Happy Disability Pride Month!
I made a bracelet for it last year, thought I'd share.
Available for purchase here if anyone wants it.

Jar Jar Binks Fan Club

Product Placement
he wasn't even looking at me and he found me
One Nice Bug Per Day
Mike Driver
The Bowery Presents

Discoholic 🪩

#extradirty

oozey mess
Today's Document
Misplaced Lens Cap
No title available

gracie abrams
KIROKAZE
ojovivo

No title available
Game of Thrones Daily
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roma★

❣ Chile in a Photography ❣
seen from Germany
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@kecharacosplay
Happy Disability Pride Month!
I made a bracelet for it last year, thought I'd share.
Available for purchase here if anyone wants it.
Trying so hard to motivate myself to work on these purses again....😭
Honestly, just trying to motivate myself to get out of bed at all has been pretty tough 🙃
I'm not giving up though. I'm no doubt -very- slow compared to modern standards(unrealistic and impossible to maintain imo), but I'm not giving up 💪
Link if you wanna see what's currently available 💜
I just had to collect all of these responses together in one place
Edit: And one from my friend, who doesn't have a tumblr (yet)
#i keep waiting for someone to address the '18th century looms were huge' claim#like sure some were#but the fact that textile mills had been invented doesn't mean that all home weaving ceased#indeed people still weave for fun or profit in this the 21st century#smaller looms were still being built and used in the 18th century just as smaller looms are still being built and used today#and that's without considering the existence of inkle/tape/band looms which were/are used for making narrower woven ribbons for trimming etc#small 18th century looms absolutely exist
there are thousands of notes and a few people ABSOLUTELY addressed this xD
I wanna add mine! But it still has some assembling to do before I can move on to the next step
...Okay this place *is* better than Reddit.
My wife did a lot of hand crafts while we were dating. After we got engaged, my father piped up that at least she didn't have a spinning wheel. We put it in the doorway the first time my parents came to visit.
Her loom is packed away at the moment so she can work on an uncountable number of knitting projects and metalwork at the moment.
Fibercrafts.
Not even once. You start with "Oh, I'd love to learn the drop spindle" And the next minute your home office is occupied by a loom, you're planting flax in the garden, and considering the logistics of owning an alpaca.
I am reading an interview with a historian that set out to weave the type of textiles that was sold to plantations for use by enslaved people using period appropriate looms.
But because I knew nothing about weaving, everything had to be explained to me, down to the most basic tacit knowledge: things that an eight-year-old girl in 1828 would have known, because when she was not winding yarn around a quill to help her mother, she was working on the family’s loom herself...
The great challenge of our work as scholars—at least, those who are interested in historical reconstruction or the histories of any craft tradition—is that almost none of what we want to know is written down—because it didn’t have to be and it didn’t need to be articulated. So to be in a situation where expert weavers had to talk to me like I was a child was one of the best things that happened to me in the course of my research for this book.
“But I had found a set of instructions in the archives of one of New England's leading manufacturers of low-end woollen cloth for enslaved w
For my textile, weaving, historic textile, history enthusiasts
The interviewer is also a weaver!
SW: ... That’s really awesome. You’ve taught this class now for two semesters. What have you learned from your students?
SR: Their expertise as makers has clued me into historical experiences most scholars have glossed right over. A 1930s Federal Writers Project interview with a formerly enslaved octogenarian might reference a grandmother’s sewing prowess, but then a student will say, No, you can’t just skim over by that! Do you know how many hand stitches it takes to do the seam of a dress? If you’ve never handsewn a skirt (and I haven’t), you might need to be reminded of the labor involved. One student reproduced a 19th-century skirt as her final project, and it was all about the stitches. Their reading of primary sources picked up on things that I missed.
And this took me in new directions in my own research. You might remember a discussion of sewing labor in the final chapter of Plantation Goods and the implication of a cloth’s width for a woman’s work routine. If you know how to cut the pieces for a shirt from a 32-inch-wide piece of fabric, it is going to mess everything up when you’re given a bolt of 28-inch-wide cloth. I had seen letters from slaveholders in the 1830s and 1840s complaining about the narrowness of the cloth and how enslaved women didn’t “understand” these fabrics. This wasn’t transparent to me as a historian. Only with students talking about the expertise involved in cutting cloth into the components of a garment did I realize what a difference it made when, say, a New England weaver was haphazard and turned out fabric four inches narrower than the usual variety. That error would reverberate in the lives of people 1,000 miles away who might face extreme forms of violence because they couldn’t meet their daily production quotas. Or they might experience other kinds of privation—a lack of rags for postpartum women, for example—because a wider fabric left scraps while a narrower one did not.
