Tiktok post by @ wynunlimited.
In the US you cannot copyright a pattern for clothing, so it's not illegal!
I haven't seen this method of sort of "highlighting" the seams with tape before, it seems useful :)
cherry valley forever

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he wasn't even looking at me and he found me
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let's talk about Bridgerton tea, my ask is open
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@jekaclover
Tiktok post by @ wynunlimited.
In the US you cannot copyright a pattern for clothing, so it's not illegal!
I haven't seen this method of sort of "highlighting" the seams with tape before, it seems useful :)
advice i think we should tell children is that when adults say stuff like ‘now that i’m an adult i get really excited about stuff like coffee tables and bathrooms and rugs etc’ they don’t mean ‘and now i don’t care about blorbo and squimbus from my childhood tv shows anymore’ bc your average adult still loves all the same pop culture stuff they always did; they just have a greater appreciation for the mundane as well. growing up just means you can enjoy life twice as much now. you can get really excited about a new stuffed animal AND about a new kitchen sponge. peace and love
You get bigger so you can store even MORE love and appreciation for the world inside of you
It means you'll be at the antique mall looking at a coffee table and thinking "blorbo and Squimbus would LOVE this coffee table"
The Zhuang Brocade Fashion Uncles ❤️
I still can’t believe they went from this in Attack of the Clones (2002) to this in The Acolyte (2024) even though they’re both portraying Mirialan Jedi Masters.
Vernestra looks like they just slapped some green make-up and some eyeliner dots on the actress and called it a day. It’s awful, especially since she has so many close-ups. Twenty-two years ago they made Luminara look like an actual humanoid alien, with beautiful details in both costume and make-up. Even though she's basically a background character, she looks so much more natural as a Jedi.
yeah,
if i have to voice out one big criticism for recent star wars live action (and many others actually, but lets not get into that here), the downgrade in the make up department showing through take me out of the show more often than not ngl - and thats a shame (i also felt that something was..lacking in Venestra's green make up?? but i didnt know what, exactly, but you're really spot-on op!)
Margot Robbie for “barbie: the world tour”:
Carolina herrera, inspired by movie mixer barbie, 2007
Miu miu, inspired by evening splendor barbie, 1959
Givenchy, inspired by gay parisienne barbie, 1959
Hervé leger, inspired by the original barbie 1959
The trouble with mending, and all the cute visible mending trends especially, is that mending is predicated on the idea that what you have is an essentially sturdy garment that has worn out in a high-wear area or gotten damaged/torn. Whereas what most of us are actually dealing with is cheaply made shit that has simply given out at the first sign of adversity. If you mend something that's weak to begin with, it's entirely likely that it will just tear at the edge of the mend, which will suddenly be the strongest part of the garment. Or if your shirt has worn through or ripped out at the seam, it's just a crap shirt, and you can fix that seam, but another will give soon, and you have to make an honest assessment of whether the work you put in is worth it. My cheap Hanes white cotton socks blow out at the heels far faster than they ever used to, and fuck a bunch of that, but I'd never bother darning them. They'll just blow out at the toes in a month.
I don't have a solution to offer for this that doesn't involve spending either more money or more time. It is still barely possible to buy quality clothing, but it costs more than most of us can afford. And you can still make your own clothing, but as the skills and tools become less common, it's all the harder to learn. All I can say is look around, make a real assessment of your resources (like, say, Grandma still has a working machine and a stash of probably unfashionable but maybe cute fabric, or you think you can afford two pairs of good work pants a year and then keep them mended), and do your best.
