The show Wednesday certainly has its moments, but is not without its issues. I watched through Season 1 and didnât bother to watch Season 2 after I confirmed that Winclair wasnât going to happen.Â
The setting is interesting, most of the side characters are fun, the actors are generally giving it their all, and even the showrunners realized the relationship between Wednesday and Enid was basically carrying the entire thing. So what went wrong?Â
In my opinion, it was the Addams family themselves.Â
The Addams family is a deliberate inversion of the stereotypical nuclear family so popular in the 50s and 60s. They are outwardly creepy, wicked, and deviant, but are inwardly incredibly wholesome. By ignoring what society claimed was important (conforming to social norms) to focus on what was actually important (genuinely loving each other), they managed to be a more ideal family than almost any other fictional depiction at the time.Â
Another part of what makes the Addams family work is that theyâre basically living cartoon characters. They can get away with being weird and non-conforming because theyâre functionally untouchable. They have more money than god and despite their best attempts generally couldnât fail if they tried. Itâs core to how they work, because in real life most of what the Addamses get up to would be either suicidally dangerous or instantly lethal.Â
The show ignores both of these traits for the sake of drama, and I think itâs lesser for it. Wednesday herself is the typical rebellious teen with overbearing and overwhelmed parents, which flies against everything they usually stand for. They also face realistic harm and consequences, which does play up the horror but also makes them not feel like the Addams family.Â
In Wednesday the idea of Gomez going to jail for murder is a dire threat, but in most other iterations Gomez would have been delighted and would have turned the prison around inside of a week. A terrified Morticia having to be saved from a creepy stalker by an equally out-of-his-depth Gomez would be unthinkable in the original cartoon or 1990s adaptations. Previous versions of Puggsy have him being tied up and tortured on a daily basis, but in Wednesday heâs terrified just from being gagged and shoved into a locker. The very idea of murder being a bad thing for an Addams is anathema to their usual comedically inverted morals. Â
Wednesdayâs serial killer hobby only makes sense because the audience knows that sheâs by far the most dangerous thing out there. In Wednesday, however, she is frequently out of her depth against threats both supernatural and mundane. This makes for dramatic scenes, but also makes her come across as a teenage girl who has no idea what sheâs doing. It even makes her seem disconnected from her own family, since previous versions would have wistfully dreamed about being torn to shreds in the woods by a deranged monster.Â
In short, Wednesday takes both the Addams and the family out of the Addams Family.
So how do you make this work? How do you write a teen horror drama starring Wednesday Addams that doesnât nerf her into something unrecognisable? You do what every good writer does when writing for an invincible protagonist: you threaten the things around them.Â
Wednesday herself has plot armor to the moon and would consider threats of imprisonment, violence, or torture to be a good time, but sheâs also prideful. She has standards that she rigidly upholds and she delights in punishing those she thinks deserve it. As much as she might pretend otherwise, she does make social connections and she genuinely loves her family.Â
The Addams family is immune to direct attack: they gladly feast on those who would devour them. The people around them arenât so lucky. Wednesday might be able to walk away from anything without a scratch, but her fellow students will get hit by the collateral damage. Even if she doesnât actually care about them (she does), her pride would never let someone else take the fall for her. The idea of someone getting hurt as an accident result of her actions is completely unacceptable. If sheâs hurting anyone it will be premeditated, deliberate, and surgical. Anything else would be unforgivably sloppy.Â
This is also how you get audiences to relate to a character that would otherwise be very difficult to relate to.Â
As much as kids in the 90s might have wanted to pretend otherwise, you canât be Wednesday. Youâll never be as cool as she is, because sheâs a cartoon character and you arenât. While youâll never be Wednesday, you can be the girl Wednesday pulls from the ground, hands some black lipstick, and teaches how to cut the brakes on a TERFs car.Â
Wednesday is a bad audience surrogate but an excellent paragon. Inspiring other kids into an Addams-style revolt is literally her subplot in Addams Family Values, which itself inspired the core premise of the show Wednesday.Â
To demonstrate what this looks like in practice, have a look over here!