Very excited to finally share some pictures of my Dread Pirate Frogerts build! I've been thinking about making this outfit for my Kermit for a while now, but the proper motivation to actually get this done was hearing that Cary Elwes was announced as a guest for my local comic convention! So with any luck Dread Pirate Frogerts will be getting to meet the real Westley very soon.
A shocking amount of work went into making this little outfit... I completely underestimated the amount of time I would need to put all this together. Though a good chunk of that was me getting way too wrapped up in perfectionism... ask me how many times I re-did the smocking on the sleeves (On second thought, don't, it's embarrassing). Here I thought I had been con-crunching with Piggy last year... technically, I only just finished Kermit today, and the convention starts Thursday. Lots of internal (and external) screaming was had with this build. I did film the majority of it, with plans to turn it into a full video and reel in the future... maybe once I've had a chance to recoup from aforementioned con-crunch.
My sister just told me about a site called freesewing, where you can adjust patterns from your exact measurements and it will "generate" them — but not generate as in what ShitGPT does, just mathematical tweaking of existing patterns, the way professionals would do it if you were going to a tailor. Many patterns also have photos of people posting what they've made, and it seems like it works really well most of the time. I just thought it seemed like a neat site, especially since i saw a lot of example photos with my build that had gotten some pretty good results. That they also don't sell your data is a neat bonus
FreeSewing is open source software to generate bespoke sewing patterns, loved by home sewers and fashion entrepreneurs alike.
@1kittynoir1 replied to your post:
What did it get used for? 👀
It's not done yet, but it's the facing, collar, and cuffs for the patchwork dressing gown I'm working on! It was less than half a metre of silk/rayon velvet that I dyed in college because the sample we did of that colour was so nice I wanted a bigger piece. (It was PRO MX fibre reactive dye in the colour Marine, and I don't have my dye sample book with me right now but I think it was at 4%. It shows up more green on some fibres and more blue on others, but is always gorgeous.)
I had no specific plans for it at the time, but eventually the perfect project came along, and there was just enough!
I've been working on this thing (intermittently, in short busts) for a few years now, and am finally done the patchwork and on to the construction. I've posted occasional updates on @vincentbriggs and will post photos there when I'm done.
I've also been filming the whole process, so I'll have a video about it up on my youtube channel eventually, but that'll be a while after it's finished because I have so so so many clips and it's going to take a horrifyingly large amount of editing.
It's based on this c. 1835 original, which is a good 50-100 years later than what I usually sew, but I like it and I wanted one.
If anyone's wondering how many triangles mine has, it's 6,957.
Since I've got the time consuming part out of the way I'm hoping I can get the construction done before winter officially ends.
Edit: Why does everyone think I had a bad time working on the triangles?? I loved working on them, it was so satisfying to put lots of little bits of colour together. The reason I worked on it intermittently is because I could not put it down once I got working on it, and would work on it all day for several days straight until I was very tired and sore, and then I had to put it away to stop myself, and then I'd forget about it for a few months.
Also, they're machine sewn. Most of the actual garment construction will be by hand, but the patchwork is all by machine.
I finished my dressing gown.
And besides the velvet, it of course used up a lot of other little bits of fabric!
(Once again, my sewing and other non-dinosaur works are mainly posted on @vincentbriggs)
Video finished :)
It's an hour and 13 minutes long and I say 11,785 words in it.
i want to build up my skill set to one day be able to make something like this!!!! #op this is 1) absolutely gorgeous & 2) so much helpful information! thank u for sharing 🥰 #all the shots of twirling in the finished garment made me so so happy i got a little teary-eyed??? #‘it looks very nice. it reminds me of — you know when people have extra nipples?’ #absolutely Took Me Out i hollered #like that comment toward the end of such an earnest video? so unexpected. so fucking hilarious
