Bal Blanc chez les Noailles par Man Ray ca 1930. Christian Bérard, Boris Kochno, Jean Michel Frank, Emilio Terry, Marie Laure de Noailles
Claire Keane
we're not kids anymore.
ojovivo
Jules of Nature
No title available
PUT YOUR BEARD IN MY MOUTH
taylor price
I'd rather be in outer space 🛸

Origami Around
hello vonnie
Misplaced Lens Cap
sheepfilms

roma★

★
h
One Nice Bug Per Day

Kaledo Art

oozey mess

pixel skylines

ellievsbear

seen from Spain

seen from United States

seen from Germany

seen from United States
seen from Argentina

seen from United States
seen from Malaysia

seen from United States

seen from Malaysia

seen from Argentina
seen from Netherlands

seen from Spain
seen from United States
seen from Canada
seen from Brazil

seen from United States
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seen from United Kingdom
seen from T1
seen from France
@homogenic
Bal Blanc chez les Noailles par Man Ray ca 1930. Christian Bérard, Boris Kochno, Jean Michel Frank, Emilio Terry, Marie Laure de Noailles
Hussein Chalayan | Spring 1998 © condé nast
from The Theater: An Introduction by Oscar G. Brockett
Francis Picabia (French, 1879-1953), Harmas, c.1928. Oil and pencil on cardboard, 106 × 75.5 cm.
Men in the Cities, Robert Longo
For Men in the Cities, Robert Longo set up his camera on the rooftop of his apartment and threw a variety of objects at his friends, capturing their aggressive reactions in these remarkable photographs, created between 1977 and 1983. The jerks and spasms of Longo's subjects, sharply dressed in business attire, have an elegance and grace that is entirely unexpected; protective reactions and exaggerated gestures have been turned into effortless and authentic choreography, a ballet of falls and stumbles, leaps and trips. The movements are fresh and vital, full of energy and life, even while they portray a sense of agony. They document an essence of human motion, boiled down to pure expression. This work later became the inspiration for his iconic Men in the Cities series of large-scale, monochrome charcoal and graphite drawings.
Diamanda Galas by Rosa von Praunheim
Mariangela Melato in Love and Anarchy (1973). One of my absolute favorite faces in cinema, her look is striking.
By Nicola Delorme for 10 Magazine. Makeup by Isamaya Ffrench.
And through the downcast lashes
I see the dull flame of desire
Lady Bunny, Parker Posey, Lady Miss Kier and Heklina at the Regency Ballroom, in San Francisco (2006)
Akina Nakamori in promotional photos for her experimental album “Fushigi” (1986)
amber valetta @ chloe ss00
from the cd booklet for the soundtrack to 'velvet goldmine' (dir. todd haynes), 1998.
Sergio Sarri - Studio per esperimento (acrylic on canvas), 1974-75
Japanese poster for Andy Warhol's Dracula (dir. Paul Morrisey, 1974)
Jan Švankmajer, Papuánské Zvíře, 2015
JUN ROPÉ commercial, by Serge Lutens (1978)