
if i look back, i am lost
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🩵 avery cochrane 🩵

Kaledo Art
"I'm Dorothy Gale from Kansas"
wallacepolsom
Sweet Seals For You, Always
DEAR READER
almost home
tumblr dot com

titsay
Stranger Things
No title available
hello vonnie

blake kathryn
Jules of Nature
we're not kids anymore.
cherry valley forever

❣ Chile in a Photography ❣
$LAYYYTER
seen from United States
seen from United States
seen from Chile

seen from Spain

seen from United Kingdom
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seen from Malaysia

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@justtalkingmusicals
The full album is out!
Dancing in Film: Funny Face (1957) dir. Stanley Donen Choreography by Fred Astaire and Eugene Loring
Moses Supposes
Running into this on my dash was like running into an old friend
Thats just what theater kids are like
What I’ve always loved about this bit is
a. this musical number comes completely out of nowhere, with no greater context than what this video captures; and
b. the language instructor clearly can’t hear the music. He’s not from Musical Theatre Land. From his perspective, a couple of twinkle-toed weirdos just randomly decided to physically abuse him for three solid minutes. This isn’t reading anything that’s not intended into the scene – it’s literally the central gag.
LEGALLY BLONDE (2001) | LEGALLY BLONDE: THE MUSICAL (2007)
Is Your Theatre Friend Okay?
How to Tell if Your Theatre Person is Okay
(based on the musical they’re listening to on repeat)
From Least to Most Concerning:
Tuck Everlasting: Probably fine. Your friend might be yearning, though.
Heathers: Probably just routine ennui or angst, but if they’re only listening to “I Am Damaged,” “Lifeboat,” and/or “Kindergarten Boyfriend,” then they’re going through it.
Beetlejuice: If they’re only listening to “Dead Mom” on repeat, then you might want to worry. This is an “I am misunderstood” musical.
Waitress: Typically a chill one, but might be nostalgic and/or feeling stuck. Worth asking if they want to talk about it.
Dear Evan Hansen: Also in the safe zone, but if you hear too much of “Words Fail,” their self esteem is probably in the gutter.
Into the Woods: They’re either genuinely fine and just enjoying Sondheim, or actively having an existential crisis. Very little in between.
Cabaret: They’re either having a fresh and sexy time listening to Alan Cumming sing “Willkommen,” or you need to ask them if they’re all right.
Fun Home: Is your friend a tortured theatre gay? Because this is a tortured theatre gay musical. Just FYI.
Next to Normal: If Next To Normal is on repeat, like honestly on repeat, you might have cause for concern. This is a very high caliber depression musical.
Les Miserables: Your friend is wallowing. They’re probably crying about Gavroche because it’s easier to cry about French revolutionaries than process whatever they’re actually going through.
Spring Awakening: Please worry if someone you know is listening to any part of Spring Awakening on repeat. This is a peak depression musical.
me: damn why is this soundtrack so good?
spotify: by alan menken
me: oooooh
“Stop singing songs that are out of your vocal range”
Through the application of extremely precise SCIENCE I have determined that two (2) people are indeed interested in musical theatre, and so I present this:
A YouTube Chanel dedicated to broadway history, which also does interviews with writers/choreographers/west end and broadway actors ❤️
Is anyone out there interested in old musicals or the history of broadway?
Dorothy Dandridge working out with Swiss physical culturist Walter Saxer in preparation for her role as Bess, in the film “Porgy and Bess,” 1959.
Dorothy Dandridge in Porgy and Bess, 1959
OBC of Rent onstage
#rent the musical
Just admit it, sometimes mean is what you are, mean is easier than nice. And though mean can take you far, maybe this will make you think twice.
It Roars is underrated. You can’t change my mind.