Thank you!! Good luck on your sewing! And I'm glad my Very Correct nipple observations were appreciated
This post is getting notes again, and I just wanna add some pictures of other things I've made videos of.
Stripey painted leather gloves.
Velvet mite brooch.
Leaf for head.
Leaf for torso, a leaf sequel, now with added slime mould beading.
Very very long and detailed shirt tutorial, which I also did a written version of. You should make one, it's all rectangles.
and Normal Fabric Waistcoat.
I am very slow at making youtube videos but I post monthly updates on the video stuff I've been working on over on patreon, along with 4 extra dinosaurs a month. (and aaghh I know I've been really really sparse with the dinosaurs here lately, I'm sorry!! It's not intentional, there are just a lot of other things to do and also it's been over 9 years and every year I get a little more tired of drawing dinosaurs!)
Right now I'm editing a video for a thing I finished sewing almost 2 months ago, and it's not even one of my longer videos, I've just been doing other things and stuff.
Oh hey I made another one recently and it actually is a Normal Fabric Waistcoat, unlike the previous one which was candy wrappers.
not to make a long post even longer but I just finished another one about some fancy aprons
Leaf for torso again, this time Bigger.
So a couple days ago, some folks braved my long-dormant social media accounts to make sure I’d seen this tweet:
And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.
So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years. These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing. They had a lot of knowledge, but – here’s the important bit – a lot of them didn’t share it. It’s not just that they weren’t internet-savvy enough to share it, or didn’t have the time to write up tutorials – no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face. Now, that’s a generalization – there were definitely some lovely and kind and helpful old-school costumers – but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasn’t much of a thing. And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc. NOT beginner friendly, is what I’m saying.
Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres. What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female. I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we weren’t inclined to deal with yet another one. They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO. If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone. Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying – and succeeding with – materials that “serious” costumers would never have considered. I was one of those costumers, but there were many more – I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing.
I’m not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all. I’m saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole. That wasn’t necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didn’t share that info I could probably hang on to that edge for a year, or two, or three. And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.
And it changed the face of costuming. People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries. And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud.
So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesn’t that page just scream “I learned how to code on Geocities!”), and having it embraced as a springboard for newer and better things warms this fandom-old’s heart. This is our legacy, and a legacy the current group of cosplayers is still creating, and it’s a good one.
(Oh, and for anyone wondering: yes, I’m over 40 now, and yes, I’m still making costumes. And that armor is still in great shape after 17 years in a hot attic!)
Hang on a minute. I recognize the name “penwiper”. Let me check– Ok, yeah, I’ve heard of this person.
OP also invented armsocks.
Y'all might have noticed that your friendly community moderator has been slacking a bit lately. No updates. No organizing. What the heck was
OP I have been thinking about YOUR IMPACT since 2011. Do you know what you did for Homestuck lmao
Another example of a foundational internet text that millions of people don’t know was so influential.
Our Pirate Eevee group made it out of group chat! We got the photos back from our Sunsetdragon pirate group at MAGfest and look how cute we all look! We all put so much work into these cosplays and seeing the whole crew together is just everything. Honestly, I couldn’t have asked for a better fleet to storm the national harbor with. 😂 Photography by @bradbehlesphoto Designs by @_sunsetdragon_ Glaceon: @ladykubecosplay Espeon: @swordlilycosplay Vaporeon: @samstarcosplay Leafeon: @jettee.lupe Eevee: @ladycels (me!) Flareon: @ladyikaricosplay Sylveon: @fabergemegcosplay
First proper look at my original ‘celestial’ Gale design, created specifically for the Cosplay Met Gala at Katsucon!