Strategies to help alleviate this (not solve because that's an industry+cultural wide problem, and like OP said it all takes at least more time if not also more money):
Have different nice clothes and clothes that you're ok with getting worn down, it will extend the life of your nice clothes
Change out of your nice clothes when you get home
Get an iron and use it on your nice clothes between most wears and only wash every few wears or when there's a stain or you got too sweaty (take care of your iron too, use filtered water in it)
When you wash your nice clothes, use cold water and then hang to dry. Hot water and dryers put a lot of wear on clothes
Get some wool dryer balls for when you use a dryer, it will speed up drying so you can also reduce the length of time clothes are in the dryer
This one's hard: don't overstuff the washer and dryer
Wear tank tops/undershirts. Thicker/higher quality clothing can be stiffer/more uncomfortable than cheap fabric so a tank can give you a buffer. It also helps keep your sweat off the clothes
Try going up a size when you buy new clothes, a lot of wear comes from clothes stretching/getting pulled around your body as you move rather than just the friction between you and the things around you
For socks: try loosening your shoes and cutting your toenails more often
Be mindful of how you take off your clothes, if you pull on the collar to take your shirt off, that's where it's going to start to rip
Be ok with small holes in your clothes. I agree it's often a waste to repair but it doesn't have to be trashed immediately
All sound advice, thanks!
All of this is good advice!
Heads up if you're a sewing hobbyist...
Buy those patterns you've been thinking about while you still can.
The legacy sewing pattern brands Simplicity, Butterick, McCalls, and Vogue, commonly referred to as the Big 4, have been sold to a liquidato
Trying not to say horrible things. But skinny indie designers who charge a fat tax....
"Fat tax" with indie labels is actually a hard call to judge. I say this as a size 22 seamstress. I understand the frustration at not being able to afford all the pretty things, IF they even come in your size.
That being said, the same piece of fabric that will make 1 dress for me, will make 2 size 8 dresses in the same style. If I'm making the dresses to sell, how can I sell the size 22 for the same cost as a single size 8 when it uses twice the material?
Large labels partially set prices by the average cost of a large amount of materials. Indie designers don't have the luxury of spreading costs out over 50,000 almost identical pieces.
Sure, some of them are just gatekeeping bitches who don't want their designs associated with fat people. But plenty just don't have the profit margin to even prices out and not overcharge smaller customers.
If you want to design to fit everyone from a size 0-30, well, it just won't work. If you just scale that size 0 dress up to fit a size 30 around, it will be 18 feet long with armholes you could drive a car through. You have to entirely re-design your patterns every few sizes.
I really, really, REALLY love to tear people up about the horrible designs, lack of selection, and nasty fabric choices designers make for large people. Larger prices for larger clothes pisses me off a lot of the time, but in the end I understand it. I don't understand why they think we all should wear polyester all the time though.
"how can I sell the size 22 for the same cost as a single size 8 when it uses twice the material?"
the same way you'd sell a size 8 dress as the same price as a size 2 when is uses twice the material....
Whenever a person defends charging fat people more for every basic necessity on the planet, especially clothing, I remember that @mayakern sells all of her clothing for the same price no matter the size.
She's an indie artist who even goes the extra mile and manufactures her clothing ethically. The difference between her and a skinny indie designer? Maya Kern values her fat customers and being size inclusive.
Her clothing isn't cheap, yes, and she recently had to up her prices. The reason why? Ethical manufacturing from overseas, the price increase because of tariffs, good quality fabric, and her quality assurance measures. Most of these factors, like ethical manufacturing, aren't even being done by other indie designers, let alone designers who charge a fat tax. Her clothing is better quality, more ethical, and designed better for fat body types than even the clothes of mainstream stores. Her clothes before the tariffs were the same price as the clothes at Torrid, and yet she was providing a far better and more ethical product while not having any of the resources that companies like Torrid have access to.
If she can be a successful indie designer while doing all of that and making sure her products look good on fat body types while being the same price for every size, then I don't think being an indie designer is an excuse. The fatphobia of the fashion industry—indie and mainstream—has always been intentional.
-Mod Worthy
ooh boy i've been summoned! first of all, thank you so much for the kind words, i really appreciate it 🧡
second of all, the fat tax is more complicated than it seems.
for home sewists, especially hobby sewists, increased fabric costs DO matter more than for businesses that work with a factory. especially for things like wedding gowns that often use fancy fabrics and laces that require a lot of hand embellishments or are entirely handmade.
but let's use the example of twice the fabric: for a smaller size, let's assume we're using 3 yards of simple fabric for $10 per yard. let's add another $5 for thread and fixings. and let's say it's a relatively simple skirt that takes 5 hours to sew. to keep things simple, this sewist charges $15/hr for labor. so your cost is (3x10) + 5 + (5x15), or $110. multiply that by 2.5 to charge customers at wholesale cost, that's $275.
