind of cool, like, scientifically
dying at this sequence from @pinkydragon01 :
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
Let the historical record show that Mr. Beast was entirely ignorable if you were just like doing literally anything else. I've been on youtube as long as it's been around and I've never been recommended a video by him. I see him in passing as a meme. I thought he was a made up joke, a caricature of bad youtuber content miners until someone I trust confirmed his existence to me in late 2025.
@mixterglacia hiiii i love what you wrote here ... the visual of those first few lines have been stuck in my mind ever since, i needed to draw it :)