confessions from a writer part 1
Sometimes I am too paralyzed to write even though I have the story in my head. It's really hard sometimes to get words onto the page. It's like fear is blocking me, and majority of the time it is.
Claire Keane
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@inksmudgedlife
confessions from a writer part 1
Sometimes I am too paralyzed to write even though I have the story in my head. It's really hard sometimes to get words onto the page. It's like fear is blocking me, and majority of the time it is.
Writing villains people actually fear (and remember)
It’s not about darkness. It’s about precision.
1. Give them a contradiction. Villains are scariest when they’re almost human. “He always apologised before hurting someone.”
2. Let them think they’re right. No moustache twirling — just conviction. “I’m not saving the world. I’m correcting it.”
3. Give them a normal habit that becomes unsettling. • humming off-key • straightening objects mid-argument • collecting people’s abandoned pens
4. Make their kindness selective. Kind to dogs. Cruel to friends. Kind to children. Absent to their own.
5. Make their presence change a room. Not with theatrics — with tone. “The laughter thinned when he stepped inside.”
How to make antagonists who aren’t evil (but still hurt you)
Some of the best antagonists are just… people.
1. Give them the same goal as the hero — different methods. Hero wants peace. Antagonist wants peace. Hero uses unity; antagonist uses control.
2. Let the antagonist be right sometimes. That stings.
3. Make the hero almost agree with them. “You’re not wrong,” she admitted. “But you’re not right either.”
4. Show glimpses of softness. “He tucked the child’s drawing into his coat.”
5. Let them break their own rules. Instant complexity.
Welcome to my Scribbles!
I've decided to go with inksmudgedlife.
I don't know exactly how I will use this tumblr platform, but I am curious to see where this goes.
I enjoy writing Dark Fantasy Romance and hope you all enjoy my writing and scribbles here at Inksmudgedlife Hub Center.
probably daydreaming, --I.S.
ultimate character development template
basics
name: meaning of name: nicknames/titles: age: gender: location: birthday: strengths + example where it's shown: weaknesses + example where it's shown: how it affects others:
emotional depth
attachment style + how it manifests in the story: physical fear: emotional/abstract fear: happy memory: sad memory: object of significance: philosophical outlook/belief: what characters are ignorant about themselves: how confident are they: goal: long-term dreams: what they're embarrassed/ashamed to tell others about: regrets: source of pride: source of misery: what they admire above all else: do they believe in fate:
personality
mbti: enneagram: big five: character archetype: star sign: who they pretend to be on the outside: who they actually are/how they feel towards the mask: mental health conditions: how it manifests for them: iq: eq: humour: reputation:
habits
bad habits: mannerisms when stressed: mannerisms when content: mannerisms when scared: mannerisms normally: verbal mannerisms/distinctive speaking style: how do they move across a room: what do they say and what remains unsaid: how they express love: hobbies:
appearance
defining features: eye shape + colour: hair texture + colour: skin texture + tone: vibe: height: build: clothing: any bodily disfigurement (scars, etc.): overall attractiveness: their opinion on their appearance: appeals to:
relationships
who they trust most: what they wish they could do for them: what's holding them back: who they hate most: what they wish they could do to them: what's holding them back: relationship with the protagonist: relationship with the antagonist: siblings: relationship with them: parents/step-parents: relationship with them: previous broken relationships: why did it break: what others expect of them: who believes in them: their mentor character/who they look up to: political/religious/other affiliations: what makes them different from every other character: non-human relationships + why: romantic "type" + why: relationship dynamics:
backstory/background
primary emotion towards their past: primary feelings while in their past: where did they grow up: defining incidents: earliest childhood memory: saddest memory: happiest memory: major accomplishments: their opinion on it: notable people in their backstory: effect on them today: trauma: what have they already lost: financial circumstance:
progression
why are they important (eg. why're they the only one able to do something?): what do they learn about themselves throughout the story: what do they learn about the world: how do they feel towards their newfound knowledge: character arc (positive, negative, neutral): how relationships change because of their actions: what mistakes do they make: what scene is their character highlighted: do they get what they want: why or why not: what happens to them after the story ends:
5 Writer Myths
Writer Myth #1- Writer’s need to be naturally talented. While this can play a little into the role of a writer having natural talent, this is not entirely true. Anyone can be a writer, it just takes time, dedication, and learning the craft. It comes down to passion, hard work, practice and persistence. False. It’s dedication, learning your craft, and having the passion to storytelling that…
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dialogue prompts for ~injury~
!!please credit/tag me!!
“Shit. Shit, shit, shit, c’mere.”
“Someone get the medic. Get the medic!”
“Hey, hey, shhhh. Shhhh. You’re okay.”
“You did so good. Don’t worry, you-you did so good.”
“Here, lean on me. I can carry you.”
“We’re gonna fix you up, brand new. I promise.”
“No. No, stop. Stop talking like that. You’re gonna be fine.”
“Okay. Okay, here’s what we’re gonna do—fuck.”
“I know, I know it hurts.”
"I don't care. I'm not leaving you."
“I’m going to lift you up, okay? Tell me if it hurts.”
“Where are they? Where are they?!”
"I would believe that you're fine, but you have a goddamn knife sticking out of your leg, so."
"You just watched them die."
"This is going to hurt, okay?"
"God, I'm so sorry, it'll be over soon, I promise."
"How many fingers am I holding up? ... I don't have six fingers."
"Stop. No. Wake up. Wake up! I said wake up!"
"I came as soon as I heard."
“Get away! You’re hurting them!”
“Please be okay. Please be okay, please be okay—”
“Shit. Shit, that’s a lot of blood.”
“You dumbass. Don’t do that. Ever again.”
"Help them! Please!"
"You scared us all back there. I... Including me."
"[name]? [name], this isn't funny. Stop... please..."
"Breathe... breathe. Look at the stars, kid."
"It was supposed to be me... please, no, [name], please..."
"Tell me where it hurts, and be specific."
“You’ll be fine.” *silence* “You’ll be fine. Hey! Wake up! Please. Please wake up…”
“I’m sorry. I’m so sorry.”
Prompts between chapters?? Prompts between chapters!
(TMNT, any variation!)
a list of 100+ buildings to put in your fantasy town
academy
adventurer's guild
alchemist
apiary
apothecary
aquarium
armory
art gallery
bakery
bank
barber
barracks
bathhouse
blacksmith
boathouse
book store
bookbinder
botanical garden
brothel
butcher
carpenter
cartographer
casino
castle
cobbler
coffee shop
council chamber
court house
crypt for the noble family
reblog if you’ve read fanfictions that are more professional, better written than some actual novels. I’m trying to see something
But you saved me!
The X-Files (1998) directed by Rob Bowman; story by  Chris Carter & Frank Spotnitz; screenplay by  Chris Carter