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Taylor Swift is a Racist Shitfest
I wrote this piece in 2010 or so, in the aftermath of Taylor Swift being interrupted by Kanye West at the 2009 MTV Video Music Awards and the events that followed. Given today's racist response by Swift to Nicki Minaj calling out racism in the music industry, I dug it up and thought it would be the perfect moment to re-share. The original text follows... _______________________________________________________________________
Let me make one thing clear: I hate Taylor Swift. I’ve never met America’s beloved pop/country princess, but I hate her. I hate her music. I hate the return to conservative heterosexual fairy-tale romance values that she represents. I just hate the hell out of her. However, it seems that I’m mostly alone in this unbridled fury. Taylor Swift must be the second coming of Jesus because it’s become damn near impossible to utter a critical word against her. She has an army of defenders willing to stake their lives on the assumption that she can do no wrong and the media has latched onto her as the next (and possibly last) great white hope. Even those few bloggers and critics out there that give Swift and her uber-hyped innocent image a hard time, most still issue the caveat that they don’t hate Swift as a person and in fact respect her talent. But I can’t even say that much. I don’t/won’t/can’t respect her, and let me tell you why…
Strike 1: Taylor Swift can’t stay in tune or strum a guitar to save her life while performing live. I’m sorry but I expect performers to perform competently; something I have yet to see or hear Swift do. Plus, her songwriting skills are weak at best. Yes, they might be catchy, but there’s nothing interesting going on there. In fact, every Taylor Swift song is the same Taylor Swift song. Strike 2: Taylor Swift is a feminist’s worst nightmare. Riese over at Autostraddle.com brilliantly backs up this claim in an article titled “Why Taylor Swift Offends Little Monsters, Feminists, and Weirdos.” Basically, Swift’s lyrics all perpetuate the heterosexual myth of the geeky/shy girl who needs her Prince Charming to swoop in and make her happy. What year is this? Even Disney films know that plot is old fashioned. Strike 3: And this is the big one. This is the one I just can’t forgive. Taylor Swift is a fucking racist! You heard me. Taylor Swift is racist…but no one is talking about it. The way she handled the whole mess with Kanye West and Beyoncé from MTV’s 2009 Video Music Awards reeks of subtle unapologetic racism and frankly, Swift should be ashamed of herself. Let’s rewind: Taylor Swift is accepting the award for Best Female Video and Kanye West walks on stage, takes the microphone, apologizes to Swift, and declares that Beyoncé had one of the best videos of the year. Then…all hell breaks loose. Was interrupting Swift the nicest thing to do? No. Do I care that it happened? No. In fact, it was kind of awesome. West is known for his antics and for some of the most amazing moments in the history of live TV (“George Bush doesn’t care about black people,” anyone?). What did we expect from him at the VMA’s for crying out loud? Let’s put this in perspective though: Swift had just won an MTV award that amounts to nothing in terms of industry clout; it wasn’t a lifetime achievement award, it wasn’t even a Grammy (which Swift has also won). And let’s also not forget, Beyoncé’s video was better. Beyoncé deserved the award. Something was unfair and West sensed it, but his douchebaggery and Swift’s country-bumpkin innocence completely overshadowed the racial politics of the incident. Even West himself was forced to declare that it wasn’t about race, even though it most certainly was. West’s anger (while fueled by alcohol and NEVER directed at Swift herself) over one of the best videos of the year – “Single Ladies” by Beyoncé, a black woman – being ignored was never, unfortunately, heard. Beyoncé was put between a rock and a hard place when she actually won Video of the Year. If she didn’t want to be associated with the backlash that was sure to hit West after the incident, she was more or less forced to invite Swift back up on stage to have her “moment.” Swift proceeded to “oh gosh” and “awww shucks” her way through her thank yous while never mentioning once how gracious it had been of Beyoncé to give her time over to Swift completely. To be clear, Swift had many many chances to minimize the situation: when West first interrupted she could have held on to the microphone; she could have made a joke once West was finished; she could have agreed and said Beyoncé’s video was better and that she didn’t deserve the award; she could have addressed the issue in numerous interviews directly following the event. Swift did none of these things. Instead, she took a step back, cowered, put on the “poor me, small town girl in the big city, deer in headlights” act that she has perfected in both her self-presentation and songwriting (in)ability. She looked straight into the camera and gave everyone her “please someone help the innocent white girl in distress” eyes. She refused to answer questions about West later, sometimes being whisked from the room by her managers when the issue was raised. She plays helpless effortlessly, even though she will be 21 at the end of the year – old enough to drink, vote, graduate college, certainly take care of herself. To America though, she’s perpetually 15 years old and in need of constant rescue. The whole night, and the subsequent treatment of West, was really just a lesson that our racist U.S. history is still with us. We do not live in a post-race (or post-racist) society like many would like to believe. A black man stood up and spoke back to the white establishment for an enormous slight of the music and accomplishments of a black woman; that same black woman then ended up having to apologize for and distance herself from the actions of said black man, instead siding with the white establishment if she didn’t want to be completely demonized; the black woman then disappears into the background and the black man is essentially lynched in the media for an entire year. Sound familiar? We’ve been replaying the dynamic for nearly 200 years; we white people just like to pretend that so much progress has been made because it makes us feel better. So, what started as a somewhat innocent scene that could have faded away itself turned into big