What did they do to bro??😭😭😭
He looks like Mr. Bean and John Stergis from young Sheldon💔
Monterey Bay Aquarium

@theartofmadeline

Kaledo Art
"I'm Dorothy Gale from Kansas"

Andulka
Jules of Nature

Product Placement
trying on a metaphor

No title available
No title available
TVSTRANGERTHINGS

#extradirty
Cosimo Galluzzi

JBB: An Artblog!

Kiana Khansmith
he wasn't even looking at me and he found me
No title available
wallacepolsom
sheepfilms
Misplaced Lens Cap
seen from United Kingdom

seen from United Kingdom

seen from Malaysia
seen from United States

seen from United States

seen from United States

seen from United States

seen from T1

seen from Malaysia
seen from Saudi Arabia
seen from United States

seen from Malaysia

seen from T1
seen from Germany

seen from United Arab Emirates
seen from United States
seen from United States

seen from New Zealand

seen from United States
seen from United Kingdom
@icouldntthinkofsomethingclever
What did they do to bro??😭😭😭
He looks like Mr. Bean and John Stergis from young Sheldon💔
Poem submission for year 12 English anyone?? Do you reckon my homophobic ahh teacher will be mad??
If it is sin for a man to love another
Then forgive me father for I have sinned
But here in the afterglow, men intertwined
Each other, no other
Hands, teeth
Skin to skin
The love, the peace
How could this be sin?
Thank you for coming to my ted talk.
(Is this byler coded? Yes because I said so)
zoom in on a random word and that’s what mike and will are doing right now post canon
Penis measuring…
Nice.
#Richie Tozier core
Gang I’m getting a byler ankle tattoo I need help deciding what do getttt (and it’s not professional, my friend is going to do it for me so nothing too detailed :3)
1. I was going to get cleradin with Will the Wise’s hat on one ankle and Mike the Brave’s shield on the other, like thissss -
But maybe without the love hearts for the shield idk, maybe a sword instead?
2. Have the wizard hat on top of the shield and maybe a sword through it? Like this -
Maybe without the staff -
Any other ideas??? :33
I kinda want a ‘byler’ tattoo not a ‘cleradin’ one but they’re basically the same thing and I don’t know what byler thing I could get, help!!
Welp, time to binge watch heated rivalry ig
We (bylers) are so funny bc what do you mean we all sped ran the five stages of grief multiple times, had 30 million depressive meltdowns while simultaneously having soul crushing bouts of hope and changing our minds on the outcome of byler every hour in like what, 4 days? And that’s not all either lmao. I think once this is all over we should all post our state of mind on byler from each day during, what I’m coining - ‘The Great Byler Depression’ (the 6 worst days of our lives). I just think it would be so funny bc tell me why two days ago I was so hopeless about byler and being so angry at the coming out scene, to then, at 1 in the morning spend the proceeding 5 hours writing two very detailed posts on how the coming out scene was essential to Will’s character and then wake up with immediate byler doubt and spend the rest of the day literally emotionally comatosed and depressed and then cry myself to sleep and then WAKE UP today in denial and indifferent about it (not sure how to feel) and then I read a post just then that cured, not just my byler doubt but - my duffer hate, shawn levy hate, script and writing hate, Mike redemption arc doubt and single handedly give me undying hope for not just byler but stranger things as a whole show.
Edit: … Don’t talk to me, I’m unwell.
I’m doing my part🫡🫡
The ratings on this is actually so funny bc what is this -
Most of the ‘1’ ratings are bylers who (reasonably) crashed tf out and review bombed it and all of the ‘10’ ratings are bylers who realised they may have overreacted and made it seem like we were being homophobic lmao
Why Will Had to Come Out Publicly , and What Mike Is Actually Thinking
I never expected my previous analysis to receive so much love, and I’m truly honored. Over the past few days, I’ve watched the discourse spiral out of control. People are losing their minds, deeply disappointed in the show—especially because the coming-out storyline made them feel offended. And poor Will even referred to the boy he’s loved for years as a former “crush.”
What makes it even worse is that after Will falls into a trance, Mike suddenly stops touching him. He becomes distant, strange—off. Many people have taken this shift as a signal that the Byler storyline is officially over.
Guys, you are completely wrong.
The more furious and frantic everyone becomes, the deeper you fall into the Duffer brothers’ trap.
