Let me guess, you take it black?
No glasses version :))
I adore her so much,,,,,,,,,,
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@isaac-tettares
Let me guess, you take it black?
No glasses version :))
I adore her so much,,,,,,,,,,
rotating john gaius in my head and how he is both a coloniser and a victim of colonisation and how, when presented with the opportunity to rebuild all of society from the ground-up, chose not to model it after his own oppressed culture, but instead after an aesthetic VERY CLOSELY ASSOCIATED WITH WHITE SUPREMACY (neoclassicism), and how his daughter is the only thing in his entire, expansive empire that he named in his language in ten thousand years, and how he perpetuates the cycle he himself was a victim of. tearing my hair out tazmuir WHEN I GET YOU
Note: I’m writing this only because I haven’t seen anyone else touch on these specific points. I’m not Māori, so my understanding may be mistaken; if so I would be very grateful for correction and elaboration from tangata whenua. (And I’ve only read Nona once so far, and we all know that’s a scratch upon the surface of it.)
Tazmuir has received fandom flack for saying in interviews that Gideon and Harrow are both Māori without mentioning it in the text — which understandably reminds sf/f readers of a certain other author’s tendency to dispose of the difficult bits outside the actual work. I think it is clear by now that the reason it wasn’t dealt with explicitly earlier on is that Tazmuir sticks religiously (ahem) to the flawed and limited knowledge of her point-of-view characters, and in the Nine Houses they have no concept of pre-Resurrection races and ethnicities, because Jod has not allowed them knowledge of any world but his. (Besides, explaining Gideon’s lineage in a Doylist aside would have been rather tricky without revealing, before their proper time in the narrative, juicy details about Jod himself.)
My prediction is that we will find out Anastasia was also Māori. Maybe, probably, from the same iwi as Jod and/or G1deon.
Which makes Harrow, her last descendent, Māori as well.
No matter how many generations separate them. No matter how much other blood.
“Mixed Māori” or “[percentage] Māori” is kind of a pākehā concept. The more important question is, do you whakapapa? Do you know who you are? Do you know where you come from? All it takes is one verified ancestor and you’re in the club, no matter how long it’s been or what brand of egg carton your skin looks like on the book cover. I think Harrow is descended not just from a line of Tomb-keepers but a line of kaitiaki, guardians of the land, who through Anastasia’s private pact with Alecto are sworn to protect her — Papatūānuku, the earth mother born from salt water — and who have been holding on for ten thousand years to right Jod’s wrongs. We know salt water is sacred to the line of the Ninth House; we know that Alecto was called “the saltwater creature”; we know that it’s Nona’s natural element, which calms and renews her; all this links Alecto/Earth specifically with Māori creation myths, more than any others. And we know that preserving the ancient bloodline of the Ninth, Anastasia’s bloodline, in Harrow’s own improbable and desperately yearned-for person (that Alecto can recognise at a taste), was the goal Pelleamena and Priamhark pursued at the cost of the Ninth House’s entire future.
Yes, this series is portraying an indigenous man as the destroyer of Earth. We know that Earth chose him as her saviour and he betrayed her, imprisoned her, set himself up as master of an empire that was her antithesis, then imprisoned her again — arguably worse sins for someone who was born into that special relationship with the land, whom the Earth loved and trusted so much and still loves even now because love past understanding is her gift.
But here’s the answer to that. Here’s his opposite number. Harrow, who fell in love at first sight with the Earth, who found in that love her reason and her drive to continue living and to hold to her goals through intolerable trauma, who has a unique combination of bloodline and genius and Jod-and-Alecto-derived power (through her Lyctorhood with Kiriona Gaia, wherever that ends up going) with which to fulfill this sacred pact entered into by her tipuna Anastasia.
Harrow being Māori is not a trendy convenient afterthought. It’s an integral point.
Harrow knows who she is. She knows where she comes from. She knows where she’s going: Hell itself, to get to the bottom of all this shit. So I think we will be hearing more along these lines.
i don’t have a ton to add to this other than i agree with it completely as a north american indigenous person. i can’t see the thematic threads of divinity, creation stories, life and death, and exploitation/consumption being resolved in this series without a deeper (if still somewhat oblique) dive into māori cosmology and values. john and alecto are the only links that our characters currently have to the earth, after all, so it makes sense that earth indigeneity first becomes relevant through john and alecto/nona in NTN and (we can expect) in ATN before harrow and gideon can form any sort of māori identity.
also, while doing some research into the aforementioned māori cosmology, i found it veeeery interesting that the te reo māori word for “land” and “placenta” is the same: whenua. i’m not saying that this specifically will come up in ATN, but i see it as further evidence that the emphasis on harrow’s conception, the anastasian bloodline, and her connection to alecto/papatūānuku are also thematically connected to māori-ness, as you said. consider also the need for necromancers to have dirt from their home planet with them when they travel in space, and the practice common among indigenous cultures (including māori) of burying the placenta.
#tlt#nothing about these characters or their powers can exist without earth#and yet they have been artificially separated from her#and her importance/nature to them has been obfuscated#harrow will find divinity in alecto/the earth and share that knowlege with the nine houses#it is her true birthright (via @indiedadrock)
Beautiful tags! And how interesting about the dual meaning of “whenua”: I didn’t know that.
It was a surprise to see my old post making the rounds again, but a year and a half on I still think these themes give us a glimpse of the likely shape of TLT’s endgame. To me, this ten-thousand-year alienation of humanity from the planet that give them birth, from their full and rich cultural history, from Earth’s own divine feminine soul — this sundering that Jod perpetuates even though he was damaged by it first — feels like a) part of the central tragedy of the series, and b) another cycle of violence and sterility that’s ripe for breaking in book four.
