oh, no, you misunderstand me. those were my monkeys. yeah the circus and i have since parted ways. yeah it was the elephant thing, i dont really want to address that right now though
Monterey Bay Aquarium
Cosmic Funnies
Cosimo Galluzzi
TVSTRANGERTHINGS

Love Begins
untitled
Xuebing Du
$LAYYYTER
cherry valley forever
RMH
KIROKAZE

PR's Tumblrdome
The Stonewall Inn

No title available
trying on a metaphor

pixel skylines
tumblr dot com
ojovivo
Lint Roller? I Barely Know Her
One Nice Bug Per Day
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@halflife4mac
oh, no, you misunderstand me. those were my monkeys. yeah the circus and i have since parted ways. yeah it was the elephant thing, i dont really want to address that right now though
I swear to god if you are reblogging this due to eating a dairy product again Z
@gifevents love, platonically | day 1: meet cute
“Actually, I was thinking about Jadzia. She always used to be here to help me sort things out. I miss her.”
Ezri Dax & Benjamin Sisko, Star Trek: Deep Space 9 7x01, “Image in the Sand”
The first alternative sprites for Medusa's default outfit.
Unlike Athena, most of Medusa's sprites are positioned on the right-hand side of the screen, with her left-facing sprites appearing only five times throughout the game. Because of this, we ended up creating two versions of her default outfit: one facing left and one facing right, and made her snake hair reacted along with her.
These left-facing sprites are primarily used during the many scenes where Athena and Medusa explore Olympus University together, meeting Athena's friends, exchanging wits with the ever-snarky Artemis, or crossing paths with the unsettling Professor Poseidon.
Art by @stealingpotatoes
Been feeding baby goats that a mama rejected, and having Jonathan and Martha Kent thoughts.
Jon and Martha find the Kryptonian ship in their corn field, but when they open it the baby is not well. He’s traveled light years, and even at the fastest speeds, it was days or even weeks. What fluid was sustaining him has been gone for some time.
They work a farm. They know what a sick baby looks like.
They take the baby inside anyway. It’s far too late for anything to be open, so they break out the milk replacer for the livestock. The bottle they find has had a goat kid sucking on it, but they wash it good, because what other choice do they have?
The baby doesn’t take to the bottle well. He barely eats.
They both know a lack of appetite is a death knell.
“I can’t watch a baby die,” Martha says. She’s done it before. She and Jon struggled to have kids. The closest they got — well. It’s a hard memory for them both.
“I know, love.” Jon’s a good old country boy. He grew up being told it’s a man’s job to take the burden. He’ll take it now. “Go to bed. I’ll stay with him.”
Sure, they both know Martha won’t sleep, but at least she won’t have to see.
Jon takes the wee babe out onto the porch. He tries to poke more milk down him. Rubs his chest, bounces him, pushes the bottle past his lips, every damn thing he can do. The hours are long and hard, but he would never forgive himself if he didn’t try.
The baby continues to fade.
The eastern sky starts to lighten.
“I’m sorry, little fellow,” Jonathan whispers. It’s not long now. He can feel it in his bones. He’s held plenty of animals as they died. He’s waiting for that long last exhale. “Sorry you came all this way and this is your welcome. Can’t even enjoy the sunrise.”
He told himself he wouldn’t cry until the boy was gone. Wasn’t fair, that his last moments would be a man crying instead of comforting him, but Jon does his best to do both at the same time. He cradles the poor little thing even as his shoulders shake.
The sun breaks over the horizon, and light floods the porch. Jon closes his eyes against it and his tears.
It’s a hiccup that is the first sign something changed. Then the wiggling.
Jon nearly drops the baby in shock.
When he looks down, the little boy sure hasn’t died. He’s got this rosy little glow to his cheeks and his eyes are bright. He’s throwing those little hands around like he’s trying to figure out how they work, but he seems to be trying to reach for the sun.
Jon just stares at him until the baby gets frustrated enough with his clumsy limbs that he opens his mouth to tell the world about it.
The baby’s cry is so powerful Jon falls right out of his rocker. It’s a miracle he doesn’t launch the poor thing.
Only thing he can think to do with a screaming baby that’s about to take his eardrums out is shove that bottle right in that open mouth.
The little boy shuts right up and clings to the bottle for dear life as he drinks with a fury.
When Martha comes stumbling out wild-eyed in her jammies, Jon’s sitting on the porch with a grin as bright as the dawn despite the fact his ears are still ringing.
“Turns out he has a good set of lungs.”
One of my favourite things when reading fanfiction is when you click with an author's style so much that you adore the fanfiction you're reading, and once it's over you need more. So you go to their page and hope that there's more for any fandom you might know- only there isn't any. They've written for other fandoms you aren't familiar with and never would've thought about before.
But you're down so bad for their style and talent that they got you wading in like:
Take my gay cats, Tumblr!
This is part 1, the next part will be gender identity centered :)
I wrote my senior undergraduate thesis on the adaptation of Shakespeare to science fiction, using as case study 2 modern sci-fi novels drawi
happy pride month my thesis is here #mythesis
Just as the West constructs the East in order to define itself, writers construct science fictional worlds to create an Other by which they can define their own environment. And, Suvin notes, science fiction does not only define, but also redefines, criticizes, and reimagines the world: science fiction is “a diagnosis, a warning, a call to understanding and action, and—most important—a mapping of possible alternatives.” ... Thus, science fiction is perhaps the exact genre in which Cleopatra belongs: a mirrorball genre of constant reflection and infinite variety, a genre playing the eternal Other just as Cleopatra has for centuries. In the two specific science-fictional retellings I will examine, this generic estrangement lends itself to sympathetic depictions of Cleopatra, running against centuries of stories of the vamping, seductive evil queen. In a science fictional world, where the very rules of reality are Other, it is easier to explore what “Other” really means. In a science fictional world, in fact, with the laws of gender and location bent, Cleopatra might not be Other at all. Is Cleopatra exotic in science fiction, or is she right at home?
hello. some of you (all of you) may have heard me wailing and gnashing teeth from the senior thesis dungeon. here she is. thesis about cleopatra + science fiction as a genre + shakespearean reception work + adaptation as a concept + a little judith butler. and other things i like, presumably!
STAR TREK - S2E3 The Changeling
A quiet moment aboard the Enterprise
shoutout to flags that look like landscapes fr gotta be one of my favorite genders
Not to forget:
World Heritage Post
Not gonna lie this makes me a bit irritated. Here's the real version of this photo:
Instead of a cutesie reference to film censorship it was an explicit statement of defiance of Maryland's criminalization gay sex, which was not repealed until 2002. This wasn't a guy saying "Oh they can't put what I do in the movies according to a completely voluntary industry code" he was saying "The State of Maryland wants to put me in jail for being gay and having gay sex."
It wasn't a guy being cheeky about sex in an ambiguous, cute way. It was a man stating, in no uncertain terms, that a whole state of the United States considered him a criminal for being homosexual.
I had a thought, dear, however scary, about that night, the bugs and the dirt
corporate wellness initiatives
We Do Not Like The Concrete Tomb.
This is our most popular post and we've seen more than one person tag it as "unreality." We understand why one might think that but we assure you: it was not.
These facilities chew you up. They suck the life from you and grind your body to dust to extract every ounce of profit they can.
These places destroy the body, the mind, and the soul.