When I finished Vol. 2 for the first time, I also experienced a brief moment of mental blankness—thinking, this is absolutely not the narrative I was expecting. But it only took one night. Once I calmed down and looked at all these “abnormal” signals from the perspective of a creator, I got literal goosebumps. The Duffers are extraordinary storytellers.
In the following analysis, I will continue in the same style as my previous piece, using fundamental theories of dramatic and textual construction to uncover the hidden narratives embedded in the Duffers’ script. These hidden narratives are deeply tied to Mike’s character. Once you recognize them, you will have unshakable faith in Byler.
I will also explain why the Duffers ultimately chose to have Will come out publicly, rather than in a private moment, and why we were deliberately denied a one-on-one, heart-to-heart scene.
So let’s stop being consumed by frustration and anger. Let’s calm down and prepare ourselves for the ending that’s coming. I can say this with absolute certainty: we are going to get what we want.
First, let’s talk about the line that ignited so much audience outrage “I had a crush.”
This,has been interpreted as official confirmation that Will has accepted Mike as not his true love. But please, guys—remember this: the narrative perspective of this monologue has always been Will’s. What we are hearing is what this boy believes, not what constitutes objective truth.
Think about mystery or detective films. The first character presented as a prime suspect is never the real culprit. The characters within the story may believe he’s guilty, but we as the audience know better. This is a classic narrative device—limited character perspective.
Now, imagine you are Will.
You fall in love with your best friend, while he’s kissing a girl. Your friends and family all know they’re together, and that girl becomes like a sister to you. When they break up, he’s devastated. You comfort him. You hear him say “I love you” to her. Your heart nearly shatters, yet you’re still happy for them.
Deep down, you know he will never love you back.
You long for his love, but you’re also ashamed of the uncontrollable, secret feelings buried inside you. Sometimes you can’t help but wonder—his tenderness, his care, your moments of intimacy—could they mean that he feels something too?
You cautiously reach out to test the waters.
Emotion hits like a soda can dropped to the ground—the carbonation violently exploding—but you desperately try to suppress it.
So you convince yourself that all those tiny fragments of affection you feel are simply because he sees you as a close friend. Because you know he will never love you back.
He is just your Tammy.
And you will never have him.
So Will tries to let this boy go. He genuinely convinces himself that he and Mike are fundamentally different people—that Mike could never become his boyfriend.
When you truly look at the world through Will’s eyes, you begin to understand that when he says “he was my Tammy,”even though it breaks our hearts, it is completely loyal to character POV. It is not an objective definition of reality.
I even think that later on, they might have Robin teasing Will with something like,
“Well, looks like he’s actually your Vickie,”
as a direct callback to the line “he was my Tammy.” Because the story has already told us: Will is wrong about this.
I also want to point out something from the very beginning of Episode 5. After Will and Mike hug, and Will blames himself because the kids have all been taken by Vecna, he says:
“It’s too late. I failed.”
This line is almost identical to what Adora says to Catra (if you’ve read my previous post).
I believe this is a very, very explicit parallel, deliberately signaling both a mirrored character relationship and the direction the final battle will take.
After the coming-out moment, Will rejoins the group. He believes that by making his secret public, fear will no longer have power over him.
But this, too, is a narrative misdirection.
Because in that confession, Will tells his second lie about Mike.
Even after coming out, he still hides the truth—that he is deeply, painfully in love with Mike. He does not want Mike to know.
The Duffers have mentioned that Mike may have “clocked” that he could be Will’s crush in that moment. And honestly, Mike’s reaction alone already tells us enough. You can see his mind racing. He is processing fast. He is beginning to understand that Will has feelings for him.
But Will’s lie interferes with that understanding.
So what Mike experiences in that moment isn’t clarity—it’s confusion.
At the same time, he is finally starting to feel what Will have felt all along: watching him kiss El, standing beside him, supporting their relationship, swallowing every ounce of his own pain.
