O.J. Simpson action figure by Mego.

Kiana Khansmith
let's talk about Bridgerton tea, my ask is open
d e v o n
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almost home
occasionally subtle
Cosmic Funnies
KIROKAZE
Misplaced Lens Cap
styofa doing anything
Show & Tell
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Cosimo Galluzzi
Stranger Things
cherry valley forever

if i look back, i am lost
noise dept.
Lint Roller? I Barely Know Her

titsay
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@helenreddymades
O.J. Simpson action figure by Mego.
The real Peggy Sue, from Buddy Holly's 1958 song, dies in Texas
The New York Times published this AP obituary of Peggy Sue Gerron, the Peggy Sue of both “Peggy Sue” and “Peggy Sue Got Married,” who married and later divorced Buddy Holly’s drummer and friend Jerry Allison and inspired both songs. I’m half way thru her 2008 autobiography. It’s not the easiest read, there are suspicious inaccuracies and there’s a ultra-judgmental Catholic tone in there that makes it easy to see why the marriage didn’t last. She’s really unkind to Holly’s wife María Elena—the couples went on a double honeymoon. She never seems to have stopped being a teenager angry about a lot of life’s minor disappointments, which made me sad reading it. She also later remarried, and became a plumber. Reading it, I’ve through a lot about the strangeness of her niche fame—as an immature teenage girl thrust into rock’n’roll fetish object as part of an abrupt courtship and much later turned into a nostalgic curiosity long after everything fun about her life was over (appearing on daytime talk shows, local news features and at fan conventions). It’s interesting also as the Times failed to carry an obituary for Earl Sinks, Holly’s successor in the Crickets, when he died last year. After the Crickets, Sinks relocated to Nashville and continued writing songs with Holly’s early singing partner Bob Montgomery and appeared in films made by Tennessee schlock exploiteer Ron Ormond. (I really enjoy Sinks’s records and recommend Look for Me and all of his brief tenure with the Crickets—he left after some sort of creative dispute). I do think it a bit unfair that the Times deems rock’n’roll nostalgia more interesting than actual rock and rollers and southern weirdness. In my view, it should have run both.
Morning internet rabbit hole...
A conservative panic concerned an abandoned homeless encampment outside my old hometown of Tucson, Arizona which was mistaken by conspiracy-minded rightwingers on the internet for a child sex trafficking weigh-station. They offered no evidence but a ton of disturbingly imaginative speculation. Embarrassingly, the oldest TV network in Tucson reported live from the camp fuelling the panic by repeating these spurious claims from the internet wholesale as fact. (The story was covered by the right richter newsletter and the grey-wolf edition of Chapo Trap House.)
It got me wondering about media ownership. So I started looking at the Tucson network’s Wikipedia entries, and they are entertaining! Here now are the most interesting things about each of three network-affiliates.
- about CBS affiliate KOLD, ch. 13: from Gene Autry to I Married a Horse
* On November 13, 1952, the Federal Communications Commission (FCC) granted a construction permit to country singer Gene Autry for VHF channel 13 in Tucson. Two months later, on January 13, 1953, Autry signed the station on the air as KOPO-TV, the second television station in Arizona, and first in Tucson. Known as "Lucky 13", KOPO played up the "13" angle, coming on the air at 1:13:13 p.m., the 13th second of the 13th minute of the 13th hour of the 13th day of the year.
* It was formerly Tucson's home of The Jerry Springer Show, and in 1998, was one of numerous stations that refused to carry the episode "I Married a Horse", which led to it being pulled before airing.
- about NBC affiliate KVOA, ch. 4: truncated Tonight Show
* KVOA began airing NBC's long-running Tonight Show sometime in 1960 or 1961; for the remainder of Jack Paar's tenure on the show and for the first few years of Johnny Carson's tenure on the show, KVOA only joined the show's East Coast feed for 45 minutes, thus, for the latter, the station did not air his monologue and pre-interview sketches until the station expanded its late-night newscast to 30 minutes during the 1970–71 season and established a satellite link with NBC's Phoenix affiliate KTAR-TV (now KPNX). KVOA appeared to have shown The Tonight Show in its entirety by 1975 and is still doing so today.
- about ABC affiliate KGUN, ch. 9: guns before drunk driving
* The station was founded in 1955 by rancher D. W. Ingram of the Tucson Television Company, Inc., who gave the station his initials, KDWI-TV. It began broadcasting on June 3, 1956. Shortly afterward, Ingram sold it to H. U. Garrett, who changed the station's call sign to KGUN on March 14, 1957. The change came in part because Garrett was concerned about possible negative connotations with the letters "DWI." Garrett was also an avid Western fan and gun collector, and thought having "gun" in the station's calls would be apropos.
I’ve had this counterfeit copy of Wings’ Back to the Egg in my collection since I was a teenager. I bought it for less than a dollar in Arizona and used to see a similar records around. The label only gives the catalog number SM 33 and the logo SH appears in the corner. I cannot find any more information about this. Anybody know anything about these?