now for a "double the size" plus size garment, we're using 6 yards and spending $10 on fixings (which don't exactly double in real life, it's more complicated than that). labor time remains the same. so we have (6x10) + 10 + (5x15), or $145. then for wholesale cost that becomes $362.5
you can see here that while the initial costs to the sewist only differ by $35, thanks to the way typical wholesale is calculated, there is now a difference of $87.5. so what does the home sewist do? do they charge normal wholesale, do they calculate their "normal" price for a smaller garment and just tack the additional $35 on at the end instead of charging wholesale on it, do they try to average costs between sizes, or do they entirely eat the additional cost?
i don't know! i'm not a home sewist. but this is a very abridged version of real home sewist math.
now let's get into fat clothes math with manufacturing! i've worked with a few factories at varying operating sizes and they do not all operate the same, but in general there are two major processes i've seen for how garments get made/charged for when working with a factory:
first, when making sublimated garments (like my printed polyester skirts), you get a design minimum. that means you HAVE to order a set amount of garments in a particular design and garment style, regardless of size. this is because instead of printing a large roll of fabric, the factory is custom printing every individual garment.
working in this style, the difference in cost between my smallest and largest sizes has, at most, been like $1. i charge wholesale costs (2.5 x cost) for my clothes and frankly i would rather eat the extra $2.50 than make my customers feel shitty about themselves. i'm sure there are many people with MBAs who would laugh at me for this decision but my peace of mind and ethics cost more than $2.50 per skirt. except i'm not eating $2.50 because even tho that's how business math works, that is not a real cost. at most i am eating $1 per garment.
an addendum, but with this sort of sublimation, especially with smaller factories, there can be an additional hurdle for plus sizes: the literal actual width of the fabric printer. depending on how much fabric a garment uses (and our skirts use a LOT of fabric), there will come a time when the garment will get Too Big to fit right side up on the fabric and will have to be rotated, often completely sideways. and sometimes even then, especially for longer garments, there may be not way to make the garment fit on the fabric At All. you can move up to a bigger fabric printer, but then that little factory either has to outsource to an outside factory (which will then charge the original factory more than cost because they need to make money too) or they have to buy new equipment or find ways to modify the garment, which then cause it to not look the same on straight and plus sizes.
the second style of garment manufacturing gives you a set amount of fabric you have to consume per fabric type. this is what happens for roll printed fabric, dyed fabric, or textiles like plaid. the factory will create or buy a certain yardage for a particular fabric and you have to use all of it, minus what they set aside to fix errors. for us, that minimum is 600 yards. so for instance, my cozy sets use 2 fabric colors. i have to use 600 yards of each color. for my cotton collections, we roll print 600 yards of a single design and then split that yardage up into dresses, skirts, and shirts.
now here's where sizing math and the fat tax get fun and funky! see, in this situation, making plus sizes saves you money. even if i am required to use those 600 yards, i am not required to make any set amount of garments. but i am still charged by the piece! so let's say i take those 600 yards of cotton and i make 300 shirts, all in smaller sizes. lets say i am charged $40 per shirt. that's $12,000. but wait! let's say i use 300 yards of that fabric to make plus sizes. assuming double the fabric consumption (which isn't exactly correct), i am now making 150 straight size shirts and 75 plus size shirts, for a total of 225 shirts. let's be extremely generous and say the factory charges me an additional $1 for a plus size shirt (the reality is literal pennies). that's 40x150 ($6000) for the straight size shirts and 41x75 ($3075) for the plus size shirts, for a total of $9075.
you can see in these two manufacturing examples that the increased fabric cost is basically negligible or actually helps to decrease the cost of a production order.
in my mind, the fat tax really boils down to two main things:
for home sewists, they are buying fabric that was created by a factory and then sold to a shop at a wholesale cost, which then marked up the fabric price for sale to consumers. they are paying for products that have already been marked up MINIMUM twice, assuming the factory sells directly to the retailer and not to a brand that THEN sells to a retailer. the fewer materials you use, the more expensive they are proportionally. a factory that makes their own fabric basically charges their customers cost + labor + their markup and they are making fabric in such bulk that the difference between 3 yards and 6 is basically negligible. at least for me using ethical labor, my largest expense will always be labor.
