official daine visual archive

roma★

titsay
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Noah Kahan
Keni
RMH
🪼
I'd rather be in outer space 🛸

Andulka
Sweet Seals For You, Always
Monterey Bay Aquarium
Today's Document
ojovivo
No title available
almost home
Misplaced Lens Cap
Claire Keane
Cosimo Galluzzi
todays bird
seen from United States
seen from Romania
seen from United States
seen from United States
seen from United Kingdom
seen from Canada

seen from Indonesia
seen from Netherlands

seen from United States

seen from Türkiye

seen from United States
seen from Bangladesh
seen from Canada

seen from China
seen from Australia
seen from United States
seen from United Kingdom

seen from United States
seen from United States

seen from Mexico
@iscaro
Jong Sook Kim: ‘Artificial Landscape’ (2020)
i still draw sometimes
“What’s New York like”
Me:
“It’s the nation that does not permit you to live.”
Death by Hanging (1968), dir. Nagisa Ōshima
yoshimoto nara
Rare Photos of Black Rosie the Riveters
During World War II, 600,000 African-American women entered the wartime workforce. Previously, black women’s work in the United States was largely limited to domestic service and agricultural work, and wartime industries meant new and better-paying opportunities – if they made it through the hiring process, that is. White women were the targets of the U.S. government’s propaganda efforts, as embodied in the lasting and lauded image of Rosie the Riveter.Though largely ignored in America’s popular history of World War II, black women’s important contributions in World War II factories, which weren’t always so welcoming, are stunningly captured in these comparably rare snapshots of black Rosie the Riveters.
Jigokudou Reikai Tsuushin (Jun’ichi Sato, 1996)
im alive