the moment you’ve all been waiting for: rod timeline
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@head-spin-happiness-death
the moment you’ve all been waiting for: rod timeline
I need to talk about Anything But for a second cuz good lord what a poetic and intelligent song. Once I saw that it was the circle Fraud everything about it fell into place and I’ve been marveling at how smart this song is since.
It starts off incredibly bright. It’s possibly the lightest and brightest song we’ve ever heard from a Hozier song to this point, which is strange because we are many songs deep into a thus far heart-wrenching breakup album. The tone contrast seems jarring, but we’ve had clashing sound/lyrics from him before.
On a casual listen, we hear all the markers of a traditional Hozier love song. (This is smart because this is obviously how fraud works; on the surface everything seems normal, until you start to see cracks later). We see nature symbolism, we see something that could be attributed to devotion and protection (“if I was a riptide I wouldn’t take you out,” “If I was a stampede you wouldn’t get a kick,” “if I had [death’s] job you would live forever”), and the chorus “But I would do anything just to run away,” initially left me thinking he meant to run away with his love. All the classic Hozier lines.
Of course, though, we know this is a breakup album, and it would be strange to have such a happy song placed so deep into it. And once we know that this song is the circle of fraud, the cracks start to show.
The use of negative things like riptides, stampedes, and death is very smart because of course we know that no one would want to get caught by any of these things, so of course we initially think Hozier is protecting his love. But then, the realization; these lines are supposed to mean that even in these natural things that would normally not discern who to attack, Hozier, being these things, would purposefully avoid his love, because he wants nothing to do with them anymore. He would not take his love’s hand if he were death, and although then they would live forever, he would never have to interact with them again. In addition, there really wasn’t any implied addition to “but i would do everything just to run away;” he truly wants to just get away from this person. He doesn’t want to be anything, but this person, for whatever reason, would make him to absolutely everything to get away. He wants to become a riptide, a stampede, death, and wants to do so and purposefully avoid his love.
Though all of this we realize this song isn’t about devotion, like we (or at least I) initially thought, but it’s about letting go.
It’s not that the song is about fraud, it’s that the song, is, in and of itself, fraudulent in it’s presentation.
It’s so smart.
@ hozier, try singing in irish on the opening track of your new album and take me by such surprise that it makes me tear up at work thinking about the fact that our language was so close to being stamped and shamed out of us only for me now to be halfway across the globe listening to someone using it so beautifully and giving it the space to reach past the limits of its survival and to know beauty once more. try that shit one more time man see what happens.
ok edit: just listened to uiscefhuaraithe and butchered tongue.................
I went into Barbie expecting a musical and Barbie jail scene and came out sobbing about the profundity of womanhood and motherhood and what it means to be born a woman and to live as a woman and to be a mother and to be there for your child and to be perfect and not be perfect to be sad and to be happy and how amazing it is to feel angry, sad, happy, scared, nervous. Barbie was perfection and not only did I come out with a newfound love of femininity in general but I came out with a love for my femininity.
the barbie movie really does have everything. a utopian barbie society with a portal to our world. car chases. musical numbers. genuinely nuanced conversations around the double standards women are expected to uphold and never address, articulated multiple times by multiple characters establishing that the legacy of barbie (the franchise) is neither wholly positive nor wholly negative. BBC’s Pride & Prejudice (1996). an omnipotent narrator voiced by helen mirren. a second omnipotent narrator voiced by lizzo. ghosts. horses. half the cast of sex education? lesbian subtext. an original soundtrack full of brand new songs that also includes at least three separate needledrops of Girls Just Wanna Have Fun. sisterhood and also discussions of the difficulty of “sisterhood.” Beach. some of the best set design i’ve seen in a contemporary hollywood movie. existentialism. california. more lesbian subtext. earring magic ken. what a movie
“Ken wouldn’t do that to Barbie, it’s out of character!” Babes, that is the point.
Ken and his discovery of the patriarchy and the way it changes him is the exact same as what happens with adolescent boys. You have these guys who were so close to you, wether through friendship or family become people that they aren’t due to both peer pressure and the desire to hold power. Especially with the whole “podcast bro” thing he had going on in the Ken Dojo Casa House scene, Ken represents all the boys that lean into the patriarchy and change for the worst.
Ken was always so sweet, he was stupid and lovable and would do anything for Barbie. Then he got roped into toxic masculinity and all of a sudden he was cruel and pretentious. This is the same path that many of the guys I was friends with as a kid fell down. Barbie represents growing up as a woman and Ken represents growing up as a man.
He’s slaying, your honor !!!!
Also… absolutely adorable
when talking about the crows ... never forget the original bird found family of criminals
never felt so femininely empowered by a man as when hozier described women’s bodies as “the gateway to the world” and said we belong to neither religion or men
Jane Austen, Emma
Sufjan Stevens, Futile Devices
Virginia Woolf, The Letters of Virginia Woolf
Hozier, Shrike
Jane Austen, Sense and Sensibility
Sierra DeMulder, Your Love Finds Its Way Back
Nizar Qabbani
“What I feel for you can’t be conveyed in phrasal combinations; It either screams out loud or stays painfully silent but I promise — it beats words. It beats worlds.”
Katherine Mansfield
never thought I’d be crying over a disemboweled hand before but here we are I guess
my favourite horror genre is mike flanagan