A chat with Gerard Mulligan
Gerard Mulligan has spent the majority of his professional career writing for David Letterman. Dating from the morning show and running well into the Late Show run, Mulligan provided jokes for Dave’s monologue, as well as making occasional on-camera appearances — including a memorable night where he played Hillary Clinton (the effect of the wig and dress was somewhat muted by his full beard). Now enjoying retirement, Mulligan talked to Letterman Memories via text message about his time with Dave.
Letterman Memories: Just wanted to follow up on the theme of our Twitter account, and now blog. We started it from a pure fan perspective, feeling like Dave retiring is, for lack of a better word, momentous. So that’s our first question: Does Dave’s retirement feel momentous to you? Or have you already gone through your five stages of grief?
Gerry Mulligan: I wouldn’t say grief. I think Dave’s really going to enjoy time away from TV. I know he loves spending time fly fishing with Harry in Montana. I left 10 years ago because I got tired of having to know whom Miley Cyrus is dating. Also, as Merrill Markoe said, coming up with material for the show was like chasing a truck downhill.
Sounds like you were more relieved to leave rather than emotional. Is Dave retiring emotional for you?
Not really. And I was emotional when I left, because the show was such a big part of my life. But David retiring, not so.
Do you ever watch the news and find yourself thinking up jokes even though you don’t have too?
All the time. So I write jokes and tweet them (@gerardmulligan1) – just doesn’t pay as well.
Which brings us to some of the holes in your bio. We couldn’t find much online. Did you move on to other projects after Late Show?
No. I was asked to leave show business.
We’ll bite. Who asked?
It was kind of a consensus thing.
Another filling-in-the-bio question: How did you meet Dave / get to work on the morning show?
One of my best friends from San Francisco moved to L.A. and started dating Dave. I moved to L.A. and soon started writing for Dave when he guest hosted The Tonight Show (1978?). In 1980, Fred Silverman at NBC decided to give Dave a morning show and we all flew east.
Was there a conscious effort to make the monologue jokes different from Johnny’s? Did you write for Dave’s “voice?”
Absolutely. Not to differentiate from Johnny, but so jokes sounded like Dave. Always amazed to see submissions to the show containing jokes Dave wouldn’t do in a million years.
So what’s the key to making a joke a “Dave joke?”
Uhh…good question. It’s sort of like the Supreme Court Justice who famously said he couldn’t define pornography, but he knew it when he saw it. In fact, during monologue rehearsals in Dave’s office, there would be daily discussions about a given joke. Not so much whether it would be a Dave joke, but whether it would play. I always liked to write just dumb silly jokes (A philosophy professor at Columbia is retiring after 50 years of studying the greatest thinkers in history. Asked the greatest thing he learned, he replied, “Never buy a hat when you’re drunk.”). BTW, Dave would have flagged that repetition of “greatest” in a heartbeat.
So a sort of non-sequitur punchline?
Yeah. Like a magician, you try to get the listener to look over there and then the punchline is over here. (The classic joke of this kind, prolly decades old: boastful Texan tells laconic Yankee, “I got a ranch in Texas, takes me half a day to drive across.” Laconic Yankee: “Aiyuh. I had a car like that once.“
You read all the time that Dave didn’t really “sell” the monologue until the Late Show. And the monologue was more Jay Leno’s obsession. What was your take on that? How did Dave feel about the monologue? We’ve always felt he did a good job.
I think Dave spent more time prepping the monologue than any other aspect of the show. He didn’t test out his jokes every week at the Comedy & Magic club in Hernias Beach, but he worked very diligently whittling down maybe 125 jokes to 10, then making sure each one was always worded just right.
This is a little obscure, but I remember a very strange joke and I was wondering whether it was one of yours. It was about Renée Richards, the transsexual tennis player. When asked about the hardest part of becoming a woman, she said, "learning to like Tom Jones.”
Don’t remember. Really. Too many jokes. BTW, in the earlier answer, Hermosa Beach got autocorrected to Hernias Beach, and to the best of my knowledge, there is no Hernias Beach in Southern California. Or anywhere else.
Good to know! I just was reminded of the Tom Jones joke because it was so out there. Just a couple more questions: Obviously you were featured on the show from time to time. Did you have a performer bug in you too, like Chris Elliott and Conan, or were you more pressed into service, as it seemed you were when Levon Helm didn’t show up, for example?
More the latter, though I did do standup in San Francisco and L.A.
What’s life like now that you are away from show business? Going to go fly fishing with Dave?
No, I cook and tweet, and I don’t fish because of my fear of hooks.
I think we lied: we might have a couple more questions if you have the bandwidth.
Sure.
This is one of those open-ended ones, but answer it any way you like: What makes you laugh the most? What do you find the funniest?
Self-confident stupidity. Like Inspector Clouseau.
Couldn’t George W. or Dan Quayle be lumped in there? I suppose that’s why those guys were such fun to skewer.
Yes.