black scary rapper Kanye West inserting himself into the accomplishments (dreams) and acceptance speech of the perpetually 15 year old, innocent (read: virgin), sweet-as-pie, white girl Taylor Swift. Oh the horror! The media replayed it as an assault on her dreams and her innocence by an out-of-control black man. West had to go into hiding for an entire year and issue statement after statement, apology after apology, self-help sound bite after self-help sound bite, all so the public could make sure he had paid for what he had done and Taylor Swift received justice. Boycotts of his music were called for. Fans denounced him for his actions. All for doing exactly what we expect and love Kanye West to do on live television – shock us, and perhaps drop a truth bomb or two. And instead of seeing how this was ALL about race, we flocked to Taylor Swift’s side to make sure she was going to get through this. Oh, you might say, but that’s because she was the victim; she was an unwilling participant in all of this. She just wanted to accept her award in peace. Hell no! Taylor Swift is no victim. She chose to play the role of the white girl in distress against the big black assailant while receiving huge amounts of sympathy and probably a significant boost in record sales for doing so. To perpetuate that dynamic is to perpetuate racism itself. That’s where racism lives. It’s in the interactions we have every day; it’s in the default structure of society. If you are not actively challenging racism, you are condoning it. Taylor Swift had a huge opportunity and she blew it. She is in fact a racist and that should unsettle most people. She should receive no credit or sympathy. But did it end there? Oh, no. Fast forward to the 2010 MTV Video Music Awards and Swift’s debut of a new song written especially for West, and also announced her official forgiveness. The song, titled “Innocent,” sees Swift playing judge and jury, offering her verdict that West is finally off the hook. Again, the black man on trial for a crime he was falsely accused of is a familiar occurrence in U.S. history. She’s somewhat unsympathetic to West in the song, telling him, “I guess you really did it this time” while acknowledging that he’s “32 and still growing up,” leading her to finally declare that he’s “still an innocent.” Are you kidding me? Not only is Swift self-righteous here, it’s a completely paternalistic way for a white girl to speak to a black man. Her racism, while arguably subtle before, is like a flashing neon sign here. What I wouldn’t have given to see West interrupt her one more time… Alas, to most of America Taylor Swift represents a return to much more conservative morals and values, an anti-feminist heterosexual romantic ideal, and a throw back to the times when paternalism and more subtle forms of racism passed as progress. Now, we’re supposed to thank Taylor Swift for making it okay to like Kanye West’s music again, as if we need her blessing. We’re supposed to live our lives with Taylor Swift as our moral guidepost, as the savior of America. Forget Jesus, everyone put on your W.W.T.S.D. (what would Taylor Swift do) bracelets.
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Dear White People...
Dear white people of america,
We are racist. All of us. Do not argue with me. Do not pass go. Do not collect $200. Our defensiveness is a major part of the problem. By virtue of being born white in america, we all profit off the privileges white skin affords (and they are many) - sometimes individually, sometimes collectively. We must acknowledge this uncomfortable truth. The quicker we can admit to this reality, the quicker we can do something about it. It’s like standing in the middle of a forest and insisting we are not surrounded by trees. The longer we deny our own racism, the longer we perpetuate inequality, pain, and violence; the longer we remain criminals.
If hearing that you are racist offends you, I don’t care. If hearing that you are racist offends you, you are probably one of the people that need to hear it most…because you are keeping us from moving forward. The first step to fixing a problem is admitting the problem exists. No one can eradicate racism until white people collectively acknowledge our own despicable history, denounce it, vow to decolonize our minds, promise to do better.
We have been raised in a society and country whose default position was and continues to be racist. The United States were founded through enslaving Africans and other people of color. We fought a war for the right to keep enslaving those same people. Think about that for a minute: some of us fought a war - only 150 years ago - in order to protect our right to own another person. Sounds pretty fucked up, right? And don’t tell me the Civil War was about states’ rights either. Please. The Civil War was fought because some states were unwilling to give up their right to continue buying and selling black people. This is our history...
Go to http://www.kevin-allred.com/blog/dear-white-people to read the rest of the post - You won't regret it! :)
Words
Words are powerful. Words are important. Words can hurt. Words can save. Words cut, choke, slice, maim, kill, murder. But words can also bring you back to life.
Today in my class, a student used a word that shocked me. I wasn’t prepared to hear it. In fact, I don’t think I did hear it at first. They repeated it multiple times. Then I heard it. So did the rest of the class. The word was offensive and so outdated that I never expected to hear it in a classroom of mine..
(Read the rest here, pretty please: http://www.kevin-allred.com/blog/words)
Racism, Sexism, the Grammy's & Beyoncé
There are no more excuses; and this is nothing new. You can say Beck released an amazing album. You can even say the Grammy’s are irrelevant in regard to the pulse of music today. You might be right. But, the Grammy’s are still largely watched and discussed and that makes them relevant and political in our pop-culture obsessed contemporary world. We all choose to listen to whatever music we want on our own time, but it means something to see that music get celebrated in such a major way. As Azealia Banks said, it shows all people out there watching what/who is worthy of praise and what/who falls short. These decisions almost always represent and uphold “white supremacist capitalist [hetero]patriarchy” - a phrase bell hooks began using many years ago and remains equally relevant now.
