oisin mckenna is really good
NASA
untitled
Monterey Bay Aquarium

if i look back, i am lost
Mike Driver

@theartofmadeline

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almost home
I'd rather be in outer space 🛸
trying on a metaphor

pixel skylines

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🩵 avery cochrane 🩵
cherry valley forever

Kiana Khansmith
let's talk about Bridgerton tea, my ask is open
"I'm Dorothy Gale from Kansas"

Andulka
art blog(derogatory)
wallacepolsom
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@greypeel
oisin mckenna is really good
Alfred Kubin (Austrian, 1877-1959) - Die Luge, pen and ink on register-book paper, 39.50 x 31.80 cm (1937)
forever getting “when I think about you, flowers grow out of my grave, grave, grave!” stuck in my head makes me feel one million years old
Recipes from Portland's famous but long-closed Rheinlander restaurant. This cookbook was produced in a limited window before Chef Mager's death. All of these fucking slap.
For my fellow vegan/vegetarians, these sound scrumptious and look pretty simple to make substitutions!
just to be clear
reading interview with him
There was a girl on neopets a few years back who had a pet tick. She'd post pics of it in polly pocket playsets. I gotta find it again it sounds too fake
artwork for new avatar by Kelela, photography by Neva Wireko, hair by Matt Benns, makeup by Raisa Flowers, nails by Dawn Sterling, creative direction by Yasser Abubeker, graphic design by Seenahm, styling by Jahleel Weaver, May 2026
but can we TALK about the racialized subtext of "his wife has filled his house with chintz" linking together femininity, indian export goods, commercialism, and superficiality vs "to keep it real I fuck him on the floor" linking together masculinity, AAVE, authenticity, sexuality, and vulgarity? if our aim as critics of poetry is to reevaluate this text and arrive at a feminist interpretation then we must also consider the poem's vexed relationship to race so as to not be anti-black in our criticism of the piece's presentation of masculinized sexuality nor uncritically reproduce and elevate its image of orientalized femininity.
also, from looking at the original post (non-explicit gay sex photo but still a gay sex photo so you've been warned): there isn't even any chintz in the photo. the design elements in the room all look broadly western european with the exception of a tall ceramic vessel that may be decorated with a reproduction of a chinese ink painting. chintz is an indian textile pattern, you'll see it on dresses, bedspreads, wallpaper, tapestries, upholstery, etc., but nothing like that is in the image. to imply that the house's interior design is frivolous, artificial, and unusable, the poem utilizes "chintz" despite the obvious lack of chintz because "chintz," as a popular asian export good that went on to be imitated by european manufacturers, is considered kitsch, cheap, and womanly. and, though the angle partially obscures them, the two men in the photo both appear to be white, so the poem uses the AAVE phrase "keep it real" despite the lack of black people to invoke the perception of AAVE as raw, crass, and primal. in both cases, the racialized language is being ascribed to european/white subjects to impart the white subjects with different moral values.
Online Imagined Black English by Manuel Arturo Abreu re the last point!
Between 1971 and 1972, Swedish artist Sten Eklund created a series of 53 hand coloured etchings that he called Kullahusets hemlighet (the secret of the Kulla house). The etchings are a work of fiction, presented as the work of botanist J. M. G. Paléen, who in 1849 discovered a strange area surrounded by magnetic fields. He encountered no people in the area, but plenty of evidence of human-like activity: agriculture, mining, etc. When later on he tried to return to the area to do further research on it, he was unable to find it again.
The images range from maps to technical drawings to plant, mineral and insect studies. They are enigmatic, familiar the way a recurring dream is familiar. Looking at them, I feel like I'm about to reach a sense of understanding at any moment - but it remains just out of grasp.
A now out of print book with all the images was produced in 2016. I found an incomplete list of the titles on an auction site and the titles of the images are so evocative that I wanted to translate and share them. I think not having an image for every title adds a new layer to the artwork. Understanding is fragmenting and slipping between my fingers.
List of motifs:
The Kulla house, overview.
The Kulla house. Blueprint.
Overview of the Kulla house area. 3:1&2: Cross section with variations in elevation.
Possibly a device for energy transformation or communication.
Detail from the above.
The screens. Occurred all over the area. Probably intended for the uptake of solar energy.
The screens. Technical drawing.
Technical drawing of different wagon types. The upper wagon open, the lower hermetically sealed.
Communications central (?) with strange vessels, "ferries", controlled by the stones placed in a row in front of the building. 9a. The stones in front of the central.
The treatment plant. Seems to be designed not to allow emissions through the magnetic curtain.
The engine room inside the treatment plant.
The wagon area at the top of the Kullait mountain. 12a. Detail of the wagons.
Geological map of the Kulla house area.
The rock at the entrance of the Kulla house area.
The open-pit mine (2 in fig. 3).
The type of rock by the "Kulla house" (1 in fig. 3).
Mineral I. Slightly larger than natural size.
Mineral II. Slightly larger than natural size.
I-III. The Kullait quarry.
Botanical map.
Horsetail plant from the farm (fig. 20/3).
Algae (fig. 20/16).
Fruit from bush grown by no. 4 in fig. 20. 23a. The same as the above.
Consequences of the rising temperatures.
Overview of the until then prevailing type of vegetation.
The trees by the yellow dots in fig. 20. A kind of peculiar overgrown lichen, or possibly stunted palm species.
Silphium connalum.
The hotbeds.
The hotbeds, technical drawing.
From the lichen cultivation.
One of the houses by no. 4 in fig. 3.
Stool from the house area.
Table.
Box (storage).
Vessel.
Meteorological map. One can see that the heat development shows a kidney shaped characteristic starting from the Kulla house (1).
Flying device (soundless).
From the interior of the Kulla house. Stand with pipes.
The wall. In front of the wall we can see one of the frames (stands).
Some of the machines in proximity to the wall.
The storage building by no. 11 in fig. 3.
"The white spot", one of the heaps of white powder found in multiple locations within the area.
The insect.
The greenhouse by no. 3 in fig. 3.
Seed dispersal area.
Moss.
From the interior of the Kulla house (Camera Obscura).
Images nicked from here.
did u know in french heatwave is 'canicule', like 'dog days'?
Vintage runway Lanvin turquoise enamel knotted snake Medusa necklace.
Source
Above, a human hand holds a Mussurana (Rhachidelus brazili), a Brazilian snake. Below, the same species battles a pit viper.
Brehms Tierleben. (Brehm's Animal Life). 1913.
Internet Archive
have a disease where if i think people are being evil in a funny way it makes me like them more. like i like when people are dastardly. my ex did something soooo devilish yesterday and it just made me laugh with fondness
The binturong of suspicion