And god—if you really sit with it—I’m willing to bet Mike hates his past self right now. The version of himself who once said, “It’s not my fault if you don’t like girls.” That internalized homophobia. That fear.
He isn’t Mike the Brave. He’s just a terrified boy who has never allowed himself to face the truth.
And his head—his heart—is about to explode.
We can clearly see that the directors deliberately constructed a large amount of physical contact between Mike and Will—right up until their hug at the beginning of Episode 5.
After that moment, Will falls into a trance. And just as deliberately, Mike stops touching him.
This contrast is not accidental.
It is a carefully designed visual break, meant to serve a future narrative turn.
When I first came to this conclusion, people on social media were still reacting emotionally—insisting that Mike was simply standing there doing nothing, and that this was a failure of writing and character direction.
But I’m relieved to say that as I’m writing this analysis, I’ve already seen people begin to calm down and recognize that Mike’s behavior carries intention and meaning.
Some analyses have pointed out that in the conversation between Max and Holly, right before each of them runs toward their own exit, Max’s dialogue subtly rewrites an established rule of the show. It suggests that music isn’t the only thing capable of pulling someone out of a trance—touch (presence), companionship, and things in real life that deeply matter to you, things that form genuine emotional connections, can do the same.
I believe we can now be fairly certain that both the disappearance of Mike’s physical contact and the introduction of this expanded “awakening” rule are tied to a specific moment in the story’s climax.
But what I want to focus on here is the narrative logic behind Mike’s behavior.
Some people say that Mike simply stops caring—that he just stands there, detached—and this angers many viewers precisely because the episode opens with such a tender hug between him and Will.
But if you watch carefully, you’ll notice something else.
After Will loses consciousness, Mike falls into deep distress. It’s just not immediately visible—because Mike is someone who has learned to hide his vulnerability and his true emotions.
The only times Mike has ever fully shown his vulnerability are both connected to Will:
when Will’s fake body is discovered in Season 1 and Karen hugs him,
and at the end of Season 3, when Mike looks back at Will’s house before leaving, When he got home, he was so sad comforted by Karen.
Mike’s vulnerability has always been tied to Will.
After Will collapses, He doesn’t know what to do. And beneath that confusion is overwhelming guilt.
When Will managed to kill three Demodogs, Mike was so proud of him—so exhilarated—that when they tried to use Will’s abilities again, he forgot that doing so would put Will in danger.
Joyce later blames herself, telling Hopper that it was her idea.
And it’s clear that Mike is thinking the same thing.
He encouraged Will to be the sorcerer.
And now, internally, he’s blaming himself.
Will told him that he is the heart of the team.
But when Will is truly in danger, Mike can do nothing. He has no powers. He can only rely on El.
So what kind of “heart” is he, really?
When I rewatched Episode 6, a line suddenly stood out to me. Holly is crying to Max and says that Mike encouraged her—but that she isn’t a hero. She just stood there and did nothing.
That line hit me hard, because I realized it functions as a parallel line—a projection of Mike’s own inner state.
Even after Will wakes up, you can see this conflict continue.
When Mike enters the room while Will is talking with Joyce, his gaze is hesitant, uncertain. His voice is gentle, restrained—careful.
And once again, he uses Will voice.
If you understand this character emotionally, you understand why he acts the way he does.
Finn is a good actor, but many people struggle to read his performance. Because of that, he’s received a lot of criticism—and Mike’s character has become controversial as well.
That genuinely makes me sad.
Mike carries an enormous emotional weight. His inner world is dense, conflicted, and restrained.
And I truly believe that after the final episode, many people will finally see him.
Finally, I want to talk about the coming-out scene.
Like many people, I never expected Will’s coming out to happen this way. In my imagination, it would have been a very private conversation—perhaps with his mother, or his brother, or maybe his closest friends. But definitely not with half of Hawkins sitting in front of him, including people he barely even knows. Honestly, that scenario is painfully awkward.
