I wonder how the moreos guy is doing
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I wonder how the moreos guy is doing
not my circus not my monkeys but thanks to my mutuals i know some of the lore
True hero.
"A German-born admiral spent 6 years in Nazi POW camps and never spoke a single word of German to his captors—not even to his own cousin."
Admiral Józef Unrug was born Joseph von Unruh in Brandenburg, Prussia. He spoke German as his mother tongue, served in the Imperial German Navy during World War I, and commanded submarines for the Kaiser.
But in 1919, everything changed.
When Poland regained independence after 123 years of partition, Józef made a choice that would define the rest of his life. He renounced his German commission, left his homeland, and traveled to Poland—a country that had no navy, no warships, not even a proper port.
He didn't just join Poland's military. He bought a ship with his own money and donated it to become one of Poland's first naval vessels. By 1925, he was Commander of the Fleet, speaking Polish with a thick German accent, building a navy from absolutely nothing.
When Nazi Germany invaded Poland on September 1, 1939, Admiral Unrug commanded the coastal defenses on the Hel Peninsula. Outnumbered ten to one, he fought for a month while Warsaw fell. Finally, on October 2, 1939, he surrendered with honor and became a prisoner of war.
That's when his real resistance began.
The Germans moved him between camps—Colditz Castle, Murnau, Woldenberg. Former colleagues from his German Navy days visited, appealing to old friendships. They offered him rank, promotions, command positions. Admiral Dönitz himself reportedly tried to recruit him back to the Kriegsmarine.
Then his own cousin came to visit.
Major General Walter von Unruh greeted Józef warmly in German, expecting a conversation in their shared native tongue.
Instead, Unrug replied in French.
Confused, his cousin asked why he was speaking French.
Józef looked at him calmly and said: "On September 1, 1939, I forgot how to speak German. I am a Pole and a Polish officer."
The Germans were stunned. This was a man who had commanded their submarines, who understood every word they said, whose family had served Prussia for generations.
But for six years—through multiple camps, countless recruitment attempts, visits from family members—Admiral Unrug never spoke German again. When Germans addressed him, he demanded translators. When they insisted he must understand, he replied only in Polish or French.
Language became his weapon of resistance.
He refused to give his captors even a syllable of recognition. Always correct, always formal, always cold. His fellow prisoners drew strength from his unbending example. The Germans found him increasingly frustrating—he wouldn't break, wouldn't bend, wouldn't even acknowledge their shared past.
In April 1945, American forces liberated his camp. But the news was devastating: Poland had fallen under Soviet occupation.
Unrug chose exile over compromise. He moved to the United Kingdom, then Morocco where he worked on fishing boats, then France. A rear admiral working manual labor rather than accept a communist government or a pension he felt his men were denied.
His final wish was to be buried in free Poland, among his men. But he set a condition: he would not return until his colleagues murdered during Stalinist terror were properly rehabilitated.
He would not return until Poland was truly free.
Admiral Józef Unrug died in France on February 28, 1973, at age 88. His wife Zofia died in 1980. They were buried together in France, alongside other Polish patriots who died far from home.
Decades passed. The Berlin Wall fell. The Soviet Union collapsed. Poland regained sovereignty. The murdered officers were finally found and honored.
And Admiral Unrug could come home.
On September 24, 2018—forty-five years after his death—his coffin was carried aboard the Polish Navy frigate ORP Kościuszko. On October 2, 2018—exactly seventy-nine years to the day after his surrender at Hel—a state funeral was held in Gdynia.
Admiral Józef Unrug was laid to rest at Oksywie Naval Cemetery, among his officers and sailors, in the free Poland he had waited his entire life to see.
He had finally come home.
Sometimes the most powerful act of resistance isn't violence or sabotage—it's the quiet, absolute refusal to compromise on who you are. Józef Unrug never raised a weapon in his final war. He simply refused to speak the language of his enemy.
