sam sax from madness (2017)
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@infiniteiridescence
sam sax from madness (2017)
This
is it ok to add this image
something i have always found really weird is when english texts italicize words from other languages.
i remember reading a book as a kid and the author continually italicizing the word tamales
official linguistics post
My dad was eating pistachios so I reached my hand out and he just started peeling them and giving them to me. Then suddenly went “I really hope you find someone who loves you a lot” and I went “enough to peel my pistachios for me?” And he laughed and said “yeah exactly” before carrying on giving me more
The Raincoat
by Ada Limón
When the doctor suggested surgery
and a brace for all my youngest years,
my parents scrambled to take me
to massage therapy, deep tissue work,
osteopathy, and soon my crooked spine
unspooled a bit, I could breathe again,
and move more in a body unclouded
by pain. My mom would tell me to sing
songs to her the whole forty-five minute
drive to Middle Two Rock Road and forty-
five minutes back from physical therapy.
She’d say, even my voice sounded unfettered
by my spine afterward. So I sang and sang,
because I thought she liked it. I never
asked her what she gave up to drive me,
or how her day was before this chore. Today,
at her age, I was driving myself home from yet
another spine appointment, singing along
to some maudlin but solid song on the radio,
and I saw a mom take her raincoat off
and give it to her young daughter when
a storm took over the afternoon. My god,
I thought, my whole life I’ve been under her
raincoat thinking it was somehow a marvel
that I never got wet.
this one. fuck this poem.
i wanted to share this not to come off as corrective but because i actually think it really adds to the text to know that not only is it not from a poem, but that there’s a fuller version of this quote that is just as good. and it’s actually really good advice on how to a write emotion without becoming sentimental. james hall, the interviewer, is himself a poet worth looking into if you’re unfamiliar.
James Hall: I love that you risk sentimentality in the poems. Can you talk about how you construct a poem’s emotion without letting that emotion subsume the poem? What tools are available to a poet to mitigate emotion successfully?
Richard Siken: I didn’t see it as risking anything, and I suppose the tool for mitigating emotion is undercutting, but I’ll try to answer the question sideways: Even if you don’t believe in God, you have to believe in narrative. Things happen, one after another, world without end. Just because you’re self-aware doesn’t mean you can change what’s happening. Eventually someone is going to break your heart. Eventually something you love is going to be taken away. And then you will fall to the floor crying. And then, however much later, it is finally happening to you: you’re falling to the floor crying thinking “I am falling to the floor crying” but there’s an element of the ridiculous to it—you knew it would happen and, even worse, while you’re on the floor crying you look at the place where the wall meets the floor and you realize you didn’t paint it very well and when you’re having sex with your next lover on this very floor they will also notice that you didn’t paint it very well and they will think less of you for it. And then you think “Is that sentence too long?” And then you have to hold the contradictions of sobbing uncontrollably and wondering about grammar in your head at the same time. I think if you are true to the entire experience, not just the sad part, you don’t risk sentimentality because you’re not overloading the experience with fake, melodramatic feeling. I also hear that whispering helps.
here’s to everyone who looked for this in crush and was confused because it isn’t there. the original interview is kind of hard to source nowadays because of how often it’s misattributed: https://web.archive.org/web/20060501211545/http://www.gulfcoastmag.org/GCIssues/gc18.1%20folder/18.1%20Samples/18.1IntSiken(Hall).html
“They want you thinking you're bad at being a girl instead of good at being yourself. They want you to buy your blush from a store instead of letting it bloom from your butterflies. They're telling you to blend in, like you've never seen how a blender works. Like they think you've never seen the mess from the blade.”
Andrea Gibson from the book Take me with you
So many people who love generative AI don't have a creative bone in their body and can't imagine anyone actually enjoying the time and effort it takes to write something or draw something.
Source
Emily Dickinson, The Selected Poems of Emily Dickinson
Hieu Minh Nguyen, from “Heavy”
@axiomaticsystem / pink floyd / richard siken / ram dass / @dvoyd / andrewvela / ellen hopkins / lora mathis / the mountain goats / flatsound
this is literally the sweetest thing ever 🥺
amrita, banana yoshimoto
It hurts to hear your favorite songs
And know you’re listening too far away
For your warmth to reach me
And maybe you’re already asleep
I see you in my dreams but only leaving
And I want to be held
I want to sit in your lap
And play video games and cuddle
And organize Pokémon cards
In the middle of a thunderstorm
With the rain beating at the windows
I miss ignoring the world outside
I hate that you’re outside and miles away
And I hate that you could never be happy here
And I am so happy for you
It hurts all the time
So I am listening to your favorite songs
To lull myself into your dreams
And piece together a broken heart
Torn apart by the distance
Between what we both need
And what I can try to love
I can love you far away
I can listen to your favorite songs
Without becoming a sad poem
I love you
i hate it when i cant even write a poem about something because its too obvious. like in the airbnb i was at i guess it used to be a kids room cause you could see the imprint of one little glow in the dark star that had been missed and painted over in landlord white. like that's a poem already what's the point
you get it. you get the themes. i dont have time to do it justice. just look at it its on the ceiling
A little advice from someone studying extremist groups: if you’re in a social media environment where the daily ubiquitous message is that you have no hope of any kind of future and you can’t possibly achieve anything without a violent overthrow of society, you’re being radicalized, and not in the good way.
If the solution to your problems sounds like “we need a blank slate” it’s a lie. There are no blank slates, and the closest approximation people can generally imagine is “burn it all down and let God/fate/history sort it out”.
That’s not problem solving. It’s barely catharsis, in practice. It doesn’t just create more problems than it solves, it destroys more solutions than it creates.
Put the apocalypse down, and back away slowly.
Real solutions to complex, systemic problems are not so easily reduced to “us good, them evil; kill them.”
[image transcript:
Voting as Fire Extinguisher
When the haunted house catches fire: a moment of indecision.
The house was, after all, built on bones, and blood, and bad intentions.
Everyone who enters the house feels that overwhelming dread, the evil that perhaps only fire can purge.
It’s tempting to just let it burn.
And then I remember:
there are children inside.
—Kyle Tran Myhre. end id]
“Trapped”
Stone Butch Blues - Leslie Feinberg
@/lilboyblueish on Instagram
Poem by Keaton St. James (@boykeats)
I/Me/Myself - Will Wood
We Both Laughed In Pleasure by Lou Sullivan
cis people asking cis questions by Silas Denver Melvin (@sweatermuppet)
Tomboy Survival Guide by Ivan Coyote