trying on a metaphor
i don't do bad sauce passes
we're not kids anymore.
dirt enthusiast

Discoholic 🪩
Sweet Seals For You, Always
Claire Keane
DEAR READER

Origami Around

No title available

No title available

❣ Chile in a Photography ❣
No title available

Kaledo Art
tumblr dot com
I'd rather be in outer space 🛸

JVL

Andulka
cherry valley forever
Xuebing Du
seen from Russia

seen from Chile
seen from Germany
seen from Türkiye
seen from China
seen from Türkiye

seen from United States

seen from United States
seen from Malaysia

seen from United Kingdom
seen from United States

seen from United States
seen from United Kingdom
seen from Malaysia
seen from Germany

seen from United States

seen from Singapore

seen from T1

seen from United States
seen from United States
@iscaro
Jong Sook Kim: ‘Artificial Landscape’ (2020)
i still draw sometimes
“What’s New York like”
Me:
“It’s the nation that does not permit you to live.”
Death by Hanging (1968), dir. Nagisa Ōshima
yoshimoto nara
Rare Photos of Black Rosie the Riveters
During World War II, 600,000 African-American women entered the wartime workforce. Previously, black women’s work in the United States was largely limited to domestic service and agricultural work, and wartime industries meant new and better-paying opportunities – if they made it through the hiring process, that is. White women were the targets of the U.S. government’s propaganda efforts, as embodied in the lasting and lauded image of Rosie the Riveter.Though largely ignored in America’s popular history of World War II, black women’s important contributions in World War II factories, which weren’t always so welcoming, are stunningly captured in these comparably rare snapshots of black Rosie the Riveters.
Jigokudou Reikai Tsuushin (Jun’ichi Sato, 1996)
im alive
Tokyo Vampire Hotel 2017 ’ 東京ヴァンパイアホテル ’ Directed by Sion Sono