for larger retailers, the fat tax comes from corporate greed, from charging for that extra (at most) $1, and also from a "lost sales" perspective. if you've been paying attention, you've already seen the issue with decreasing production cost by including plus sizes and therefor making fewer garments: decreasing the over all number of garments you make also decreases the potential profit you can make. those 300 straight size shirts costs $12k, but sold at a wholesale margin, they can generate up to $30k in sales, or $18k in profit. conversely, the $9075 order can only generate a potential $22,687.5 in sales, or $13,612.5 in profit. that is, unless you make the plus size clothing cost more to even out the perceived "loss."
this post is very long and it is way past my bedtime but i hope y'all find this interesting and informative. making and selling things is weird!
i think the heart of the emotional issue of the fat tax is fatness being seen as a deviation from the norm when, in fact, it is often the norm. fat people are often an after thought, if we are thought of at all. so it's easy seeing a major retailer charge more for plus sizes and an indie designer similarly charging more and think they're doing the same thing for the same reasons, when what's going on underneath is vastly different.
i have an undergrad degree in accounting, and a dual mba-masters of accounting. i have had to learn the ins and outs of cost accounting to graduate as both an undergrad and a masters candidate. i have been an accountant as a career. i was about to sit the cpa exam before i got sick and burnt out. this shit is second nature for me.
so please listen when i say maya kern gets it exactly right, and that's just using the simplest explanations for costing, and not some of the hellaciously complicated formulas that can occur when you get to large corporations that manufature products, or resell manufactured products.
large companies buying fabric does not work like home sewists buying fabric, and fat customers are often a huge cost savings in that arena because of the differences in how large companies can buy patterns/fabric essentially at cost or even at a discount. not only that, there are are circumstances where garments for fat people aren't even "losing" sales depending on the customer demographic, the buying habits of those customers, and how marginal costing is done. most costing calculations reflect less of an economic reality than maya kern suggests (for large companies only, not indie designers like her) than a series of somewhat fudged transactions which ensure profitability on paper, which then translates--eventually--into massive profits for shareholders. 99% of the time in large corporate settings, the fat tax on garments isn't even necessary unless you're greedy.
i wish this post had room to talk about how companies use accounting fudgery to siphon money out of the economy (read: out of the average person's pockets), but we'd be here until next week. so all that fat tax nonsense often adds up to is...more money for rich people, less for the rest of us.
they're using fat people to hide their corporate greed. maya kern doesn't, because she's not greedy and treats fat people like human beings. so if you can, she's a great small business to support.
thank you for the addition, i appreciate the extra information! while i do run a business i am very much not educated in business, so the additional insight is super interesting!
Stolen from reddit where it wasn't being properly appreciated
"Indigo dyeing silk thread"
In case anyone wonders what the Japanese is saying
Me: But indigo makes blue. When does blue come into it?
Me: that wringing technique is really clever. I've got to try that with my sheets
Me: WHAT THE FUCK WHY IS IT BLUE?!?
Spouse: why are you telling at Tumblr?
Indigo dyeing works by oxidation, so it turns blue when enough of the liquid is wrung out that it is exposed to the air.
Unlike most dyes, you don't get a darker color with indigo by keeping it in the liquid longer, but by dipping it more times.
ⓘ A sewing machine is a device that provides a several-fold increase of the speed at which you can make mistakes
Evening dress, c. 1898-1900, House of Worth
The MET Museum
Lovely Dreamhouse Collection
LAURA HARRIER The 2025 Met Gala Celebrating "Superfine: Tailoring Black Style" (May 5, 2025)
Hass Idriss | She Rises at Dusk
Beautiful.
Lupita Nyong'o attends the 2025 Met Gala Celebrating "Superfine: Tailoring Black Style" at Metropolitan Museum of Art on May 05, 2025 in New York City. (Photo by Dia Dipasupil/Getty Images) if you want to support this blog consider donating to: ko-fi.com/fashionrunways
SARA MRAD Fleur De Lumiere Collection | Couture Spring/Summer 2025 if you want to support this blog consider donating to: ko-fi.com/fashionrunways