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YOU ARE THE REASON

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@isishoney
The fact that anti-abortion laws and anti-transgender laws are both being implemented en masse, at the *same* time, by the *same* people (who, it hardly needs to be remarked, are overwhelmingly neither women nor transgender) should be enough to convince any reasonable person that the narrative of conflict between and women's and transgender is, first and foremost, a divide-and-conquer strategy by the far right.
Your survival is our survival. Our survival is your survival. Anyone who says different is a fed.
I think there’s quite a big difference between a woman getting an abortion and a teenage girl being sterilised and having a double mastectomy.
Women’s rights and trans issues are not comparable and are often in opposition.
Fuck off, Collaborator.
It's interesting that there are people that understand that the right lies constantly about abortion but think they tell the truth about trans people.
Also, hey, let's walk with this totally bad faith argument for a second. What IS different about a teen girl choosing to get an abortion, and a teen girl choosing to get a tubal ligation and a mastectomy? Are you saying that teenage girls who know that they will never want children should be forced to preserve their fertility anyway? Are you saying that teenage girls with severe back pain or the BRCA gene need to preserve their feminine breasts and be aesthetically pleasing to others, even at the expense of their own health? I mean, they're just too young to be making medical decisions which might make them less fertile or sexual desirable, right? What if they regret it???
And hey, you know, the same worry that teen girls might regret these things is true for adult women, too. Maybe we should make them wait until they're married, in case their future husband disapproves. Maybe we should make them wait until they've had kids - what if she regrets it and wants children? what if she regrets it and wants to breast feed? what if her stupid little woman brain hasn't thought this through and correctly pinned her entire self-worth and value as a person on her ability to act as a sex object and baby incubator? what then???
Trans men aren't women, and infantilizing them as poor helpless girls is obviously transphobic. But in addition to that, even if we were to buy into the central transphobic premise here, the conclusions would still be sexist as hell. Let's say that there are no trans men. Let's pretend for the sake of argument that trans men simply don't exist. Infantilizing teen girls out of being able to make their own medical decisions isn't feminist either.
If you're categorically against teen girls being able to choose to get a tubal ligation and a mastectomy, I have an awful lot of trouble believing that you're actually pro-choice. Pro-choice doesn't mean "women should have bodily autonomy just as long as they do the things I want". Pro-choice means pro-fucking-choice. You can't sing female empowerment and bodily autonomy out of one side of your mouth, while sticking your tongue out to lick the boot of the patriarchy on the other.
Let’s also note here that by “teen girl” they mean “eighteen or nineteen years old”. Or in other words: legally adult, and therefore (supposedly) allowed to make their own choices about their own bodies.
Trans people are people and deserve human rights. But also this is the same fight! I am a cis woman who never intends to use my uterus. They want to define everyone by their body parts. I am not a breeding mare and I want other people to have the same choice about their bodies (and who they are) that I should have!
In life you have 2 choices. U can lean with it or U can rock with it.
Hairspray and the Shape of Water both take place in circa 1962 Baltimore and I absolutely think of the events of the two happening simultaneously
♪ Good morning Baltimore! There’s the fish man who lives next door. There’s the lady who rides the bus. I think they’re boning but I won’t judge. Good morning Baaaaaaaaltimore…. ♪
Christopher Nolan almost allows colors into his mythical epic shot on 70mm IMAX film. thank god they stopped filming in time.
I kept forgetting my nighttime antidepressant so I set an alarm where the sound was a recording of me saying "HEY. TAKE YOUR FUCKING PILL" because I thought it would be funny. It was funny about three times, and then it started making me mad and I'd dismiss it right away to make it stop. So I handed my phone to my partner, who made another recording sweetly saying "Okay Shira, it's time to take your medication" and now I don't get mad anymore and I take my pill. The "compassion over punishment" camp has gotta get something wrong one of these days
Hairspray and the Shape of Water both take place in circa 1962 Baltimore and I absolutely think of the events of the two happening simultaneously
♪ Good morning Baltimore! There’s the fish man who lives next door. There’s the lady who rides the bus. I think they’re boning but I won’t judge. Good morning Baaaaaaaaltimore…. ♪
I’m getting ads telling me to replace live porch flowers with plastic ones because the plastic ones don’t die and buddy I can tell you from personal experience that those flowers will fade until they look like they’ve achieved a new kind of death
❤️🧡💛💚💙💜💖
❤️🧡💛💚💙💜💖
I still like the term parental unit that we used to use as a joke in middle school and high school. Did everyone else do that or was it just a my social circles thing?
Anyways telling the kids to go collect their parental units at the end of an event is a) funny b) gender neutral and c) just refers to the person currently doing your parenting
Also if you’re on joking terms with your parents “greetings, child” “greetings, parental unit” is a top tier greeting. Makes you sound like robot aliens.
