1794

Sister Account @eloquentiasagitta    Instagram @adopebphotoshop

[maybethereissomething]

Amy Sillman,  2020

[nobrashfestivity]

Cy Twombly, Polaroid

[tri-ciclo]

Luc Tuymans Apple 1993

[nobrashfestivity]

Alexander Calder, Glassfish, 1955

[teenagesnuffproducer]

Study for “in a given situation” by Francis Alÿs (2008)

[tri-ciclo]

Luc Tuymans Apple 1993

[text-mode]

Cat (Animal)

[bmasiac]

Bmasiac by the sea

[nobrashfestivity]

David Hockney Rain, from The Weather Series (NGA/Gemini 23.4), 1973 Color lithograph and screenprint on Arches watermarked paper; signed 'David Hockney 73' in green pencil along the lower edge

[yesterdaysprint]

Lewiston Evening Journal, Maine, February 19, 1917

[xphaiea]

Jindrich Heisler

[returnofcowboyprince]

The People’s History of Costume

Seminole Indian Boy’s Shirt (late 19th Century)

Heritage Auctions

[fashionsfromhistory]

Overcoat

Unangax̂ (Aleut) of the Aleutian Islands, Alaska

c.1820

Peabody Essex Museum (Object Number: E3662)

Learn more about the Unangax̂ at their website: https://www.apiai.org/

[pwlanier]

JANET KIGUSIUQ (1926-2005) QAMANI'TUAQ (BAKER LAKE)

BUSY CAMP LIFE (TRADITIONAL ACTIVITIES), 1975

graphite coloured pencil on heavy wove paper

First Arts

[bossymarmalade]

Melaw Nakehk’o, “Free Palestine” (2023), traditionally smoked moose and caribou hide, glass beads, embroidery thread, sinew 

“We really need to take a look at silencing as being a core failure of the decolonization and Indigenization platforms these institutions claim to be incorporating into their spaces,” Aylan Couchie said, adding that communities “need the freedom to speak to settler colonialism everywhere, including in Palestine.” [x]

[pwlanier]

ANGIE ANGMAK EETAK (1956-) ARIVAT (ESKIMO POINT)

UNTITLED WALLHANGING (DRUM DANCE), EARLY 2000S

stroud, skin, beads, antler, yarn, and embroidery floss, 26.75 x 18 in (67.9 x 45.7 cm)

signed, "EETAK";

inscribed, "ᐊᓐᔨ ᑦᑲᑲᒥ".

First Arts

[pwlanier]

VERONICA KADJUAK MANILAK (1935-) KANGIQLINIQ (RANKIN INLET)

UNTITLED WALLHANGING (SEDNA, WHALES, AND LUMAQ), 1980S

stroud, felt, thread, and floss, 40 x 30.75 in (101.6 x 78.1 cm)

signed "ᕕᒍᓂᒃ / ᒪᓂᓚ."

First Arts