Brain Rot

She/Her • 26 • I have one blog and it is a hot multifandom mess

[gamechangershow]

who did this

[newyorksirens]

the namesakes of the new WPBL teams! from @/wpbl_official on instagram

[the-new-york-groove]

Thoughts on the NY Heights branding:

Didn't get the name, but love that it's all after female civil rights leaders

HELLO LIN MANUEL MIRANDA DON'T SUE MY TEAM

I don't know why we're not teal anymore but I am too obsessed with the logo to care.

The hats look SO PRETTY and I love a logo that looks good on a hat

I just feel like they really understand the market with this one. We love our shapes making letters here.

The shades of blue were peak if we couldn't have teal

View this post on Instagram

PINSTRIPES ON MY HOME JERSEY 👹

I've never had a remotely interesting away jersey in my life so I immediately went OOH. Like I get it's no city connect, it's just blue but it's also not fucking gray

BABY'S FIRST THIRD JERSEY OPTION THAT IS FUCKING GORGEOUS

I love you NY Heights 💙

[demilypyro]

Y'all hear about this nuance stuff

[tsukinoinaba]

I've heard mixed things.

[demilypyro]

Oh so it sucks then, and you hate it

[spoonymice]

Compilation of all the Solkats

Novel: "It's not a cult" by Joey Batey; illustrations by Madeleine Hyland

[splattergutz]

i feel like i’m cursed forever but other than that i’m doing alright

[turnipfritters]

[couthbbg]

the two tenets of being a sports fan that you must understand are 1. All sports fans are evil (this includes you) and 2. All sports fans are hypocrites (this includes you). once you accept these foundational ideas , it’s all good dude

[dear-ao3]

IVE FINALLY OBTAINED THE CAVATELLI AND BROCCOLI FROM MY LOCAL JERSEY DELI OH BOY I FORGOT HOW FUCKABLE THIS PASTA IS

[dear-ao3]

don’t think you guys understand just how fuckable this pasta is

[jstor]

100 open access books on JSTOR

African American Studies

An Appeal in Favor of That Class of Americans Called Africans, Revised and Updated Edition

Disrupting Colonial Pedagogies: Theories and Transgressions

J. A. Rogers: Selected Writings

The Race for America: Black Internationalism in the Age of Manifest Destiny

African Studies

Ethnicity, Identity, and Conceptualizing Community in Indian Ocean East Africa

Lagos Never Spoils: Nollywood and Nigerian City Life

American Indian Studies

Book Anatomy: Body Politics and the Materiality of Indigenous Book History

The Urgency of Indigenous Values

Anthropology

Graceful Resistance: How Capoeiristas Use Their Art for Activism and Community Engagement

Lacandón Maya in the Twenty-First Century: Indigenous Knowledge and Conservation in Mexico's Tropical Rainforest

Maya-British Conflict at the Edge of the Yucatecan Caste War

Neobugarrón: Heteroflexibility, Neoliberalism, and Latin/o American Sexual Practice

Our Hidden Landscapes: Indigenous Stone Ceremonial Sites in Eastern North America

Power and Place: Preservation, Progress, and the Culture War over Land

Voices of Indigenuity

Archaeology

Living Ceramics, Storied Ground: A History of African American Archaeology

New Deal Archaeology in the West

The Cretan Collection in the University of Pennsylvania Museum, volume III: Metal Objects from Gournia

Violence and Inequality: An Archaeological History

Architecture

Waterhouses: Landscapes, Housing, and the Making of Modern Lagos

Asian Studies

Hong Kong Public and Squatter Housing: Geopolitics and Informality, 1963–1985

Communication Studies

Covid and…: How to Do Rhetoric in a Pandemic

Hillary Clinton's Career in Speeches: The Promises and Perils of Women's Rhetorical Adaptivity

Influential Machines: The Rhetoric of Computational Performance

Migrant World Making

Nuclear Decolonization: Indigenous Resistance to High-Level Nuclear Waste Siting

Serial Mexico: Storytelling across Media, from Nationhood to Now

Stories of Our Living Ephemera: Storytelling Methodologies in the Archives of the Cherokee National Seminaries, 1846-1907

Unsettling Archival Research: Engaging Critical, Communal, and Digital Archives

Cultural Studies

Cultural History of British Alternative Cabaret (1979-1991)

Middlebrow 2.0 and the Digital Affect: Online Reading Communities of the New Nigerian Novel

Reconstructive Memory Work: Trauma, Witnessing and the Imagination in Writing by Female Descendants of Harkis

Toward a Gameic World

Development Studies

Hottest of the Hotspots: The Rise of Eco-precarious Conservation Labor in Madagascar

