Lance: I’m kind of crushing on someone, and I’m worried about telling you because you might not like it
Matt: Just rip the band aid off
Lance: It’s Pidge
Matt: Put the band aid back on
DEAR READER
h
Sweet Seals For You, Always
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Sade Olutola

#extradirty
$LAYYYTER
YOU ARE THE REASON

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pixel skylines
KIROKAZE
wallacepolsom

roma★
Jules of Nature
Peter Solarz
Aqua Utopia|海の底で記憶を紡ぐ

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NASA
"I'm Dorothy Gale from Kansas"
we're not kids anymore.

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@itskiliann
Lance: I’m kind of crushing on someone, and I’m worried about telling you because you might not like it
Matt: Just rip the band aid off
Lance: It’s Pidge
Matt: Put the band aid back on
lol shout-out to the five people who boosted ‘tis the damn season from 666 hits yesterday in time for Easter
finally have a title for my wip
i know there are approximately like... three people who even care. but. current Voltron wip has a title!!
I’m about 6k into Whiskey Tango Quebec!!
plot is remaining under wraps for now, but I hope there are some people out there ready for the equivalent of a Harry Potter 8th year fic at the Garrison! military academy shenanigans will abound. :)
An Archive of Our Own, a project of the Organization for Transformative Works
‘tis the damn season | lance/pidge (katie holt)
“So, yeah—to get you in, I might need to tell the people at the door we’re together. Is that cool with you?”
The annual Altech Christmas Party is hosted at the Altea Estate, one of the most high-tech mansions in the world—and Lance has offered to sneak Pidge in to look around. The catch? Employees are only allowed to bring spouses or fiancés, and Pidge will have to play the part to get in the door. Not a problem.
(The real question is whether she can stop once they're inside.)
In an effort to try and impress Pidge, Lance gets a lesson in science from Colleen.
Nothing to see here.
Just watering some Plance.
💦💚🌱💙
Share some of your favorite screenshots if you would like! 😉
“Oh ThEy BaReLy InTeRaCt”
lance and pidge vs. each other’s personal space
why tf am i reblogging this im 2021
This seems pretty spot on 🤣
@revasnaslan
Bingo Card for Rarepair Fic Writers
AU where I get off my damn bed and go do my chores
Would read 50 chapters.
Not, y’know, actually get out of bed and DO the chores. But would read about them getting done. And sigh wistfully.
You know what, that is a good point. Instead of doing my chores, I will tell myself I am going to write a 50 chapter fic of myself doing my chores and then inevitably I'll procrastinate writing by actually doing my fucking chores
IT FUCKING WORKED! I opened a blank document and wrote one sentence and then just said fuck it and went to do my chores instead!
I feel like I've hacked into the mainframe
sir that’s my emotional support animated children’s show with shockingly impeccable themes
tonight’s twitter discourse:
this thread (all their takes after the initial tweet are bad too)
https://twitter.com/benedict_rs/status/1349954211358924800
i don’t know if they wanted to become a more popular writer or podcaster but they’re getting ratioed by the minute.
i’ve been finding new authors to follow by digging in the quote-retweets
The best part of this this thread is watching the OP desperately trying to ignore all the award-winning authors showing up to patiently explain why she’s wrong.
The best part after that is knowing that she runs a podcast telling people how to be better writers and has just alienated at least half her potential listeners and guests.
The part that hurts my head most is someone with a (small) handful of short-story (and one novella?) writing credits to her name claiming the right to run a podcast telling other people how to write.
I did not have time to wade into this fight again, at least in part because anyone coming to Twitter with this “hot take” in 2021 has already decided not to read or pay attention to any of the people who have already said very smart things on the topic.
In case anyone isn’t completely convinced: This is not how learning works, and definitely not how learning to write works holy shit.
There are a number of specific skills that fanfiction cannot teach you. Introducing and establishing character tends to be one of those; with fanfiction you’re typically working with already established characters with established characterization, whereas in original fiction you have to do the establishing yourself.
There’s also worldbuilding, and if you want to write fantasy, worldbuilding is important.
And so on and so on.
But.
You do not become a worse writer by writing imperfect stories. Any variation on “writing can make you a worse writer” is, without exaggeration, the worst possible writing advice, because 90% of getting better at writing is literally the exact opposite, which is writing insane amounts of whatever shit you can scoop out of your brain until you’re getting carpal tunnel in your dreams.
Of course, this is not even getting into the things that fanfiction does a better job at teaching you than whatever is considered to be Real Writing:
Time management and deadlines. Most fanfic writers update their stories chapter-by-chapter in a serial manner, which means they’re not only beholden to other people (which is itself something writers need to learn to adjust to), they’re also learning to work more-or-less regularly.
Relationship dynamics. Fanfic is typically very centered on relationships and the development of those relationships between characters and their interactions. I mention this because so much original fiction (obviously not all! but too much) is so ABYSMALLY bad at showing that two characters like or care about each other.