In an industry run mainly by rich, white men, Beyoncé breaks all the rules. Even before coming out explicitly with her feminist consciousness, she was surrounding herself with women — and even more notably, other black women and women of color — in spaces where these same women were underrepresented. From dancers, band members, and business associates, Beyoncé has long celebrated powerful women of color and taken control of her own career in ways that hardly any other black female artist has been able to do while also maintaining a similar level of superstar success. And this is why she scares the Grammy’s. And that is exactly why they did not award her Album of the Year at this year’s Grammy’s. It was one of the biggest snubs of all time, but it also comes off as the Grammy Awards punishing Beyoncé for breaking all those tried-and-true rules of white supremacist capitalist heteropatriarchy. All this exposition is to say, in the clearest way possible: Beyoncé’s snub for Album of the Year this year for BEYONCÉ is some serious racist and sexist bullshit.
Beyoncé broke every rule about what she could and was supposed to release with BEYONCÉ. She created an album with 14 songs and 17 videos in secret and gave it to the world with no press tour, endless teaser singles, or any fanfare at all. This alone is unheard of. The fact that she is a black woman doing things that would prove difficult even for white men in the music industry is truly remarkable. That alone is enough reason to award BEYONCÉ Album of the Year. Further, the album is sonically, lyrically, visually, and politically daring. Aside from 2 (possibly 3) more traditionally commercial songs, the album consisted of sounds and vocals we have never heard from Beyoncé — or anyone else for that matter — before. It drew on music and themes of the past and pushed them to places we didn’t know they could go. That’s what great art does. And Beyoncé’s spectacular art literally stopped the world. As she said on Nicki Minaj’s “Feeling Myself”: “Changed the game when that digital dropped / Know where you was when that digital popped / I stopped the world / Male or female it makes no difference / I stopped the world / World stop…Carry on.”
Unfortunately, to the Grammy’s it looks like it does make a difference. They were never going to give Beyoncé their most coveted award for an album that criticized and vilified the music industry in general (“Ghost,” “Haunted”); proclaimed unequivocal black feminism (“***Flawless”); celebrated unabashed and unashamed powerful female sexuality (“Rocket,”Blow”); exposed the racialized side of poverty in the U.S. (“No Angel”); and critiqued the audience’s own objectification of the black female body (“Partition,” “Jealous”), among many, many other things. People often tell me that when teaching “Politicizing Beyoncé” I’m reaching too far or making something out of nothing - they insist Beyoncé isn’t political. On the other hand, the Grammy’s find her album too political to award. Interesting dichotomy, but one that most black women in the U.S. are all too familiar with.
And Beck released a perfectly fine album. But at the end of the day, that is all Morning Phase was. Fine. And Beck is a white man, so that means his perfectly fine music gets elevated to savior status. That’s not to say Beck hasn’t released great music in the past - he has. But despite being lauded by pretentious music critics everywhere, Beck’s Morning Phase was kind of a mid-tempo snooze. Beyoncé makes music and historic moments that stop the world; and Beck makes music that might very well put the world to sleep.
It’s 2015, but we still live in a world where white men’s art and opinions are prized and celebrated above all else. Even when they prove quite boring. Even when Beyoncé’s name and performance was used to entice the entire viewing public into sitting through an overly tedious, nearly 3.5 hour broadcast with only a tiny handful of worthwhile performances and Prince’s exquisite cameo (“Like books and black lives, albums still matter”). In the history of the Grammy awards only 3 black women have been awarded Album of the Year (Natalie Cole, Whitney Houston, and Lauryn Hill), and that number should have jumped to 4 this year. But it didn’t - because the Grammy’s pretend to honor diversity but refuse to value black women’s art and lives in the most meaningful ways. Beyoncé didn’t need the Album of the Year Grammy; but she deserved it for releasing brave political music/videos that could not have come from any other artist. The fact that she doesn’t have it, despite having 20 other Grammy’s, tells us more about America than we would perhaps like to know: racism and sexism haven’t gone anywhere. They just work differently. They also still work the same.
I Am Kevin...And This Is My Heart
There’s this electronic band called Stars. They’ve never been what I would consider a favorite band of mine, but I’ve always downloaded each of their albums and enjoyed listening over the years. Some songs I come back to; some songs I skip. They write sparse, sad, slightly angsty, but always hopeful ethereal music. Male and female singers trade lead vocals and make beautiful harmonies. They evoke feelings. Most of their lyrics focus on turning the ugly, messy parts of life into ghostly beautiful memories; turning bloody battle cries into enchanted elegies.
Stars released an album in 2003 called _Heart_, and the first track is a song called “What the Snowman Learned About Love.” The song is a mostly instrumental journey through what I imagine to be the unadulterated childhood joy of building a snowman and the sharp turn through the conflicted sadness as you watch your own creation melt away when the sun comes out and warms your skin; a perfect metaphor for life and love. And as the snowman, you can learn that love and life are fleeting - it’s quality, not quantity that counts. All good things are temporary. Just because that good thing melts doesn’t diminish the joy that brought it to be. You can focus on the loss or you can focus on the life. You can focus on what’s gone or you can focus on what it felt like while it was here. You can take the always already melting joy with you in your back pocket as you warm your face in the sun.
This is all a slightly overwrought and possibly pretentious introduction to say, “What The Snowman Learned About Love” begins with each band member offering up his or her heart:
“I am Evan and this is my heart I am Amy and this is my heart I am Chris, this is my heart I am Torque, this is my heart.”
Listening to those words got me thinking: Isn’t it the bravest thing a person can do to show the world your heart?