Urban Indigeneities: Being Indigenous in the Twenty-First Century

Education

Limiting Privilege: Upward Mobility Within Higher Education in Socialist Poland

The Vulnerability of Public Higher Education

Environmental Studies

Ecologies of Imperialism

Unsettling Agribusiness: Indigenous Protests and Land Conflict in Brazil

Feminist & Women's Studies

Reclaiming Time: The Transformative Politics of Feminist Temporalities

Recovering Women’s Past: New Epistemologies, New Ventures

Film Studies

Han Heroes and Yamato Warriors: Competing Masculinities in Chinese and Japanese War Cinema

Monsters on Maple Street: The Twilight Zone and the Postwar American Dream

The Rise of Central American Film in the Twenty-First Century

Mapping the Stars: Celebrity, Metonymy, and the Networked Politics of Identity

Food Studies

The Visible Hands That Feed: Responsibility and Growth in the Food Sector

Gender Studies

Masculine Pregnancies: Modernist Conceptions of Creativity and Legitimacy, 1918-1939

Surgery and Salvation: The Roots of Reproductive Injustice in Mexico, 1770–1940

Women, Nationalism, and Social Networks in the Habsburg Monarchy, 1848-1918

History

Captivity's Collections: Natural History and the British Transatlantic Slave Trade

Our People Are Warlike: Civil War Pittsburgh and Home-Front Mobilization

Reimagining the Educated Citizen: Creole Pedagogies in the Transatlantic World: 1685-1896

Southern Enclosure: Settler Colonialism and the Postwar Transformation of Mississippi

Language & Literature

Abraham Lincoln and the Bible: A Complete Compendium

Blood and Ink: The Barbary Archive in Early American Literary History

Ethical Crossroads in Literary Modernism

Faking It: Victorian Documentary Novels

Genre Networks and Empire: Rhetoric in Early Imperial China

The Lost Texts of Confucius’ Grandson: Guodian, Zisi, and Beyond

Understanding Agatha Christie

Latin American Studies

Awakening the Ashes: An Intellectual History of the Haitian Revolution

Law

Creating a More Perfect Slaveholders’ Union: Slavery, the Constitution, and Secession in Antebellum America

Linguistics

Cantonese Since the Nineteenth Century

Publishing Contemporary Foreign Poetry: Transnational Exchange in the Italian Publishing Field

Middle East Studies

Outcasting Armenians: Tanzimat of the Provinces

Music

Fantasies of Music in Nostalgic Medievalism

Imagining Musical Pasts: The Queer Literary Musicology of Vernon Lee, Rosa Newmarch, and Edward Prime-Stevenson

Lieder in America: On Stages and In Parlors

On Music Theory and Making Music More Welcoming for Everyone

Peace & Conflict Studies

Remaking the World: Decolonization and the Cold War

The Coup and the Palm Trees: Agrarian Conflict and Political Power in Honduras

The End of the Future: Trauma, Memory, and Reconciliation in Peruvian Amazonia

Uniting Against the Reich: The American Air War in Europe

Unwilling to Quit: The Long Unwinding of American Involvement in Vietnam

Performing Arts

Sonic Strategies: Performing Mexico's War on Drugs, Mourning, and Feminicide

Staging Existence: Chekhov's Tetralogy

Philosophy

Phenomenology in an African Context: Contributions and Challenges

Violence and the Mimetic Unconscious: Vol. 2 The Affective Hypothesis

Violence and the Oedipal Unconscious: vol. 1, The Catharsis Hypothesis

Political Science

Beyond Othering: A Gandhian Approach to Conflict Resolution in India and Pakistan

Local government and democracy in the United Kingdom

Paradoxes of Emancipation: Radical Imagination and Space in Neoliberal Greece

The Cost of Voting in the American States

The New Star Chamber and Other Essays: Annotated Edition

Population Studies

Central American Migrations in the Twenty-First Century

Psychology

Ferenczi Dialogues: On Trauma and Catastrophe

Public Health

Irish Fever: An Archaeology of Illness, Injury, and Healing in New York City, 1845–1870

Tuberculosis Control and Institutional Change in Shanghai, 1911–2011

Religion

Christan Colleges and Universities: An Empirical Guide

From Jesus to J-Setting: Religious and Sexual Fluidity among Young Black People

The Hispanic Faculty Experience: Opportunities for Growth and Retention in Christian Colleges and Universities

Science & Technology Studies

Composting Utopia: Experimental Infrastructures for Organics Recycling in New York City

Sociology

Apartheid’s Leviathan: Electricity and the Power of Technological Ambivalence

As Legend Has It: History, Heritage, and the Construction of Swedish American Identity

Continuous Pasts: Frictions of Memory in Postcolonial Africa

Prison Capital: Mass Incarceration and Struggles for Abolition Democracy in Louisiana

Research as More Than Extraction: Knowledge Production and Gender-Based Violence in African Societies

The Souls of Jewish Folk: W. E. B. Du Bois, Anti-Semitism, and the Color Line

Technology

Transnational Families in Africa: Migrants and the role of Information Communication Technologies

Urban Studies

Living Politics in the City: Architecture as Catalyst for Public Space

[jstor]

FYI, all of these books were made open access as part of our Path to Open program, where included books are set to become open access three years after their publication date.