And in that silence, he said everything that needed to be said.
of course he compels me. he has the demeanour of someone expecting to be yelled at at any given second
gentle psa to new comic artists about a problem i also suffered from: slow quiet pacing is totally fine BUT if that's not what you're deliberately going for, you CAN fit more Story Progression on the page. no, more than that. more than that even. i promise if you don't want it to a single action doesn't need to take a whole page to illustrate each of its steps, a lot of connecting magic happens in the gutters i /promise/ if you draw someone pulling up in a car then skip to them walking in the door with groceries we will Understand that they unloaded the car and unlocked the house you feel me
#I am not a comic artist#but I had a similar problem when I was in film school#I call it “the door problem”#in my thesis film I had written that two characters walk out the back of the club into the alley behind the club#and my club location did not have a back alley but did have a side room that we used as the door#but that door opened in#and the location I used for the alley had a back door but that door opened outwards#and I knew it looked weird#I struggled framing the shots#and blocking the actors#and I got really really caught in my own head about how to make this door work#because to me it was really important that you saw every step from club to outside#because even though we had learned in school that you could transition it didn't feel right because it didn't feel like a new scene to me#(this being one of the struggles with a short film. It can all feel like one scene if your script is short!)#AND THEN#when we got into the editing room we just...cut the door transition entirely#initially not on purpose#what happened was that we decided to tighten up the timing by cutting non-linearly to the custom music I had commissioned#which made it much more experimental especially in comparison to my fellow classmates#however it showed me that the story still absolutely worked without needing to show how they got into the alley#the audience can infer the door#so now anytime I can feel myself getting stuck on something when I'm filming I think#“Is this a Door Problem?”#as a storyteller it's always a question of what is the absolute bare minimum you need to convey what you're trying to say#and sometimes that means you just need to already be outside the club
(via @currentlycreating )
Exactly! Film and comics are VERY similar mediums in this way, I love this. We should always be considering Door Problems
If you heard "Batman has four sons", you'd be forgiven for thinking that each of those sons has three brothers. But that's a rookie mistake. Dick is the only one of them who actually has three brothers, and that's because he put in the work for it, thank you very much. Jason has one brother (Dick), and two kids that his dad had after he moved out (Tim and Damian). Damian actually ping pongs between acknowledging Tim and Jason as his brothers, and thinking they don't count because they're not related to him, but regardless of how he feels about those two he is always related to Dick, Dick just isn't always his brother. So Damian can vary wildly from having three brothers to two brothers to zero brothers.
Tim is literally only brothers to Dick. The other two are his annoying coworkers.
It's a lot healthier to go for a daily walk than to sign up for a gym membership you won't be using because you hate that kind of exercise. It's a lot healthier to eat a frozen meal than to skip a meal because you were too tired to cook something healthy. It's a lot healthier to take a quick shower than to procrastinate an elaborate routine for days. Don't aim so high that you won't be hitting anything!
this is actually really helpful and affirming thanks
I would come into the shop an hour before my start time to vacuum, clean up, etc. every day at my old job and the one time I asked to leave 30 minutes early to pick up my kid I was asked if I was going to come all the way back to lock up afterwards. I suddenly realized no matter how much extra you do it’s never appreciated.
The next day I came in at my official start time and left at my official quitting time and it stayed that way until I quit a month later.
Don’t let them take advantage of you.
I think about this like once a day
In all seriousness, Dracula is just as terrifying in his calm rage as he is when he's flying off the handle.
The way he just held the letter against the candle while smiling at Jonathan like "we both know exactly what this letter is and exactly why I'm destroying it."
A loud and beastly monster is terrifying for sure but in a scene like this, where both captor and captive know how powerless the latter is...
Yeah that's chilling, that's actually horrifying and I love this book so freaking much.
Also just feel bad for Jonathan bc like this man is a property lawyer. If this was all happening to Quincey Morris it would still suck but I'm 100% sure that Quincey Morris gets himself into life and death situations every other week. If he was traveling through Romania he'd probably end up in Dracula's castle just because. But Jonathan? He picked a boring job that would lead to steady employment and allow him to lead that good simple middle class family life with Mina. Given that he never talks about family in his journal I imagine he was reaching for stability he didn't grow up with. This man goes to the library before traveling to research the place he's traveling to, and he brought his little polyglot dictionary, like a sensible careful person. He does not seek out danger. This sort of thing would Never Have Happened To Him if Dracula had not reached out to his employer. Like he is the least likely person to wind up in this situation he cannot catch a break.