We now know that the original version of the script was an intimate conversation between Will and Joyce. After filming it, however, the creators felt unsatisfied, revised the script a week later, and returned to reshoot the episode. I find this incredibly interesting.
Noah Schnapp and Winona Ryder are both highly professional actors. I have no doubt that if that original scene were shown on its own, it would have been beautiful—private, tender, and emotionally efficient in terms of audience resonance. In fact, it would probably have been the best possible choice purely from an emotional standpoint.
But the Duffer Brothers didn’t choose it.
And that’s because this coming-out storyline is deeply, structurally connected to the final main plot.
In my previous analysis, I described how I believe Episode 8 might unfold (if you haven’t read it yet). This coming-out scene is actually an emotional shift of perspective—it transfers Will’s emotional narrative onto Mike. In the final climax, Mike’s character high point will be an emotional avalanche, and Will’s confession is one of the crucial snowflakes that triggers it.
When Mike finally has the courage to admit his love, the old narrative order—the version of Mike constructed through years of misdirection and limited perspective—will completely collapse.
So how will Mike’s avalanche happen? What will we see next?
When writing a protagonist, we usually don’t portray them in isolation. Instead, we use surrounding characters as emotional mirrors to connect the audience to the protagonist. If the camera focuses only on the protagonist, the storytelling risks becoming self-indulgent emotionality.
I believe Mike’s emotional avalanche will be witnessed by many people.
Imagine this: If Will’s coming out had been a private moment with his mother, then at the story’s climax, the other characters would have no context for Mike’s breakdown. They would only see him suddenly screaming “I love you—I’ve always loved you” at a fallen boy, in utter despair, with no narrative justification. The surrounding characters would be unable to emotionally process that moment, because it would violate narrative legitimacy.
Based on this logic, the staging of Will’s coming-out scene shifts from serving emotional naturalism to serving structural optimization. The choice to move from private knowledge to collective knowledge isn’t arbitrary—it exists to guarantee the emotional impact of the climax.
From a screenwriting perspective, this choice is reasonable—and arguably the best one.
Moreover, from a psychological standpoint, Will choosing to face the thing he fears most, rather than allowing Vecna to control him and hurt his friends, is an act of immense courage.
The audience’s discomfort comes from behavioral empathy: we project ourselves into the coming-out scenario and recognize that revealing such a personal secret in front of unfamiliar people feels deeply unsafe. That discomfort is real.
At the same time, the show doesn’t visualize Vecna’s illusion here, so while we engage in behavioral empathy, we fail to fully achieve character empathy.
The scene feels insufficiently private and lacking intimacy because Will’s emotional density is diluted.
If Will were milk poured into his mother’s coffee, it would become a smooth latte.
But pour that same milk into a cup the size of half of Hawkins, and it barely changes anything at all.
Now Will has confessed his secret to everyone. And when the avalanche finally happens, everyone will understand: This kind, lovely boy has always been deeply in love with his friend. To protect everyone, he selflessly chose to make his secret public, burying his love in silence.
And in that moment, they will also realize something else—that smalltown boy he loved all along had been quietly loving him too, just as deeply. His love overcame fear and evil.
Is there anything more moving than that?
I believe that in the final episode, we as the audience will be emotionally synchronized with these supporting characters’ perspectives—especially considering that Byler’s emotional foreshadowing has existed across five entire seasons, yet so many people have still failed to see it.
What the Duffer Brothers are attempting is incredibly difficult—and extraordinary.
As we get closer and closer to the final episode, my belief that Byler endgame has only grown stronger.
I’m beyond excited. It’s really going to happen.
Just thinking about it makes me overwhelmingly emotional.
Please look forward to the finale.
Thank you to everyone who commented on and shared my first post—it truly meant a lot to me. I’m sorry I couldn’t reply to everyone.
And if, like me, you firmly believe that Byler will endgame—please share this so more people can see it.