We had a question about the show’s influence. Larry David has said they didn’t realize Seinfeld was a big deal because they were so busy working on the show. And Fallon recently said something similar. Did it surprise you when the show became not just a hit but a phenomenon?
Yes. Absolutely. We were so involved day-to-day, we didn’t see what was happening. And then Dave was on the cover of Rolling Stone and everybody was talking about it.
Did you have any jaw-dropping moments, when you were in awe of a guest or bit?
Bob Dylan, always. Elvis Costello. Anything Andy Kaufman ever did.
Right — we were just talking about the famous Kaufman/Lawler bit and we seem to recall you on screen [Yup, he’s there at the end, by the exit doors when Kaufman flees the studio]. Someone on Twitter just unearthed the morning show clip and it’s gold too.
Total gold.
Okay, that’s great for us. Thanks so much for giving us an hour of your time.
It’s an honor. Bye.
Let it never be said that we don't try... (at Lake George, New York)
LOUISIANA (Monogram, 1947) directed by Phil Karlson and starring sitting Gov. Jimmie Davis (1944-1948, 1959-1960). From Motion Picture Daily, 22 Dec 1947 p10
the ill-fated plans for a sequel to Joe (1970)
There was a planned but unrealized Joe sequel that promised to make America great again!
the ill-fated plans for a sequel to Joe (1970)
Ads for gigs by Tom Petty’s band Mudcrutch from page 18 of the Naples Daily News Fri 22 Sept. 1972 & page 18 Williamsport Sun Gazette (PA) Fri. 23 Apr. 1971.
Check out this playlist on @8tracks: Ha! HA! My Comedy and Novelty 45s byhelenreddymades.
Rappin’ Rodney - Rodney Dangerfield (1983)
King Tut - Steve Martin & the Toot Uncommons (1978)
New News, part I - George Carlin (1975)
Da Ya Think I’m Sexy - Rod Stewart (1978)
Pac-Man Fever - Buckner & Garcia (1981)
I’m So Ashamed - Peter Sellers with Ron Goodwin’s music, produced by George Martin (1958) b-side
Funiculi, Funicula - Rodney Dangerfield (1983) b-side
Hoedown At Alice’s - Steve Martin (1978) b-side
A Drop of the Hard Stuff - Peter Sellers with Ron Goodwin’s music, produced by George Martin (1958) a-side
New News, part II - George Carlin (1975) b-side
Froggy’s Lament - Buckner & Garcia (1981) b-side
Scarred and Scared - Rod Stewart (1978) b-side
The Funeral of Sir Winston Churchill, flexidisc from the August 1965 issue of National Graphic, page 198A/B
Check out this playlist on @8tracks: Ha! HA! My Comedy and Novelty 45s by helenreddymades.
Rappin' Rodney - Rodney Dangerfield (1983)
King Tut - Steve Martin & the Toot Uncommons (1978)
New News, part I - George Carlin (1975)
Da Ya Think I'm Sexy - Rod Stewart (1978)
Pac-Man Fever - Buckner & Garcia (1981)
I'm So Ashamed - Peter Sellers with Ron Goodwin's music, produced by George Martin (1958) b-side
Funiculi, Funicula - Rodney Dangerfield (1983) b-side
Hoedown At Alice's - Steve Martin (1978) b-side
A Drop of the Hard Stuff - Peter Sellers with Ron Goodwin's music, produced by George Martin (1958) a-side
New News, part II - George Carlin (1975) b-side
Froggy's Lament - Buckner & Garcia (1981) b-side
Scarred and Scared - Rod Stewart (1978) b-side
The Funeral of Sir Winston Churchill, flexidisc from the August 1965 issue of National Graphic, page 198A/B
Various newspaper ads for the Dirty Harry series (1971-1988)
Sheet music for one of my favourites, "My Resistance is Low" (Harold Adamson/Hoagy Carmichael) by Hoagy Carmichael, c. 1951. Hoagy's 1951 was arranged by Gordon Jenkins.
The song was featured in The Las Vegas Story (RKO 1952), sung by Jane Russell and Hoagy Carmichael.
Joe E. Ross and Fred Gwynne perform You're Nobody Til Somebody Loves You on Perry Como's KMH in 1962
Incredibly, convict-turned-motivational speaker Edward Wayne Edwards appeared on my favourite panel game show, To Tell The Truth in 1972, with a panel including Kitty Carlisle, Alan Alda and Gene Rayburn. Edwards was later revealed to be the killer of at least 5 people, and a professional true crimer currently believes him to be responsible for the Teresa Halbach murder at the centre of Netflix’s Making A Murderer.
In the Kevin Bacon game this appearance puts serial killer Ed Edwards one step away from everyone in showbiz: Groucho Marx (via Kitty Carlisle in A Night at the Opera), Woody Allen (via Alan Alda in Crimes and Misdemeanors), Jimmy Durante (via host Garry Moore)…
Totally legitimate (and honest about gaming rates) adverts from the Amusement Machines section of BILLBOARD magazine, 1942-07-04 pg 80