I love environmental storytelling
Its fucking hieroglyphs with you people
Can't just leave this in the comments
I enjoy a joke about fucked up German fairy tales as much as the next nerd, but it's genuinely striking how often the source for the really fucked up stuff turns out to be "yeah, this is only in the Brothers Grimm version and doesn't appear in any extant oral tradition, and we're like 80% sure they added it themselves". To a large extent it's not German fairy tales that are fucked up, it's two specific German dudes.
in retrospect we probably should have given the fairy tale writing to the Brothers Happy instead
i'm helping out at a creative writing workshop for uhhh i think 10-12s? 10-14s? idk. but that age range. and anyways
a) i forgot how fun this is
b) it's really hard not to like, re-write for them and stick to just "hey add descriptions here, change this grammar, really cool ideas!" bc i'm an adult and not trying to talk over/railroad these kids, but i'm just so excited for their ideas!!!
c) little boys write cool stuff like "what if we went to mars but it sucked so we left, but left behind all our technology and the technology rose up and created its own society and then went to war with us for abandoning them? what if transformers had 100x the war crimes? what if the earth blew up. what if we were the robots all along?"
d) little girls out here writing like "aunt melanie's skin was sloughing off the bones as her beloved dogs tore her apart, turning on her in blind animal instinct. the second she stopped providing food, she became food." and a lot of body horror and dark themes about group pacts and betrayals and ritualistic murder/sacrifices. like a lot
me, turning to the teacher who is also doing this: hey so, i'm personally really cool with the tone and direction these girls take, but is any of this? how you say... a red flag?
teacher: little girls have really rich inner lives to combat the way they're puppeted by society in real life. they'll learn to censor it out in a couple years, but it doesn't go away.
me, who was also a weird little girl who phased in and out of weirdness depending on social settings: nice.
Dino people, I am abusing my blogging power to ask a critical question. The image below is a reconstruction of Sue, the T-Rex skeleton at the Field Museum of Natural History in Chicago. This replica is considered to be accurate based on what we know thus far.
My question is this: How do we know this is the correct size of her eyes? Is it based on the size of her skull or something else?
They can see how big the eye sockets are from the skull. Also, most dinosaurs had bones called scleral rings, which are bones inside the eyeball. I don't know if we have any examples of T. rex that preserved them, but we do have other therapods.
(The info page is by @alithographica )
I'm reblogging again to add that this means that we know how big their pupils are, since the hole in the scleral ring is only a little bigger than the pupil.
It's also how we know that most dinosaurs had round pupils. It's pretty common for people to depict dinosaurs with slit pupils, probably because of Jurassic Park, mostly because it looks really cool, but nope, they were round. There are very few, if any, birds with slit pupils, which is further evidence for round pupils. And most extant animals with slit pupils are on the small side. Many people think of cats having slit pupils, and they do, but it's the little ones. Lions and tigers have round pupils, because slit pupils are most useful closest to the ground and they actually sacrifice some of their visually acuity for the sake of being better at judging distances in low-light conditions, and most animals with them are ambush predators that jump out at their prey. You ever seen a video where someone throws or bounces a ball towards a cat and it bops them on the head and they seem surprised? That's why; they struggle to track where the ball is going, especially horizontally. So for anything over a certain size, slit pupils are a detriment, especially if they chase down prey.
And yeah, if you've ever seen a scientific source say that a certain species of dinosaur hunted at night and wondered how the hell we could possibly know that, this is how. Their eyeball bones.
one of the funnier incidents of me assuming someone knew a meme irl was when a new coworker was talking about some woman who got arrested for tax fraud and I went "God forbid women do anything" and he got scared and thought I was accusing him of being sexist, so he started apologizing and saying how tax fraud isn't even bad, actually.