…
This just changed my entire life. Byler doubt eliminated.
oh my god
johnlock secret good episode walks again
THE ISSUE: STRANGER THINGS SEASON 5 VOLUME TWO has evidently been tampered with. Allegedly there have been entire plotlines and characters a
(This is an after note, I got a bit distracted and this turned into me explaining that fuckass confession scene to show that it surprisingly wasn’t that fuckass so read it if you need byler hope!! It’s actually so long but please read! I haven’t heard anyone say this yet and it’s honestly my biggest proof, it pulled me right out of my byler depression :D)
Hold up, wait a minute.
If Mike is supposed to carry this huge emotional weight this season and he’s lowkey been a cardboard cut out, then that means that this weight is carried into episode 8.
To quote Robin - “it felt like this massive weight was lifted off my shoulders y’know?” Her experience about finally sharing her sexuality with someone else and ‘having them be ok with it’ (which is also the main theme in Will’s whole coming out thing(a total queer embarrassment if you ask me but I’ll discuss that later bc he lowkey had no choice)) Will has done this, albeit it was rushed and extremely forced but it’s done, and there has been no real reaction from Mike. His reaction is hidden, not shared… Yet.
This emotional weight he’s supposedly carrying has not been seen… Yet.
Maybe they just didn’t show it in episode 7 because they ran out of screen time or it would’ve been out of character and unrealistic if Mike spoke to Will just as they were about to leave but who knows. I think they left it out to save it for our beloved ‘gay Mike realisation crashout break down’.
That has to be where this emotional weight is carried to, if it’s not than everything that’s ever happened between Mike and Will, everything that’s been implied and straight up spoon fed to us on the SCREEN since SEASON 1! Would have just been pointless, sloppy writing which the duffers have shown that they aren’t sloppy writers clearly with the Steve and Dustin plot line, Max and Holly, Max and Lucus, Johnathan and Nancy, El and Hopper!! And just those 4 (and a half) beautifully written seasons…
I just don’t believe that that’s how this ends. I think the duffers are trying to lead us into a trap. And they got us good, embarrassingly so, they got me too (for a while). But then I realised - Will’s (fuckass) confession scene, Vecna’s use of Will’s ‘secret’ to exploit him and break him. He still has a secret (yes it was sort of mentioned but you cannot and will not convince me that Will is over Mike that fast, those heartbreaking, soul crushing feelings are still there although he’s trying to convince himself they’re not). Will still has that secret, and you know what else he is? An unreliable, bias narrator. He thinks he has to accept that Mike will never love him back because it’s just the way it is. He doesn’t know what we know. He has no reason to believe that Mike is ‘like him’ because of the homophobic comment he made - “it’s not my fault you don’t like gworls🏳️🌈🫵🤨”. And because of the fact that Mike is literally dating a girl. But Will, bless his heart, doesn’t know what we know. At first he took Robins speech and found hope in it, that that was just Robin’s personal experience and the true meaning behind her words was ‘love yourself first, then get your boy’. We know he was hopeful about this because of their conversation at the start of ‘Shock Jock’, but somewhere along the road he must’ve hit a pot hole - a realisation if you will.
Remind you of anything? We don’t actually know what Vecna showed Will, we purposefully don’t know. And why? Because it’s good writing, it leaves ambiguity as to how Will came to the decision that Mike will never love him back when lil bro lowkey had WWII FLASHBACKS thinking about ‘the avalanche’ and asked “How obvious?” With pure hope and confusion on his face in Volume 1. Honestly Volume 1 feels like a whole other show atp, and I know the duffers haven’t forgotten the Will they did write, he’s still there, somewhere. Hiding, just like his secret. Which Vecna can, and will use against him eventually.