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So in that spirit, I am Kevin…and this is my heart:
I’m white. You can easily tell when you see me up close. You can even tell from far away. I’m a white man. White as snow. I’m a snowman. But I don’t melt, as desperately as I might want my whiteness, my maleness - the privileges, power, and violence that profit from those pieces of my identity - to melt. Whiteness, maleness only harden on the outside making their surfaces near-fucking-impossible to crack.
My whiteness takes up space. I take up space. I can shrink into corners; I can hide in shadows, but I am still taking up space. Whiteness is still lurking. I can’t disappear, though some may want me to. And they may have genuine, valid reasons. People of color have been hurt, victimized, erased, negated, murdered by whiteness. By my whiteness - because my whiteness is connected to the force and velocity of whiteness as an Oppressive force in the world regardless of my own personal intentions. My whiteness is triggering for people. And I’ve never wanted to hurt anyone. Sometimes I wish I could melt like the snow…but the world would just build another snowman. Same shit, different pile.
Despite knowing all this, despite being constantly vigilant and critical of the space my whiteness takes up, I willingly step into rooms and stand in front of diverse groups of people and try to engage them in conversations about the fucked-up nature of our world, and brainstorm ways to make it better. I don’t pretend to have answers. I try to celebrate and highlight the words of powerful black feminist activists and writers and discuss race and gender in popular culture and how representations might be seen as political. I choose to use black feminist writers as examples of the way forward because black feminist literature is the only writing I have found that speaks to the intersections and complicated nature of making progressive political change happen in a critical, loving, and nuanced way. I do not pretend to have much of anything in common with actual black women living life in what Audre Lorde calls “the mouth of this dragon we call america.” I know, in fact, that I don’t. My privileges afford me many things. My skin affords me an assumption of power. But I have also felt the sting of some forms of oppression, given other pieces of my identity. My pieces may not equal your pieces. My pieces do not always have to contend with racism and sexism; but they are also not completely foreign to those systems. My pieces touch your pieces somewhere in the middle, if only briefly.
Again, I never want to hurt anyone or cause pain. But the very things I do risk me doing just that. And still I do those things. Why? Because I don’t want to live in a world where the only role for an ally is to not be seen; to not take up space; to disappear. We cannot segregate, although we certainly do need spaces in which we can be among people that do not cause us pain; spaces where we can be among our own kinds of people, however we may define that distinction. We need those spaces to heal and regroup. But we also need the uncomfortable spaces. Some people will be hurt by seeing me stand in front of a group of people and speak about black feminism from my own vantage point - even given every ounce of respect, kindness, honesty, vulnerability, and empathy I can muster. But even one person might be changed by seeing a white man stand up in front of a diverse group of people and speak about why the world needs to heed the call of black feminist writers and activists. And that’s a chance I have to take every time I’m asked to speak in a room. Given that chance, I usually, albeit uncomfortably, roll the dice.
And yes, I will ask diverse folks up on stage with me to downplay my own voice and privileges when appropriate - but only if it also will not tokenize those diverse folks or put the extra undue burden on their backs of validating not only their own voice, but my white voice as well. And yes, I will engage in discussion and conversation with audiences as opposed to lecturing and speaking at then, as long as audiences remain comfortable and feel affirmed through that strategy. And yes, I will stand in the spaces where critique and criticism and sometimes even nastiness and rudeness are hurled at my body because that is my job as an ally - but only if it remains a constructive means to work through anger and critique for a common endgame; I will not kill myself or let you kill me.
In the spirit of coalition and collaboration I will do all these things. But in that same spirit of coalition and collaboration, I cannot consciously make myself disappear from all discussion of social justice. I cannot melt and evaporate. Yes, every oppressed community should talk to themselves from within, but we must all also engage in the same dialogues across differences or else the Oppressors win. We are all oppressors (with a lowercase o) in some regard, with some kind of privilege that oppresses some other group, no matter how many other forms of oppression we face on a daily basis. Oppression and privilege are sliding scale - not either/or. If we are to take down the Oppressor (with a capital O), we must see the ways in which we may want the same thing, despite having different methods. If your particular brand of social justice is only about destructive criticism and telling others why they are NOT and can NOT be part of a solution, your politics are often your own obstacle to building coalition and reaching across differences - something else Audre Lorde insists we all must do. She powerfully demands this from her own very specific position as a Black Lesbian Feminist Warrior Poet, but she demands it of all of us across our own differences.
I know that I will make mistakes. And I want everyone around me to call me out for every mistake I make, every misstep I take. I anticipate these mistakes but I will also put myself in the position of making those mistakes because some of the mistakes my privilege affords me to make are necessary mistakes, as they might change one person slightly; my mistakes may hurt one person while igniting a passion in two others to also embark on a journey to change the world. Of course, no one deserves to be hurt, but is it worth one bruise to save a life? Bruises heal, but this world will not heal with out every single ounce of effort that we all can manage to give. And maybe it won't heal even given all that effort. I still want to try.
I will take on bruises and I will help shield you from bruises if I can. I will most likely also inflict bruises in my effort to do the work I still feel is important. I will still speak, but I will also step aside to let other voices speak when there are other voices ready, willing, and able to speak on those same things. There is room for a multiplicity of voices speaking for change, despite the Oppressor trying to silence us. When my voice silences other voices, I will step aside. But why not speak together? Why not speak in collaboration? Why not speak in different spaces, using different registers, tones, notes? Why not speak together and create harmonies like the music I listen to that evokes such feeling from an audience?