"im not saying feminism is for everyone but-" the fuck? well im saying that. feminism is for everyone. yes even cishet men will benefit from feminism and cishet men should be feminists because cishet men are indeed harmed by the patriarchy; nowhere near to the extent that women are, but having a culture that is fully equal and anti-misogynist benefits everyone. have we forgotten that lifting up the disenfranchised people in society helps all of us as a collective? "im not saying that universal and unalienable human rights are for everyone but-" YES THE FUCK THEY ARE LOL
I love getting unaccompanied minors (kids flying alone) who so clearly just. Don't want to be here lol. Sometimes I get to know a little of their story, like their parents are divorced, or a family member died and they're heading to the funeral, but usually they just don't want to talk about it and that's fine. But I always treat the flight like it's a challenge to make them smile. I offer them snacks and soda but that's never enough, that's whatever, they could get those from an airport vending machine. Chump change. So then I tell the worst jokes. Just the most embarrassing, kindergarten teacher, annoying dad jokes you can think of. And those always get a groan, or a "Seriously??" And that's my in! Now I can say "Why, what's your idea of a good joke? No, come on hotshot, make your best joke, let's see it." And they hem and they haw but of course they eventually tell me their very best joke because kids are little competitive comedy goldmines. And it's always super funny, so I laugh, and that's where they slip up. Because you know what you almost always do when your joke successfully makes someone laugh? You smile. And I'm like. Gotcha. Rookie move. Now you're going to end up having a good time in spite of yourself. I win.
Did this with an 11yo u.m. today and he said "What did the ghost say to the other ghost?" And I said "What?" "Nothing. Ghosts aren't real."
I'm literally a flight attendant, offering snacks and drinks is my job
one of my favorite this american life segments of late is about the people who played orchestra pit for phantom of the opera on broadway and how, like, a sizeable majority of them had literally been playing the show since it opened in 1988 (on broadway. I know it opened in 86 on the west end, you random pedants, but I am specifically talking about broadway musicians) because their contracts stipulated that they'd have jobs throughout the show's entire run... but nobody anticipated that phantom would become the longest-running broadway show of all time.
and none of these people wanted to walk away from a guaranteed job, so very few of them ever quit. they just kept doing the same show eight nights a week... for twenty or thirty years... and by the time it finally closed last year most of these musicians (who had been working together for DECADES) hated each other and really really fucking loathed phantom. I can't stop thinking about it. it's indescribably hellish to imagine but also the funniest thing I've ever heard in my life.
can you imagine.
[ID: excerpt from an article reading: One of my favorite stories, which should drive anyone who has every played in a band crazy-- there’s this bassoon player who has sat next to the same clarinet player since 1988. She’s convinced he plays half a note4 flat on every note he’s every played. He denies this. /]
Here's the link to the full transcript. An absolute goldmine. The section on Phantom of the Opera starts in Act 2.
Reblog this photo of a käpylehmä to have a käpylehmä in your blog
It's a trick! If you reblog you get TWO käpylehmäs in your blog!
They're traditional Finnish toys, little cows made out of spruce cones, on their way to see the world from one tumblr blog to another
that's less terrifying than pinecones with cordyceps, which is what I first thought I was looking at
judy grahn, from another mother tongue: gay words, gay worlds, 1984
["1974, We Were Five Dykes
The year was 1974. We were five dykes, living in an all-women's household. We were highly visible and vocal Lesbian feminist organizers, a little grungy and eccentric in jackets and baggy pants, for we did not have a stake in what we looked like. We had started the first women's bookstore, the first women's collective press for publishing books, and a newspaper. Occupationally, we were a carpenter-mechanic-accountant, a copy editor, a printer-poet, an electronics assembler, and a printer-artist. One day a woman came into the bookstore begging us for help. Her boyfriend, she said, was trying to kill her and she did not want to see him anymore. She was afraid to tell her friends because he would tell them she was a whore. So he had beaten her up. He called her on the phone day and night to threaten and terrify her; he banged on her door in the middle of the night, and only that morning in broad daylight he had thrown a crowbar through her front door, which happened to be made of glass. And he had sworn he was coming in to get her. She spent hours cowering on the floor at the back of her apartment. The police had told her they couldn't— or wouldn't— do anything. They advised her to move.
"I don't want to move," she raged. "I love my apartment. Why should I move? He's the one who's in the wrong. Besides, he could just follow me home from work and start it all over again." We agreed. And we agreed to help. But, we told her, "You will have to help, too."
That evening we went to her house, which had many windows and was as filled with lively plants as a hothouse garden. "We are starting a vigil here," we told her. "One or two of us will stay with you until the problem is solved."
She smiled gratefully. We did not smile in return.
"What are you doing to defend yourself?" we asked. She did not know.
"What do you want us to do to stop him?" we asked.
"Kill him," she said.
"No, no," we replied. "But you must protect yourself from direct physical attack and learn to feel safe in your house." We located hammers, umbrellas, heavy dictionaries, flowerpots, bricks, sticks, and the like, and arranged them strategically around the house, showing her what to do with them. We talked a lot to each other about guns, knives, karate. We got her to agree to tell some of her friends about what was happening and to keep their numbers near her phone for emergencies.
Then we talked among ourselves about what plan of action to take, loud enough so she could hear there were a thousand alternatives to the drastic, essentially passive reaction "kill him." She went into the kitchen, returning with cookies and brownies. "I baked these for you," she said, smiling at us as though we were football heroes. We ignored her cookies.
"Why do you wear such helpless clothes?" we asked. "How can you run or kick in those shoes, that tight skirt?" She didn't know. "The police aren't going to help you," we said. "And for the most part neither are your friends. And you can't expect us to stay with you forever. We're not your personal bodyguards. You have to learn to defend yourself." She changed her clothes and began to pay attention to our plans. We asked questions about her boyfriend's habits. What does he value, we asked, his car, his motorcycle? Where does he work, where does his wife work, where do they live? Are his parents in town? Where do you think he is most vulnerable? We made a plan, one, two, three, four. First, we would talk to him; if that didn't work then we would contact his wife, go see her if necessary, then his boss; if none of these tactics worked, we would go wreck his car."]
Had to know the end of this story. Turns out it was on Internet Archive!