FURTHERMORE most of the byler community (specifically bylers who hold either their queerness or queer experiences close to themselves) felt personally attacked as a community and lost all hope of byler happening after that absolute mess of a confession scene. But let’s remember, there was a lot happening in this Volume, everything we fundamentally knew about the upside down was wrong. They had to introduce so many new plot points, key ideas, relationship dynamics, personal arc’s, foreshadowing for the last episode while also unpacking 4 seasons worth of plot relevance in preparation for the last fight(The last episode). This show is not just about byler, although, for us it pretty much is, but it’s not, there is a whole other plot line happening simultaneously and to fit all of this new (and old) information in, make a ‘last fight’ plan and also handle all of the relationships and countless characters in the show in less than 3 hours all the while making it flow well so it is digestible for viewers is almost impossible. So yes, Will’s confession scene was rushed, and a little sloppy, and lowkey unrealistic, but was it really unsurprising given the circumstances they were in?
I’m sure the duffers wanted to do it differently, to make it less impersonal but then again it is a tv show and Will is just a character (fml🫠) and he only came out like this for plot relevance(🥲). Maybe no queer person ever would come out like this, but let’s be real, has any queer person ever been in Will’s situation? A situation where the world is literally ending, where he has been shown an alternate world where he does his confession differently and it doesn’t go well.
Will keeping this secret to himself is giving Vecna a way into his head, a way which Will ‘broke so easily’. Will knows Vecna can use him, he expects him to. He has already, with Max and he’s scared. He knows what’s coming, he knows what Vecna can do to him now, with just one simple secret.
Will has been put in a corner, and not a metaphysical corner either, a literal LIFE or DEATH corner where his option are - A) keep his sexuality a secret and risk the very fate of the world OR - B) Face his self, every part of himself and let there be no more secrets, no more way for Vecna to get in his head and turn him against his friends. Because I assure you my baby boy Will is feeling hella guilt for unintentionally putting Max in danger. His secret allowed an avenue for Vecna to use him against him - to hurt his friends and Will would sacrifice everything in a heartbeat to protect his loved ones if he’s anything like his mother and his brother, which he is. He has just not been given the chance, that was his chance. And he took it. And I love that for his character. I think the coming out scene being forced like this was important for his character, not from a queer representation perspective but for Will personally.
The only problem I have with the scene that I cannot find a reasonable explanation for is the corny ass Disney channel - “me too, me three, me four!!” Type shit that occurred afterwards, but then again, how else are you supposed to deal with that awkward ahh interaction so I guess it’s ok, as long as byler is canon and isn’t just the biggest fucking queerbait of the 21st century. Bc otherwise yes it’s just shit writing by people with no regard or respect for queer people or their representation in a mainstream show that literally everyone and their mother has heard of.
But, I will give them this, even if byler isn’t endgame, they’re not total monsters. They have created a strong positive message for their queer audience… Except for the fact that they made romance so fundamentally a part of Will’s character. It is absolutely diabolical to have a repressed queer character say “I’m not gonna… fall in love” Very sadly and distant mind you, for them to just, not, fall in love. (Although he did and they down played it to a crush asdfghjkk(but I think that was just Will being an unreliable narrator like I said before so, y’know it’s not hopeless))
Holy going of topic but you get my point, MIKE QUEERLER’S WEIGHT HAS NOT BEEN ADDRESSED I REPEAT MIKE QUEERLER’S WEIGHT HAS NOT BEEN ADRESSED ITS NOT OVER YET…💙💛💙💛💙💛🫡🫡
(It won’t let me add a photo so just be schizophrenic and imagine the elephant in the room ‘Adress Me’ meme :3)
STRANGER THINGS SPOILERS
Let's talk about the second to last song on Will Byers' official playlist, which we have long since deciphered are all in chronological order.
This. This is what we just witnessed in that scene. This is what worried people. That first lyric being represented.
But do you know what the other lyrics of the song are?
Will said he "knows [Mike] isn't like him"? Well,
He might just be wrong, might he
Yeah.
I'm starting to think he might just be wrong...
OMG BYLER DOUBT CURED THANK YOU SM. I’m going through the feels rn man. This is what I needed. I still believe.
In the duffers we trust(only if they were bullshitting on those interviews)🫡
You know what, I agree.