I can and will also wield my privilege strategically to sneak into exclusive spaces and share messages that might not otherwise be welcomed when spoken from other bodies or positions. The Oppressor uses these same tactics to silence and placate communities - inserting conservative people of color in communities to downplay critique; normativizing LGBTQ critiques of oppressive systems by making it all about marriage equality. These issues and systems are more nuanced; we cannot afford to be basic in our organizing, strategizing, or politics. And of course in a perfect world, none of this would be necessary. But these tactics might actually work; fighting fire with fire. It might shift the thinking of one person who will go on to shift the thinking of another person. It’s not necessarily “right,” but as Whitney Houston sang, maybe it can be okay. At this point in our collective history, what do we have to lose?
I will apologize for doing the wrong things. I will apologize for making mistakes. Every. Fucking. Time. But I won’t apologize for who I am and for my belief and vision in a better world. And that won’t be enough for everyone. And I will sit in my own discomfort with that. It has to be enough for me. I know my whiteness can’t melt. It is frozen solid. But my hope is that the surface of the Oppressive force of Whiteness can crack. Ever so slightly. Tiny fractal patterns can form - invisible to the naked eye. But nevertheless enough to deflate the monolith of Oppression in all of its forms. And it’s not just whiteness - Oppression includes a multitude of intersectional forces. But we all have to start somewhere. We all have to put ourselves on the line when we are able - especially when our privileges allow us to take on bruises and scratches and battle scars and heal quicker than others. I am sorry for the bruises I have caused. I only pray those bruises were worth it in the long run. I am sorry for the bruises I am yet to cause. If we disagree, I hope we can still work toward a common goal together and not block each other; not destroy each other. We want the same things. We have the same vision. We want the same world. I wish winter was over, but I fear it’s only just beginning. I wish I could melt. But as long as we’ve got all this snow, we might as well use it to our advantage.
I am Kevin…and this is my heart.
Newsflash: The Mormon Church Is Still Anti-Gay
I was a Mormon. For eighteen years - not of my own choosing. Once I reached the legal age of accountability in Utah, I had myself excommunicated from the Mormon Church due to irreconcilable differences. Not only was I disgusted at the regressive, backwards gender and race politics underwriting the Mormon faith, I also was a young queer kid that saw no space for himself within the religion if he wanted to live a political, true, open life that could serve as an example to others. You need to look no further than the recent premiere of TLC’s My Husband’s Not Gay to see how many options exist for queer folks within the Mormon religion.
When I asked my family’s bishop to excommunicate me he was hesitant at first. He recommended aversion therapy (read: shock therapy) in order to “beat” my addiction/attraction. He pleaded that I try one more time to align my life with the precepts of Mormonism. I’ll never forget the actual words he used either: “The Mormon church is like a country club with a golf course, and you are asking us to build a tennis court just for you. Couldn’t you just try once more to play golf with us.” I didn’t want to play gold at all. Or tennis. I just wanted to burn the membership card that got me through the front door of their racist, sexist, and homophobic social organization.
I wasn’t really that surprised by any of this because I already knew that the Mormon church has always been anti-gay. They may feign tolerance as long as LGBTQ individuals don’t make themselves known, question their own place in Mormon teachings, or ask to be included or embraced; but they have never wavered from their staunch party line: Mormons do not condone an LGBTQ lifestyle, which is to say anyone who acts on any attraction outside the confines of a marriage between one man and one woman. Interestingly enough, the one woman side of that equation was only put into play in 1890 when Utah sought statehood and was rejected unless they complied with the anti-polygamy laws followed by the rest of the United States. It was common and even encouraged for marriage to take place between one man and many, many women prior. But that was the past, they say. Now, they just say, “hate the sin, not the sinner.” But when my “sin” is loving another man, is that “sin” actually divisible from me as a person?
Given my own personal experience and knowledge from both within and without the Mormon church, I was quite taken aback at all the headlines that flooded news sites recently claiming Mormons had announced their unequivocal support for legal protections for LGTBQ folks against discrimination in housing and employment. Wow, I thought. Then I read the stories accompanying the headlines. The fine print quickly showed that Mormon support was not unequivocal at all. In fact, their support for these policies was quite conditional, and couched within something quite insidious.
While still insisting that nothing in the doctrine had changed in order to embrace LGBTQ people within the religion, leaders of the Mormon church held an unusual press conference in which they claimed this support against discrimination if - and only if - that same anti-discrimination protection included no one being able to discriminate against Mormons for practicing their religion or beliefs. Of course this was conveyed as language of religious freedom for all, but Mormons were clearly only concerned about themselves.
Essentially, the Mormon church was using the very real threat of discrimination against LGBTQ folks’ housing, employment, and very lives as a bargaining chip for their own gain to discriminate against those some people under the guise of their religion with no backlash. LGBTQ lives are expendable to the Mormon church as long as they can gain their own protection to practice their religious freedom by denying LGBTQ people equal standing within their church and denouncing LGBTQ relationships of any sort. I find this disgusting. I find this to be the definition of anti-gay, or anti-LGBTQ generally.
Don’t get me wrong. I don’t want to be included by the Mormon church. Nor do I think they need to include me if that exclusion is their choice. Individual religions can operate however they see fit, but the government has the duty to protect ALL citizens, whether or not the Mormon church agrees and religious practice and legal protection should not be conflated. The Mormon church is using their own false support for actual real-world issues and dangers that LGBTQ people face everyday to bolster their own already tarnished image in the media. They should be ashamed of themselves.