I think like most Māori in the 21st century John is probably of mixed race (for all we know, Nana might have been pākehā); he reads like someone who either chose, or had the choice made for him in childhood, to trade away the indigenous side of his heritage for success on the coloniser’s terms. He is thus so estranged from the culture of his Māori ancestors — so fully transformed into a Dilworth boy, an Oxford man, a scientist — that when seeking to the limits of his imagination for the acme of feminine beauty, the touchstones he draws upon are Greek mythology, Renaissance angels, and that fantastic plastic capitalist totem, the Barbie doll. Building a new society in Earth’s ashes, where does he get his inspiration? Catholicism. The Roman Empire. The voracious and colonising West.
Because that’s all he had to work with, isn’t it? It’s all, too, that he allows to his worshippers. Despite having, as Tazmuir put it, “an uneasy relationship himself to playing a Biblical patriarch, John falls back on hierarchies and roles because they’re familiar”. He goes all-in on his Catholicism 2.0, anointing himself infallible, suppressing knowledge of “lesser” cultures, and chaining up Papatūānuku in a cave on fucking Pluto. Somebody put a sword through that man’s chest. Oh wait.
Harrow and Gideon are not less Māori for having been denied that part of their heritage, and I really hope that when Alecto is restored and the children of the Ninth House recognise a different divine, they’ll get to claim it. Something perhaps all the more precious for having been long lost.
random gid and jodybeth (first time drawing them)
i still think about them…
Griddle 🧡
What if we were made to be weapons used on opposing ends of a battle. What if we were made twisted and wrong and unable to just die. What if we had a homoerotic, integral, lifelong hatred of each other. And what if we kissed about it and we were both girls??
I haven’t seen a lot of people talk about this, but I have thoughts about Immaculate conception and how that related to The Locked Tomb
So in catholic tradition, the immaculate conception is very different from the miraculous conception. The immaculate conception is the Virgin Mary’s conception as a being free from sin, verses Jesus’s miraculous conception as a virgin birth.
Now clearly, Gideon is our Jesus analogue, and her conception was a miracle. She was conceived to be a bomb and wasn’t meant to survive past infancy. She was meant to be conceived through Mercy’s eggs fertilized through Jod’s DNA, but all of that failed. Gideon wasn’t supposed to happen.
Now I’m my opinion, we see the immaculate conception in two different places. We see it in Wake, our Virgin Mary analogue, who is not House and thus was born without necromancy, ie “free from sin.” But I also believed we see it in Harrow, as a corruption of the immaculate conception. Rather than being born free from sin, she is a war crime. She is an incredibly powerful necromancer and is practically sin incarnate in her conception, as she was made though the death of 200 innocent children. As such, one could make an argument that she is a reverse mother in an inverted Holy Trinity, with Jod as God and Alecto as the Holy Spirit.
Personally, I still see Harrow more as an analogue for Mary Magdalena. However, we can’t just ignore her immaculate conception either. She has a bit of both Mary’s in her.
They’re so Orpheus and Eurydice. But like. If Eurydice went willingly down so Orpheus could live, and Orpheus gouged out his eyes so he wouldn’t fail.
Partially inspired by this post and, you know, everything i love being orpheus and eurydice in some way
Just wanna take a moment of appreciation for what I saw at my local Barnes & Noble today
mama a Body behind you 😰 // pt1/pt2/pt3
69 + personal delulu
the locked tomb series is really like. maybe love doesn't conquer all. maybe love is not pure and good and holy. maybe love is not a white dove come to save you from yourself. maybe it won't fix you. maybe it'll make everything worse. maybe love is dirty and ugly and terrifying and awful. maybe it'll kill you. maybe it'll warp you into something unrecognizable. maybe love is a parasite and by the time you realize it's there, it's too late to tear it out of you, no matter how badly you might want to. maybe it's a cordiceps fungus, tangled up in your nerves, making you do things you'd never ordinarily do. maybe love is a dog with its jaw locked on your arm. maybe love is an angry ghost. maybe love is a brain hemorrhage, a seizure, two weeks of sleeplessness and cracking open your own tibia unanesthetized in a bathroom. maybe it's the ocean you'll drown in. maybe it's poison. maybe it's scary and filthy and difficult and bad for you.
so what now? are you going to stop? are you even going to try?
no. of course you aren't.
Love's already got a hold of you, might as well lean into it as hard as possible.
some harrowhark fanart i'm proud of
Ortus told Harrow his biggest regret was that, instead of learning how to fight and protect her, he hid away and wrote poetry. But, in the end, it was his devotion to poetry that saved her?! That is a powerful fucking message about the importance of learning how to be yourself, instead of trying to be the person you think you should be.
john 1:20 - “ he did not fail to confess, but confessed freely, ‘i am not the messiah.’ ”
something* about monks and knights, if you catch my drift
*the potential of this dynamic specifically is off the fucking charts. the repression. the eroticism. the devotion. the transgression OF the devotion. did I mention the eroticism yet
The Manly Priest: Clerical Celibacy, Masculinity, and Reform in England and Normandy, 1066-1300, Jennifer D. Thibodeaux
Homosexuality in the Renaissance: Behavior, Identity, and Artistic Expression, James M. Saslow
Knighthood, Compulsory Heterosexuality, and Sodomy, Ruth Mazo Karras
The Meaning of Courtly Love, Francis X. Newman