"While a superbly performed and filmed realistic story can hold the viewer’s attention, a film with fantastical visual effects may find a larger audience.
If the aforementioned popcorn films can persuade and affect the viewer, and if—as some film theorists argue—the power of cinema lies in its ability to make the everyday fantastic, Pan’s Labyrinth accesses both sides of the film-as-art, film-as-reality option and thus manifests some of the most persuasive and engaging attributes of film expression. With its paralleling of real and fantastical worlds using neomagical realism, Pan’s Labyrinth represents a powerful and innovative new genre."
"The Parallelism of the Fantastic and the Real: Guillermo del Toro’s Pan’s Labyrinth/El Laberinto del fauno and Neomagical Realism" by Tracie D. Lukasiewicz
Book Title: Fairy Tale Films, Book Subtitle: Visions of Ambiguity, Published by: University Press of Colorado; Utah State University Press
(Film Analysis Hours)






