On that note: TROPES. The fact that fanfic has popularized specific terminology for the tropes that occur within a story is fantastic, because the fact that fanfic writers can identify a “found family” relationship dynamic means that those writers are aware of what they’re trying to do, what is effective and appealing about it, and what elements go into it. This is, again, obviously not a broad universal statement, but many original fiction writers don’t appear to purposefully use tropes or understand what they’re trying to accomplish with them. Original fiction teaches you to fashion characters, worldbuilding, and events, and even though there are general rules to what produces a good story, they’re just that…general rules. Most of the technical knowledge of fiction writing that is like…taught in creative writing classes does not classify by function.
what I’m getting at is, there’s knowing what an antihero is, and there’s understanding what about an angsty self-destructive sadboy pushes all the right buttons in you, whether those are catharsis, trauma processing, the fantasy of being deemed deserving of love despite hating oneself and pushing others away, the projection of future healing and ability to change, or just “what if I made all the bad, self-destructive choices that I’m glad I didn’t make?”
still more of a continuation of the last point but fanfic is a LOT more in tune with how specific stories fulfill specific emotional needs in people, and this makes complete sense because fanfic more or less exists because the source material leaves those things unfulfilled. Sure, fanfiction is often more about scratching an emotional itch than developing a grand, complex story, but that’s not a bad thing for developing storytelling skills. I think it’s great that writers are starting out with the understanding that resolving the main plot doesn’t necessarily mean a full emotional resolution to the story, and that leaving the reader satisfied emotionally is important. Seriously. So many awful endings are awful specifically because they ignore or leave unresolved the changes characters would undergo, traumas they would carry, and healing they would have to do, ending their story without fully acknowledging how the story has changed the character. Not just like, in an obvious sense of Values and stuff, but in terms of what they need and want from life.
also, this reminded me of this xkcd:
…which in turn reminded me of James Joyce’s love letters (repressed memory), which itself became a reminder of something I think is a very good final point: There are outliers, but most fanfiction authors can write a far better sex scene than almost any old straight white guy writing Literary fiction. Literally just clearing the bar of having both characters appear to be actually enjoying it and calling a dick a dick instead of a “bulbous salutation” is acceptable. I know the horribleness of fanfic sex scenes is renowned but. Y’all. Have you EVER read any “literary” adult novel I swear to god I have read so many sex scenes that are just the WORST they’re so uncomfortable
…anyway.
sometimes you start reading a fic and immediately you’re like OH this was written by a child. okay. please know that i am proud of you but also i cannot keep reading this
So, I don't know how to write pain like! What words do I use? how do I describe it! I really need some help here!
No problem! And sorry about not answering sooner, I was on vacation. To make it up to you, I’ve made one of my trademark Long Posts about it.
TIPS ON HOW TO WRITE PAIN (FOR BOTH ORIGINAL CONTENT WRITERS AND FANFICTION WRITERS)
When I first started writing, about eight years ago, I had the same issue as @imjustafuckinggirl.
How are you supposed to write about pain you’ve never experienced before???
The characters in my book suffer through all sorts of terrible shit, and in no way am I writing from experience, which is marginally easier to do than write about something that has never happened to you.
However, with time, I managed to gather up a few strategies on how to write pain.
1. Don’t Write Paragraphs About It
I know, it’s tempting. You want to convey to the reader just how much pain the character is in, and you think that the pain will be emphasized the more you write about it.
This, however, is a lie.
As a reader, when I’m reading a book or fanfiction where, whenever the writer uses agonizingly long paragraphs to describe when a character is hurt, I skip it.
Entirely.
It’s boring and, quite frankly, unnecessary, especially during a fight or huge battle, which are supposed to be fast-paced.
When it comes to writing about pain, it really is about quality and not quantity.
In my own writing, I stick to short, quick paragraphs, some of them which are barely a line long. This gives it a faster pace and sort of parallels with the scattered, spread out thoughts of the character as they suffer.
2. Describe it Right
Many times, usually in fanfiction, writers over-exaggerate certain injuries.
This partially has to do with the fact that they’ve never experienced that injury before and are just thinking about what it might feel like.
As a girl with two brothers and who often participated in rough play-fights, I can assure you that getting punched is not as painful as you think it is.
(However, it does depend on the area, as well as how hard the punch is, on top of the fact that you have to take into account whether or not the punch broke bones)
I’m reading a high school AU where a character gets punched by a bully (Idk where they got punched it wasn’t stated) and the author is describing it like they’d been shot.
It was to the point where I was like Did the bully have brass knuckles or something????
It was very clear that this author had never been punched before.
When describing the pain of an injury or the injury itself, you have to take into account:
- What object was used to harm the character
- Where the injury is
- How long the character has had the injury
- (For blades) How deep the cut is
- (For blunt force trauma) How hard the hit was
- Whether or not the wound triggers other things (Ex: Concussion, vomiting, dizziness, infection, internal/external bleeding).