This is not a political win for LGBTQ people or for social justice, so I reject the headlines celebrating this moment or positioning Mormons as benevolent saviors. Mormons are not being discriminated against and will not be discriminated against because they are a white- and male-led Christian religion based in the United States of America. They have nothing to fear. The people that do have something to fear though are the LGBTQ-identified people that go to job interviews or file rental applications not knowing if their appearance, lifestyle, or general being will offend the interviewer or landlord, thus leaving them unable to pay rent or homeless. And how DARE the Mormon church use this immediate reality for many in order to position themselves as the victims of discrimination.
Mormons are not victims. Shame on them and their disingenuous publicity stunt. I’m not here for their publicity, for their thinly-veiled attempt at inclusivity, or for their misguided attempt at reclaiming a positive public image. Not when the Mormon church causes pain. Not when they exclude. Now when - at the end of the day - they remain just as anti-gay as they ever were.
Why I Will Never Stop Speaking Out Against Mormons & Mormonism
Because it was founded by a known con-man - Joseph Smith (look it up).
Because that same con-man’s first wife (and he had many) left his church because it had no place for strong women.
Because that church was founded on the notion of polygamy and privileging men over women.
Because women are not equal - and can not be equal - based on Mormon teachings.
Because they terrorize congregants by instilling fear - classic cult mentality.
Because the Mormon church is by all definitions a cult (look it up).
Because they didn’t allow Black men to hold the Priesthood until 1979 - WELL after the Civil Rights movement showed them it was no longer “acceptable” to discriminate.
Because women can still not achieve equal standing to men in regard to the “Priesthood.”
Because they continue to advocate aversion therapy to young folks expressing any kind of LGBTQ identity.
Because they continue to HURT all young folks expressing any kind of LGBTQ identity.
Because, rather than enter healthy debate with any of their detractors, they choose to excommunicate them for opposing their beliefs.
Because they told me that I was not good enough.
Because they told me that I was not worthy.
Because they have led people I know to consider suicide.
Because the pressure they create has led people I know to commit suicide.
Because they told me that I could not be who I was/am - or at the very least act on any impulse I had in relation to loving another man.
Because they are more concerned with appearances than with healthy lives.
Because they hypocritically denounce caffeine in coffee while gulping Diet Coke by the gallon.
Because they would rather gay kids commit suicide or delude themselves into a heterosexual marriage than openly embrace diversity.
Because I have seen the damage they have done to my own family.
Because I will never have relationships with many of my relatives because of “Mormon doctrine.”
Because their virtues and beliefs are bigoted.
Because the preach exclusivity rather than embracing the differences that make people beautiful.
Because they will never embrace some of my best friends in the world.
Because they want me to believe my sexuality is my own fault - or a test from God. And fuck that God.
Because they are self-righteous.
Because their religion has existed for only 150 years and they think they have it ALL figured out.
Because they are status quo.
Because they still show pictures of a white Jesus.
Because they don’t even embrace the radical precepts of the Jesus they claim to worship - white or not.
Because the religion is more science fiction than they allow the rest of the world to believe.
Because they operate under a veil of secrecy - and nothing true and righteous need do that.
Because they encourage their members to commit suicide over divulging the secrets of Mormonism.
Because they reenact fucked up versions of Bible stories in their temples.
Because they are pretentious enough to baptize those that have never asked for it - including Holocaust victims who died for their own version of religion and culture.
Because they will never admit that they are flawed.
Because they will never admit that they are wrong.
Because they are wrong.
Because I am not wrong.
Because I don’t want to believe anymore. And I don’t want you to believe anymore.
Because I am better than that.
Because I don’t want to believe anymore. And I hope that you won’t believe anymore.
Because I am better that.
BECAUSE I AM NOT WRONG.
Why's Mike So Obsessed With Bey?
Beyoncé doesn’t often perform cover songs - and there’s no real reason she should. But, lately I’ve been thinking how amazing it would be if she took a page out of Mariah Carey’s book and recorded a version of “Obsessed” and dedicated it to Mike Huckabee. Hey Mike, why you so obsessed with Bey?
Or maybe someone should superimpose Huckabee’s face onto Ali Larter’s body during the infamous fight scene in Obsessed, Beyoncé’s 2009 nod to Fatal Attraction with Idris Elba. That way, Bey could overpower Huckabee in all her cinematic glory. In actually, she will not respond to Huckabee’s recent comments because they don’t warrant her time. Nothing needs to be done. His recent criticism seems so ridiculous and out-of-touch that it’s laughable.
One thing’s for sure though, Huckabee is obsessed with Beyoncé. But, we might actually learn a valuable political lesson by investigating his criticism. It actually proves, as so many other things today prove, that racism is alive and well and the attack on black women’s lives, bodies, and choices in America is just as prevalent today as it was 50 years ago, 100 years ago, ____ years ago - fill in any number; the point stands.
While mentioning Beyoncé in any capacity is a sure-fire way for Huckabee to garner attention for himself, and while his moralizing about other people’s bodies is nothing new either, he is also playing quite the racist - albeit coded - game through his criticism. And while you might have a hard time finding anyone in America (or the rest of the world) eager to take up sides against Beyoncé, there are, unfortunately, a huge number of people that will feel perfectly comfortable aligning themselves with his coded racist language. This is exactly why he quickly expanded his criticism from Beyoncé and Jay-Z to include the President of the U.S. and the entire Obama family.