I have always been a ‘magic and stars’ lad, so when I saw that this year’s gala theme was ‘Starlight and Sorcery’, I found myself staring at my current cosplay muse (Gale) and went ‘…oh no, what if I did this?’ And honestly, when he fits the theme so perfectly, how could I say no?
I did keep this quieter during the creation stage, mainly because a) I wasn’t sure I would manage to get it done to my satisfaction (or at all tbh) and b) I thought it would be fun to go ‘surprise! Another new Gale besides the camp outfit!’ 😁
I really stepped out of my comfort zone with this, both in terms of designing from scratch rather than replicating AND plucking up the courage to go on stage, and I’m very proud of doing both. So many people came up to me after the stage portion to tell me how much they liked my design and I truly couldn’t thank them enough.
I’ll be sharing more detail photos, as well as a behind the scenes of my thought process behind the design, so stay tuned!
(And as you can see I had a lot of fun photo editing 😄)
Photo by @silhouette-cosplay
My dad is in the hospital after a heart attack, and we're already dreading the bill that's likely to follow.
So if anyone was looking to buy something or commission me, now is the time:
Hello, and welcome to my shop! If you're looking for mass-produced goods, you've come to the wrong place. Everything here is made by hand by
New origami earring options coming soon(ish)
I was having writers block and so I took a break and soon enough it was 3 in the morning and I had impulsively sewn together a tiny mouse you’re welcome
For those of you who asked, I have made a sewing tutorial on how to make your very own Peaches the Mouse!
I see people reblogging this with “to buy” but this pattern is free??? Someone even asked me “why don’t you charge money for it, it took you forever to put the document together” and I said “Not a lot of people have money and if they have some fabric scraps and a couple of buttons lying around they can make themselves a little mouse friend for free and that might make them happy and that makes me happier than receiving money???” Make yourself a liddol creacher! Heals the Soul!
@otiksimr if I learn to sew i will surround you with even more mice
26000 mice + however many sewn ones 😔
Gale’s camp tunic is DONE!! Just under 200 (196) hours of hand embroidery on this piece and I’m so proud of how it turned out.
All that’s left is to finish the detail stitching on the trousers, so I can say with fair confidence that I’ll be bringing this along to Katsucon in Feb 👍 After over a year of working on this cosplay, the end is truly in sight!
Dundas Museum exhibition features forgotten pre-colonial protective outfit recreated by 28-year-old Malcolm Kahyonhakonh Powless-Lynes
LETS GO MALCOLM!
You can watch his series on reconstructing Iroquoian armor here
In which I talk about the history of armor in an iroquoian context and show off my recreations while talking about some of the practical asp
Magic Knight Rayearth Kimonos
Hikaru Shidou | Umi Ryuuzaki | Fuu Hououji
Made by Mutsumi Kimura for CLAMP × Kyoto City: Kyoto Yell! Project, 2021-22
The other major detail about this costume that I love is all that crushed velvet. Which, is actually not crushed velvet! It all carefully stenciled and painted using a semi-translucent pearl fabric paint to create the illusion of damask and brocaded velvet. I think it worked well, don't you?
Photography by ADoylible - Creative Photography
Artwork by @pem.cosplay_art
Plz how did you make the insect charm from Nausicaa? ♡
Howdy, my charm is literally just made from odds and ends from the recycling bin and random bits in my junk drawer.
The main body is a cardboard tube support from a lint roller refill with a paper cut guide glued over top. When it was dry I just carefully cut out the square windows with an exacto knife. Then created some card stock disks to support that green apple sauce cap to the rear end so it looked like a functional bit, and a front lip that were glued on with school glue.
From there I added a length of waxed cord to the middle section and secured it to the tube with super glue. When it was fully cured the entire tube body got 3-4 layers of paper maché using tissue paper and a ratio of 1:1 wood glue and water. This combination makes for a really strong and smooth cover, and the little irregular ridges can read like worn down metal sheeting. When the paper maché was full cured I glued on some wooden beads to the cord and also some little plastic cabochon half pearls with super glue. The beads help weigh the charm if you intend to spin it, but also help stop the cord from wanting to rip off the paper.
The paint was a single layer of high gloss black, then brass and left to dry for a day and a half. The fake patina was made with acrylic washes of paint (viridian green & white) then sealed with a gloss top coat. If this color combo reads flat to you, you may find a brown primer layer more appealing for brass or alternatively a red base for gold.
It turned out pretty structurally sound and does somehow make an odd sound when spun fast enough, though nothing close to the movie. I've got my other wips here if you need them :^)