If you want to use this information to actually learn about minstrelsy I would recommend the chapter “Past Imperfect: Performance, Power, and Politics on the Minstrel Stage” from Digging the Africanist Presence in American Performance: Dance and Other Contexts by Brenda Dixon Gottschild. Gottschild covers the Africanist dance influence in minstrelsy, the re-appropriation of and resistance in minstrelsy by Black performers, the legacy of minstrelsy, and much more.
In a similar vein I would also recommend the Marlon Riggs documentaries Ethnic Notions, which covers anti-Black stereotypes in popular culture from the antebellum period through the Civil Rights movement, and Color Adjustment, which covers the representation of African Americans on television from its advent through the 1990s.
You’re not going to raise your consciousness by watching The Wizard of Oz and feeling bad that Judy Garland did blackface (in not just Everybody Sing, but also Babes in Arms and Babes on Broadway, for the record) because she was a minor under the thumb of her abusive stage mother and legally obligated to perform in these films because of her contract with MGM. Engage with the work of Black activists on the subject instead and think about or criticize how the stereotypes from minstrel performances still manifest in popular culture today in different forms.
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