Here is what’s really going on though:
First, Huckabee completely misunderstands Beyoncé’s music, performances, choreography, and politics, among other things I’m sure. Maybe he should take my course, “Politicizing Beyoncé.” I have a feeling he wouldn’t do very well though; he doesn’t seem to have an open mind or the critical thinking skills necessary for nuanced analysis. Labeling Beyoncé’s music “mental poison” is quite ironic since the real poison is the racist vitriol spewed by the likes of Huckabee and his Fox News compatriots. Beyoncé’s music is innovative, political, feminist, black-affirming, and she is probably the greatest living entertainer today. To collapse everything she does into showing a little skin and performing a few suggestive dance moves (which produce political commentary in most cases) is to miss the point entirely.
Moreover, the language he uses to insult - through his own self-described words of caution - Beyoncé and Jay-Z is the racist language of pimps and hos. This just doesn’t fly on any level, as if calling a woman a whore in any regard in this day and age could possibly be deemed politically correct. When race is taken into account, a white man calling a black woman a whore and blaming the black man she is married to for pimping her out is such regressive language it would actually seem like a punchline to a terrible joke if Huckabee weren’t so earnest about it. What year are we living in again?
This whole analysis also completely erases Beyoncé’s own agency and control of her own career - Jay-Z may be powerful, but he does not decide what Beyoncé does or does not do. The move to ascribe agency only to Jay-Z and to paint Beyoncé as an unsuspecting participant in his criminal behavior speaks more to Huckabee’s own fear of a powerful black woman making her own choices than it does about anything Jay-Z and Beyoncé may be doing in their careers or personal lives. Zerlina Maxwell spoke to this same fact on Politics Nation with Al Sharpton, saying “Beyoncé scares a lot of…older white men because she is explicit about the fact that she owns her body. Her sexuality is hers and she chooses to express it and has agency in doing so. And that scares a lot of folks that don’t want women to be equal to men.”
If it wasn’t clear already, the move to the Obamas, further solidifies Huckabee’s as explicitly racist rhetoric. Because it turns into an attack on the black family in general and black women in particular, at the expense of Beyoncé - as both an artist and as a close personal friend of the Obamas. Jay-Z and Barack Obama seem to fade away and the argument becomes a critique of the job Michelle Obama (and I’m leaving aside what kind of backlash would have followed an argument like this leveled at any previous President’s children and family - which could be a whole essay unto itself) has done raising her daughters Sasha and Malia - because, after all, with Huckabee’s regressive gender politics, you know he believes the raising of the children is solely the responsibility of the woman of the household. So now we have two black women and two black girls at the center of a white man’s criticism about parenting and morality. Sound familiar? Moynihan? Reagan? So many more? Hmmmmmm…
Michelle Obama becomes the irresponsible, all-around-bad black mother for setting a terrible example by listening to Beyoncé herself, while committing the additional crime of letting her daughters listen as well. Forget that Beyoncé is producing some of the most empowering and affirming mainstream music for young black women today, because Huckabee has already missed that point. Beyoncé herself becomes the bad black influence that taints whatever she touches. And Sasha and Malia Obama become the already corrupted young black girls lost to the dark side - pun intended. They are victims but also at fault - after all, how could it have been different having come from a family that supported Beyoncé’s music?! Forget the agency and critical thinking skills of all the above involved. Huckabee certainly does.
Melissa Harris-Perry has described the world as appearing as a crooked room to black women due to the myriad stereotypes they encounter on a daily basis. She says, “One way African American women try to help their daughters stand straight in the crooked room is by telling them inspiring stories.” Sometimes these stories come through music. Perhaps Michelle Obama allows and even encourages her daughters to listen to Beyoncé because Beyoncé offers powerful and political alternatives to black women through her music - about what black women can be in a world set against them; about what black women can accomplish and achieve when they are constantly shoved down. Just because we have one black President does not mean obstacles to equality do not still exist. The Obamas know this. Perhaps Beyoncé is an inspiring story to offer their children. And maybe Beyoncé makes empowering music to pass on to her own daughter. Huckabee just doesn’t seem to have a clue.
Beyoncé has never advocated sexuality without agency or empowerment. She has never stooped to using sexuality just to sell records like most other artists today. She has never provided a bad example. She has made a career out of empowering women, creating music where she is in charge - and on the few occasions where she isn’t in charge, her lack of power serves to illuminate a political point about the current crises facing black women in the world today. And, yet, she still can’t win. She still gets criticized. It’s a double-bind; a catch-22. And it’s the political and social situation of black women in America today: damned if you; damned if you don’t. We have a powerful black woman in the White House, along with her two confident black daughters. And they are being vilified for listening to the music of another dynamic, uncompromising black woman. And people will say that racism is dead. And people will say this has nothing to do with race. Or gender.
These are rigidly-ingrained problems that so many of us are trying to negotiate and rectify.
But honestly, right now, I just want to tell Mike Huckabee to shut the fuck up.
Tattoos & Stuff
I got my first tattoo for my 30th birthday - a late start by most accounts, but when you see me, you know I quickly made up for lost time.
I had always wanted tattoos. I loved the look, the danger, the visible refusal of all the “morals” and values I was raised to believe as a good Mormon boy. Tangible reminders of my own difference - as a gay kid, as a feminist, as an anti-racist, as everything that stood in stark contradiction to white, conservative, Mormon Utah. Not just as a reminder to myself, but evidence to all those around me that I stood out; that I was different. And I was proud to wear that difference. But I was scared. I was terrified. What if I didn’t like a tattoo once it was done? What if, years down the line, I regretted my decision? I spent 30 years wrapped up in fear and regret of something that hadn’t even happened.