“You don’t need that” is an excellent perspective, a beautiful perspective actually. But hear me out. If that’s the message that you wanted to send to your ‘younger viewers’ -(and I’m imaging specifically their queer younger viewers who are still struggling to cope with their acceptance)- then WHY did you write Will like that, WHY did you write Mike and Will like that. WHY did you write their relationship, their story, their scenes together like that.
If the message was that you don’t need other people to feel like you’re enough then WHY was the one thing that kept Will (a ‘reflection of your younger audience’) going, giving him the courage to ‘fight on’ - Another person, his so called ‘crush’.
Is that what we’re calling it now???
WHY make Mike the reason that Will kept fighting, WHY make him the reason that Will feels like he’s ‘not a mistake at all, likes he’s better for being different’ if the endgame message is - “oh well, um, funny story but you’ve been lying to yourself all this time. That best friend of yours, what was his name… Mike! That’s it, him, yeah sorry buddy but he actually means nothing to you. His friendship means nothing to you. His undying loyalty and understanding of you means nothing to you. No one means anything to you because guess what!? You’re your own person and because of that you’re gonna be ok! Have fun with that socially-empty nothingness of a life I guess!!”When might I remind you, all ‘Max needed was Lucus’. So what you’re saying is that the (presumably)heterosexual person, Max, all she needed was the reciprocal love of her (presumably)heterosexual boyfriend(Lucus) to give her strength and guide her back to herself. But when it comes to the canonically queer character, whose whole story and arc’s (plural) since season 3 were about love and finding love and being loved just ends with “oh get over it, queer people get rejected all the time because unlike everyone else there is something fundamentally wrong with the concept of love and you, they just don’t go together. But still!! Chin up, you’ve got yourself and just yourself for ever and ever and you can be your own best friend and be lonely forever!! Yayyy!!”
…
Seriously? I just don’t believe it, the duffers better have some sick twisted trick up their sleeves to reveal in episode 8 because I swear to god if the whole build up of Will’s (and Mike’s) extremely complex character arc’s since season 1 amount to some fuckass confession scene and absolutely no Mike and Will pairing (even just a single scene together) after everything they’ve been through together I swear I won’t recover. If episode 8 isn’t the most beautiful 2 hours of cinematic character development and powerful queer messaging ever displayed on any screen ever… Then I fear Stranger Things will be the biggest box office flop of all time, right beside ‘Green Latern’. It will be a colossal heartbreaking version of post ‘Avengers: Endgame’ Marvel. (If you compare the writing and execution of said writing).
C’mon guys, don’t do this to us, please, this silly little ship about these two silly little guys means way too much to way too many people…
Please. Please…
Byler endgame.
(If I think of more to add to this I’ll reblog, there’s so much more I wanna say but I’m literally shaking and sobbing rn, I’m having unnatural levels of greif for this silly little show and it’s not healthy ik)
They’re literally my children and I can’t-
I forgot that the GA doesn’t think of Will Byers as their cutie patootie baby boy who deserves the whole world after all he’s been through. Or have literal 20 page ESSAYS about symbolical imagery and foreshadowing for the most empowering love story in all of literature (byler), I was painfully reminded of this by my sister😔
She said that she can’t see anything happening for Will and that the only way to complete his character arc is to sacrifice himself to save everyone. I could not BELIEVE my ears, she then proceeded to - very ironically ask me - “Are we even watching the same show?” I don’t think so lad.
Anyways, I had to draw our other cutie patootie to calm myself down :3
He’s so pretty!! This drawing doesn’t do him justice😔😔
Literally the same picture btw
it's the 'sorry' at the end of the orgasm for me. and the little waver in his voice when he's cumming
Can someone please send me pictures of mat bayton charles ii to calm me down
I’ve never heard anything more relatable in my life💔💔💔
(I was meant to post this months ago I’m sorry sorry for the person who asked for this I genuinely forgot💔🙏)
Edited wallpaper with no creepy clown mat!!
I replaced it with a silly Joe Starling photo instead :3
I have now just realised that it’s supposed to be a Them There wallpaper but the whole thing is literally just Mathew Baynton, with a few photos of Ben Willbond for good measure :/
Hmmmmm… Oh well, who doesn’t like Mathew Baynton (except all of my friends because he’s all I talk about :D)