lockdown film no. 33 - Gladiator (2000) dir. Ridley Scott
- I saw this film the first time when I was maybe 13? My dad decided that it was time for me to watch this Oscar winning epic, but we had to watch it in two parts because it was so long, and pretty damn violent for squeamish, baby me. Me and Dad managed this all in one, seven years later
- the opening is… really something isn’t it
- (just found out it was filmed in Surrey. Gutted)
- I got shivers right through to my scalp when he made that first speech to his soldiers that ends with “Brothers — what we do in life echoes in eternity.” Genius (there’s a chance it was because my room is the temperature of the arctic but nonetheless it was very moving)
- I had a foley workshop this morning and my tutor was talking about how foley should be subtle, but often the sounds need to be exaggerated so we’re absolutely sure that what we’re hearing is what we’re meant to be hearing. Likely because I came in with that mindset, they went absolutely ham thick on the foley for the opening battle scene
- “Enough of politics. Let us pretend that you are a loving daughter, and I am a loving father” — the fact that this line was said quite gently by Richard Harris’ Caesar Marcus Aurelius makes it so heartbreaking because there is absolutely no pretence that their family’s relationship is outrageously dysfunctional, and that’s not even getting onto the incest
- Joaquin phoenix is great in this. When he’s told he isn’t going to be emperor he’s like a stroppy kid who just wants to make his dad proud of him and now he’s a psychopath. That scene’s fantastic anyway, I love how the statue of caesar is right on commodus’ shoulder the whole way through, and really oppressive after commodus has killed Marcus Aurelius
- also fun fact about that scene — apparently phoenix was so stressed out about shooting it that he fainted right after they cut
- the little *fwoop* when he flipped the sword over was a bit much and then saying “the frost. Sometimes it makes the blade stick” before slicing the other guy felt a bit too bondy for this but you know what ? I respect the swagger
- there was an absolutely ineffable sense of dread and pure terror when the roman army was approaching maximus’ home and his son was running and waving thinking it was him. I hated that bit
- “those giraffes you sold me. They won’t mate. They just walk around eating, and not mating. You sold me… queer giraffes.” Whoever wrote this deserves every Oscar this film won, and I want it framed in my kitchen
- I enjoy the fact that they could have so easily done a training montage gladiator style when Maximus had been bought by proximo. Instead they took time to get a bit more into his character and for us to meet juba and the other gladiators. We didn’t need to see him training as a gladiator, that’s not what we’re here for. This film isn’t about fighting — sure, it’s got some great scenes in the colosseum which are entertaining to watch, and there’s stacks of gratuitous violence, but I feel in this case it’s warranted because you can’t get away from the brutality of the games in this context. The film itself is more about Maximus as a general, a gladiator, a husband, father and person and how he relates to the ever conflicting idea of “Rome” and the permanent violence it seems to require to keep that idea going under the reign of commodus. Maximus was required to kill in the army, but there it felt like it was for a purpose: to protect the idea of Rome and the emperor and the people that he cares—here he is required to kill just because he is required to kill. That would obviously change the dynamic but it says a lot about his character that he doesn’t seem to have any qualms about killing a person he doesn’t know for the entertainment of more people he doesn’t know and will likely never meet
- when Maximus walks through the cage it exactly mirrors the opening scene and him walking by all his soldiers as they salute him as their leader and I really liked that
- “i did not say I knew him, I said he touched me on the shoulder once” — why does this film have so many relatable lines
- one of my favourite things about this film is essentially nothing to do with the film itself, and it’s how my dad will yell stuff from it at opportune moments. When I was learning to drive and going round corners, he would say “hold the line” like Maximus does in the amphitheatre. once, when we were climbing up a hill and it got a bit steeper near the top and I got a bit more tired and started to slow, he clapped me on the shoulder, pointed up the hill and yelled “STRENGTH AND HONOUR! HOLD THE LINE! STAY WITH ME!” just to encourage me up this hill and I love him so much for it
- absolutely cannot stand the bit in the chariot fight where the archer woman gets fully sliced in half. Couldn’t deal with it in 2013 and can’t deal with it now
- fun fact this film got the thumbs up thumbs down thing the wrong way round. In the scene where maximus’ identity was revealed to commodus, he moves his hand from a neutral position to his thumb pointing upwards, which means that he is sparing maximus. Often the emperor would use this code to signal to the winning gladiator if they should kill the loser. However, apparently thumb down didn’t mean “finish them”, it actually meant “throw down your weapon”, and the thumb pointing upward was meant to symbolise the sword thrusting up into the loser’s body. However this might also might be incorrect, I have not by any means done extensive research
- “it vexes me. I am terribly vexed.” Another classic dad quote
- just ruminating on ancient rome. Legitimately cannot imagine a worse occupation than being a gladiator. I’m sure if I thought about it a bit more I’d think of worse jobs, but right now, this is the one
- they used… real tigers for the scene with Tigris ??? Not happy about that. First of all, how ?
- I love the constant talk of the dream that was Rome, and the constant talk in tandem of the mob and how fickle they are. There is the dream that is Rome and there is the reality of the fickle mob. They obviously can’t coexist but those everyone we meet wants something better, in some way
- I don’t know if phoenix made a conscious decision about his speech but it really fit with what I said before about him being a petulant child because his speech didn't sound completely developed and reminded me of a child’s speech in how he pronounces certain letters. It adds so much to the character because he is a completely abhorrent person who wants to sleep with his sister and have a pure blood heir, have complete control over the roman empire and kill anyone who comes between his dream of what that empire could be under him. But then at the same time he sounds like a kid who’s not getting his own way
- I do not want a snake in my bed
- ‘“Strength and honour,” Maximus said to Juba. The two men smiled and rested their foreheads together.’ I did beam at this bit
- apparently proximo was meant to live in the original version of the film, but Oliver reed died during production, before all his scenes were filmed, so his character had to be killed. The last shot of him is from the back, so we don’t see his face, and a shot from earlier where he says “shadows and dust” is cut in right before he dies. The film was dedicated to reed’s memory
- OH another thing I Loved about commodus was how he had a white horse, and white armour in the final battle with maximus, while maximus has black armour, which is the standard. Because commodus has such an idea of who he is, and in his mind, he is Rome’s saviour, even though he knows full well he doesn’t have any of the qualities of a good emperor. White is typically the colour used to signify that a character is good, and pure, etc. so I really enjoyed the inversion of that to show commodus’ character and the character he wants Rome to see
- this isn’t a film about violence, it’s about a philosophy
- one last thing is that when I rewatch films to write up these things, I often skip parts because I get the gist of what’s going on and I don’t need to watch the whole thing. With this, even though it was 2 hours 35, I watched the whole thing, and I think that says a lot about how good a film it is
