Albert Mertz / 1970 Tapet - blå former A-B-C
painting, 47.5 x 42 cm
Show & Tell
No title available
Xuebing Du
$LAYYYTER
Keni
Alisa U Zemlji Chuda

ellievsbear
Lint Roller? I Barely Know Her
Cosmic Funnies
Jules of Nature
No title available
No title available
Cosimo Galluzzi

shark vs the universe

Love Begins
Monterey Bay Aquarium

tannertan36
RMH
Claire Keane
we're not kids anymore.
seen from Japan

seen from United States

seen from Malaysia
seen from United Kingdom

seen from United States
seen from United Kingdom
seen from United States

seen from Türkiye

seen from Germany

seen from Malaysia
seen from United States

seen from Switzerland

seen from United Kingdom
seen from Singapore
seen from United States
seen from Germany
seen from United States

seen from United States

seen from Netherlands
seen from United States
@gradationtarget-blog
Albert Mertz / 1970 Tapet - blå former A-B-C
painting, 47.5 x 42 cm
We have no art / 1967 Baylis Glascock
movie produced by Charles & Elinor Mikulka, 26 minutes
Boston Gas Tank / 1971 Sister Corita
Absolute Citron Lava / 1996 Steven Bronstein for TBWA
Juicy Salif / 1990 Philippe Starck
lemon squeezer, iron, 14 x 19 cm
Iron Mac / 2013 Adrien Guillet
Tablets forever / 2013 Adrien Guillet
Heartbrand logo / 2003 Unilever ice cream
Cahier d'Art [Cœurs Volants] / 1936 Cover by Marcel Duchamp
Geberit : I Love Water / 2013 Lukkien
commercial, 15"
Storage Room / 2012 Lili Van Der Stokker
installation, mixed media, 430 x 235 x 560 cm
monographic exhibition "Living Room", Gallery Kaufmann Repetto (It), april 2012
Located at 16 West 56th Street in New York, Siegelaub's gallery - Seth Siegelaub Contemporary Art - dealt not only in fine art but also in Oriental rugs, which are sometimes incorporated into shows. This coupling provided the dealer an appropriate setting to project the image of the art collector as a highly cultured individual surrounded by refined objects. Additionally, the combination of new art and old, "timeless" rugs inevitably suggested that this particular "new" would also withstand time and become "priceless". Siegelaub's aggressive promotion of his gallery is evident in the structure of his first exhibition (14 September-10 October 1964). He arranged paintings and sculptures by a number of artists throughout the gallery space and placed couches and chairs on an exotic carpet in the center of the room. The gallery visitor was encouraged to lounge in the seats and experience the show as an environment.
Conceptual Art and the politics of publicity (excerpt) / 2003 Alexander Alberro
published by the MIT Press, Cambridge, Massachusetts / London, England
Bounty : Le musée / 1996 Patrick Duroux for CLM/BBDO
tv advertising, 31"
I'm Feeling Lucky / 2013 Erin Mitchell
sketches, unknown dimensions
Argyle Socks / 2013 Google Store
Adidas Facebook Superstar / 2013 Gerry Mckay
I Need Some Meaning I Can Memorise (The Invisible Pull) / 2012 Ryan Gander
a gentle breeze pulling the spectator through the gallery space, Fridericianum, Documenta 13, Kassel (De)