Many of the above books can be downloaded as PDFs in full!

[naumaxia-art]

[quiddie]

*deep breath* If the antifascist (esp. American-centered) art you make or consume refuses to acknowledge the truth that framing this time period as the "sudden rise of fascism" along with its supposed volatility (i.e. "it can't last; that's not how its built") is just a comforting construct to keep white Americans from reckoning with their literal centuries of active and passive participation in this country's fascist, genocidal violence against Indigenous and Black people, your art isn't just wrong...it's worthless. How can you imagine dismantling unjust systems without seeing the blood on your own hands? How do you comprehend the size of the fight for mutual liberation without seeing that the scale of the threat is exponentially larger than your personal experience of the danger of state violence; or is your envisioned win condition only as shallow as the return to your previous sense of safety?

Ignoring the complexities and well-established enmeshment of fascism in Western culture for the sake of simpler stories to inspire rising to this moment in history only builds fair-weather fighters ill-prepared for the rigors of revolutionary action. It also widens the rift between those newly awakened to the struggle and their neighbors that have lived it for generations (and have built and maintained systems of community support and resistance that have protected them for just as long).

If antifascist art doesn't first demand you turn the eye inward, it is only escapist fluff.

[kosmogrl]

[typingwithmyhandstied]

I finished Babel the other day, and I'm having a hard to putting my thoughts and feelings about it into words. I am starting to feel like that is one of the points of the book though. There was a constant theme in the narration of things going unsaid. Neither Professor Lovell nor Robin ever acknowledges that they are related out loud. The cohort never talk about the tension brewing between them and all the love and jealousy. There are so many more instances, and I think it says something else about things getting lost in translation. All of these things got lost in-between thought/emotion and the spoken world, and aren't those both a kind of language? Isn't that a type of translation? It's very similar to the idea that so much of this will most likely be lost to history. Everything is a language of a sort if you think about it hard enough. There are so many different modes. There are so many different ways we talk for different things. So much more was lost in translation then just the meaning of a few words manifesting as silver bars.

[armandology]

fuuuuck i just realized that the future idealized version of myself cant exist without current me being the catalyst for change and doing hard things. has anybody heard about this

[ambrosia-rosee]

i think i've figured out how dropout works. brennan stands in a courtyard, points a gun at the intrepid heroes, only to discover they're all actually pointing guns at him, so he turns around, but he's stopped by katie marovitch, behind him, also with a gun. sam reich (also pointing a gun down at brennan, naturally) steps out onto a balcony from the shadows, going unnoticed, and aims. but actually behind him the whole set falls away and vic michaelis and lisa gilroy are pointing flamethrowers at sam.

also sam looks back down and yeah, now brennan's pointing a gun at him too.

did i get that right?

[justina-lee-delacroix]

Taken by Artemis 2😁😁😁😁 Look at that shit!!!! First time seeing the other side of the moon!!!!!

[nasa]

Welcome to the Far Side of the Moon

A crescent Earth sets behind the Moon.

On April 6, 2026, the Artemis II astronauts flew around the Moon, observing the far side – which we never see on Earth thanks to tidal locking – with their own eyes and with cameras.

See more of the Moon:

A crescent Earth setting behind the Moon’s horizon.

Earth setting behind the Moon as seen by the Artemis II crew. Over half the left side of the image is filled by the gray lunar surface, pocked with craters.

A close view of the Moon. Jagged circles of craters dot the gray surface, fading to dark on the left side of the image.

A close view of the edge of the Moon. Jagged circles of craters dot the dark gray lunar surface, which arcs across the image.

A close-up view of the Moon, filling most of the frame. Along the left side of the image, the terminator divides the illuminated and darkened sides of the Moon.

A close-up view of the Moon, filling most of the frame. Along the left side of the image, the terminator divides the illuminated and darkened sides of the Moon.

Earth just as it set behind the Moon, as seen by the Artemis II crew. The dark gray surface of the Moon, pocked with craters, arcs from the bottom left corner of the image to the top right.

Check out more photos from the lunar flyby, including astronaut selfies and the solar eclipse only they experienced.

Make sure to follow us on Tumblr for your regular dose of space!