Sayāri/Tiki naptime for fe scuffle š“š
YOU ARE THE REASON
2025 on Tumblr: Trends That Defined the Year
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Monterey Bay Aquarium
trying on a metaphor

Andulka

titsay

@theartofmadeline
Cosimo Galluzzi
Sade Olutola
Sweet Seals For You, Always
Today's Document
todays bird

⣠Chile in a Photography ā£
almost home

JVL
let's talk about Bridgerton tea, my ask is open

Discoholic šŖ©

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@ieatlazers
Sayāri/Tiki naptime for fe scuffle š“š
30 days fanart: life is strange ships pride month edition š³ļøāš day 30; pricefield (variants with popular headcanons + pride flag)
hey, it's okay if the only thing you did for pride was exist. i'm glad & grateful you are in the world. your survival is a celebration.
ah. a nuanced story that allows for imperfect victims and portrays the confusing and contradictory nature of being human ā particularly in a context that explores abuse, harassment and trauma. i wonder what people on the internet make of it... oh. oh no. oh no no no no no
Celica/Faye on a date for fe scuffle ā¤ļøš©·
sob emoji is up there with the period and the comma
can things stop happening for a while? in general
The emperorās pet
maybe next year instead of amateur fireworks on every block for hours and hours we can try holding up a single beautiful flower
job markets so fuckeeedd rn i applied to like 60 different positions for swirly glasses oversized labcoat scientist girl who makes tf potions and i didn't even get a single call back
i do im celebrating my dogs birthday
shes turning 2
Iām also celebrating your dogs birthday
celebrating tumblr user heartseekerās dogās birthday on the fourth everyone
Happy 4th of July Americans
yuri? in MY fire emblem? it's more likely than you think
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ā80s/early ā90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, heās never worked in animation againāheās effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin āFeet Manā Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didnāt actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvinās skull that lodge in Samuel L. Jacksonās hairpiece). The resultant cuts were actually more permissive than heād expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (Iām not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and āworkingā for another few hours on a second, ātoned-downā version, and it worked every time.
The reason I bring these up is that the thing that drives censors isnāt some extant physical rubrick of what is and isnāt acceptable, itās the idea that they can have absolute power over someone elseās creative work. Itās about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.
sex workers should be allowed to kill their clients if they feel like it
good news everyone