There’s also the fact that when some authors described wounds caused by blades such as knives, daggers, and swords, they never take into account the anatomy of a person and which places cause the most blood flow.
Obviously, a cut on your cheek will have less of a blood flow than a cut on your wrist, depending on what the blade hits, and I hope that everyone consults a diagram of veins, capillaries, arteries, etc. when they’re describing blood flow from a certain place.
There’s also the fact that you have to take into account where the blood is coming from. Veins? Arteries?
The blood from arteries will be a brighter red, like vermilion, than the blood from veins, which is the dark crimson everyone likes to talk about.
Not all places gush bright red blood, people!
3. DIFFERENT INJURIES HAVE DIFFERENT KINDS OF PAIN
Here, let me explain.
A punch feels different from a slap.
A broken arm feels different from getting stabbed.
A fall feels different from a dog bite.
I’ll give you a list of all the kinds of things that can be described for the three most common kinds of injuries that happen in stories:
Punch/Blunt Force Trauma
How it feels:
- Aching
- Numbness (In the later stages)
- A single spike of pain before it fades into an ache
- Throbbing
Effects:
- Vomiting (If the character is punched in the gut)
- Swelling
- Bruising
- Broken bones
- Unconsciousness (Blow to the head)
- Dizziness (Blow to the head)
- Concussion (Also a blow to the head)
- Internal bleeding
- Death (In the case of concussions and internal bleeding and broken bones- ribs can pierce lungs)
Stab Wound/Cut
How it feels:
- Stinging (only shallow wounds have just stinging)
- Burning
- With stab wounds, I feel like describing the effects of it make it more powerfully felt by the reader
Effects:
- Bleeding (Consult chart of the circulatory system beforehand for the amount of blood flow that should be described and what color the blood should be)
- Dizziness (Heavy blood loss)
- Unconsciousness
- Infection (if left unattended)
- Death
Gunshot
How it feels:
- Depends on the caliber bullet, from how far away they were shot (point-blank range is nothing like being shot from a distance), and in what place. Do careful research and then make your decision.
Effects:
- Bleeding(Consult chart of the circulatory system beforehand for the amount of blood flow that should be described and what color the blood should be. Also take into effect the above variables for blood flow as well.)
- Dizziness (Heavy blood loss)
- Infection (if left unattended)
- Death
Some things that a character may do while they’re injured:
- Heavy/Harsh/Ragged breathing
- Panting
- Making noises of pain
gasping
grunting
hissing
groaning
whimpering
yelping (when the injury is inflicted)
screaming
shrieking
wailing
- Crying/ Weeping/Sobbing/Etc.
- Clenching their teeth
- Unable to speak
- Pressing their hands against a stab wound/cut to try and stem the bleeding
- Eyesight going out of whack (vision blurring and tilting, the room spinning, black spots consuming sight)
- Eyes rolling up into their head
- Trembling/shaking
- Ears riniging (from gunshot)
HOPE THIS HELPED!
Educational Decree
No. 358
Any author found in
possession of Langst
will be
expelled
8 Ways to Get Past Writers Block
Read. Read a lot. Read everything you can, but don’t read like a reader, read like a writer. If you’re doing it right, there’s nothing that gets the juices flowing quite as well. This is the way you develop your style; you see things you like and things you don’t like in books and you put these values into your writing.
Read a good book. Reading a good book is why you got into writing in the first place, right? There’s something new you can learn from every book. You can see what works well and what you ARE doing. It’s inspiring to read good writing and it makes you want to try harder where you might be lacking.
Read a bad book. Not only will reading a bad published book make the world feel more hopeful, but it will make you see what you can avoid doing in your novel and what you KNOW you can do better than them.
Find other writers. Connecting with other writers is so important, whether online or in person. Not only is it nice to able to share your writing, but knowing you have a group or person to depend on with your same goals in mind is motivating. Even just talking through ideas with someone tends to yield more powerful results, and they have their own tips and trick they’ve learned that may help you.
Break it up. Chapters are there for both readers and writers. If you can get through one chapter, you can get through them all. Even make a different word document for each chapter if you need to. It will stop you more from going back and getting caught up in your plot holes that occurred fifty pages earlier.
Read the last page you wrote. The darkest of my writers block days have been stopped with this technique. Tell yourself you’ll just read the last page, maybe edit some phrasing. Then write the next page. Stopping off in the middle of a sentence helps as well. All this settles you into your story gently and gets you involved and editing a more polished draft at the end.
Keep notes. Texts messages can be sent to your email. Finding a pen and paper is hard sometimes, so you can just text ideas to your email. Not only is this handy to get fresh ideas down, but every time you check your email you’ll see these awesome ideas. Or keep a notebook if that works for you. Or write in the margins of your school work. Just get the ideas out.
Immerse yourself. The reason you started your story is because you have such a huge passion for it. What you need to do is remind yourself of these reasons as much as possible. Surround yourself with writing and creativity. Think about how your characters would respond to situations you find yourself in. Describe people you see in the streets as you would if you were introducing them to a novel. Look for people that look like your characters. Tell your friends about your book, give them your ideas. If your life isn’t a little bit about your story, you’re not doing it right.
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