nope @katjaobingay - Tumblr Blog

when fleabag said “I love you” and then the priest said “it’ll pass” I had no choice but to go completely insane in my bedroom

dailyvillanelle

#couldn’t agree more

beyunseh-deactivated20211016

Killing Eve (2018- )

Birds of Prey and the Fantabulous Emancipation of One Harley Quinn (2020)

leahclearwaterdefensesquad

twitter was fucking brutal today

2460onetruepairing

I’m just imagining Edward trying to read Bella’s thought and hearing the dial-up noise.

hunterschafer

This is the feeling I have been searching for my entire life, for as long as I could remember. Because suddenly, the world went quiet. And I felt safe, in my own head.

grey-wardens-archive-deactivate

Central to the film is a reclamation of the Orpheus myth, a version of which the three young women read aloud together one night. Sophie registers distress at Orpheus’s fatal, selfish incompetence in looking back at Eurydice when he was told not to, and Marianne suggests he may have done it on purpose, preferring to lose the woman and savor, instead, the romance of his grief, making not “the lover’s choice, but the poet’s.” But it’s Héloïse who removes, for once, the fixation on Orpheus, his failings, and his loss. What if, she says to Marianne with an edge of defiance, it was Eurydice herself who chose art over staying together, who rather than leave the underworld with Orpheus, stopped and called out “Turn around,” preferring to remain down there and be preserved in poetry. A kind of freedom and a kind of permanence, rather than, as eighteenth-century marriage looks to be, an unwilling exchange of one for the other. — In Portrait of a Lady on Fire, Love is a Work of Art

daharte

Will you come out tomorrow?

bob-belcher

grey-wardens-archive-deactivate

Ki-jung – the facts are she’s the baby in the family, and she does sometimes come off as the most adventurous and progressive, but also very realistic out of the four Kim family members. But in reality, she’s very saddening, sometimes, and very heart-aching, because the amount of tests and exams, and the cuts that she didn’t make. She seems like someone who’d never complain about it: Her only outlet was the little pouch that she hid on top of the toilet, with the cigarette case and the money. But she is definitely someone who would never talk to other people about her problems, and in that sense that’s why it was heartbreaking, because she felt that her only outlet was that cigarette box and nothing else. But when Ki-jung starts going to the rich house, and takes on the role of Jessica, it was very cathartic as someone who was playing that role, because she was finally able to utilise every single skill that she had, and finally was able to use the tools that she’s been wanting to, but was never given the platform to do so.

PARK SO-DAM as Kim Ki-jung/Jessica in PARASITE (2019)