It was much like the obsessive-compulsive disorder I also struggled/suffered with: spending much too much time obsessed over a possible negative outcome that may or may not ever come to be. Wasting away in the present moment in the hopes that sometime in the future, I could be content. The problem was, every hoped for moment was quickly eclipsed in each new present. Such is the movement of time. Each present traded for a past that could have been different; while each future pushes its way into the narrow confines of a new present. One exchanged for another. Everything stays the same.
So I waited. Always thinking tomorrow would be the day I got that tattoo I had been planning; insisting tomorrow would be day I really tried my best; always thinking tomorrow would be the day I finally went all-out for that dream I hoped to realize. After all, if you haven’t gone all-out yet, you can’t have completely failed. You still have another chance. And then I turned 30 - and I was still waiting. Saying tomorrow, tomorrow, tomorrow…
In most regards, I wasn’t actually living until I turned 30. Until the needle hit my skin for the first time. Until all that pain that I had felt for years - for not being the “right” kind of person according to family, friends, society - was concentrated in points on my skin. People say tattoos hurt - but I think living hurts more. The needle was letting the pain out; replacing it with ink that mapped that pain. Opening my body up to the world; letting the hurt I had swallowed all those years slowly bleed out me. And there’s certainly a lot of hurt trapped inside.
There’s no advice to give about what finally made me sit down in the chair and go through with something I had wanted ever since I was young. I just did it. I just woke up one day approaching 30 and realized I could be a 30-year-old man and still a baby simultaneously. I’d been terrified of living, of trying - and so I spent 30 years just planning to finally be me. Maybe I would fail, but being truly me was worth a fucking try.
Now, my tattoos are metaphors. My tattoos are therapy. My tattoos are my way of letting go of control, planning. My tattoos are me embracing the moment. My tattoos are me changing. My tattoos are change. Octavia Butler wrote “All that you touch you change. All that you change changes you. The only lasting truth is change.” And I want to change, I want to be change, I want my life to be a lasting truth. So I mark myself, I tattoo myself, and I let go.
Yes, most people find other, less permanent, ways to embrace the present moment. That’s fine. I choose what I choose. My choice is mixed with pain and reward because such is life. I get tattoos spontaneously because I like the lack of planning - it’s the only space in my life that I can relinquish a plan. It may be expensive, but so is 50 minutes out of every hour on the couch of a licensed professional.
I don’t love every single tattoo I have - but I love the moment that I chose to get each tattoo. More than the symbol itself, the moment stands out in my mind. I love each undetermined feeling of my broken skin letting out all that pain, not knowing what the healed version will look like. Because that’s all I am anyway: a work in progress. It’s what we all are. Puncture wounds waiting to heal. And maybe the healing will leave scars, maybe it won’t be pretty, but it will always bleed. It will leave its mark - visible or not. I choose to make that hurt and healing visible, over and over again. And maybe, if we’re lucky, the healed product can be beautiful, it can be art, it can be exquisite. And if any attempt falls short, there’s always more skin…
Dirt
For most of my life, I felt like dirt. I don’t mean that I felt kinda crappy and sluggish; that nagging feeling that something was always wrong. No, I mean that I felt like I was the living equivalent of the dirt on the bottom of your shoe. I was taught to feel this way. I was conditioned to feel this way. I was expected to feel this way. Being the conscientious, straight-A student I always was, I passed with flying colors.
A lot of people from my early years will probably want to argue with the above statements: “Of course we didn’t want you to feel like that;” “We weren’t talking about you;” “Love the sinner, hate the sin;” etc. etc. The point is there is no real differentiation there. I am not an exception to your rules; I am, I hope, the rules I set for myself.
I was raised in ultra-conservative Logan, Utah…and I’m gay. I wasn’t supposed to be, according to those around me. According to them, no one is supposed to be. But these are the facts. I’m actually lucky to only have to deal with society-as-oppositional in regard to my sexuality. Others have it much worse. After all, I’m white and more-or-less gender conforming; if I keep my mouth shut and my head down, no one bothers me. But as I grew up and kept my head down, my eyes were always focused on the ground; on the dirt they told me made up my very being.
And despite the warrior spirit I have cultivated and maybe was intrinsic to me, it still hurts. You can’t outrun hurt. It catches up to you and you just have to feel it. I was raised in an overwhelmingly Mormon household and community. I only remember a handful of people I even came into contact with throughout high school that were not Mormon (It turns out these same handful of people were some of my very best friends. Coincidence? I think not…) It was made very clear to me at a young age that there was only one way to be: tow the line; you’re with us or against us. I was happy to oppose these tenets on rebellious principle, but in the back of my head, I always resented the fact that Mormon doctrine taught “good” Mormons that they were being benevolent by extending themselves and dealing with those that had different viewpoints, while never acknowledging or challenging the core tenets of the Mormon religion that foster inequality and discrimination from the outset. In other words, I don’t want you to love the sinner - AKA, me; an actual person - while hating the sin - AKA, everything I do and believe in. Does no one see how disingenuous and hypocritical that belief actually is? And I know it’s not restricted to a Mormon faith; but they seem to have a particular and familiar (for me) way of patting themselves on the back for being able to dissociate a person from their beliefs; the same disassociation they would never be comfortable with if it were applied to their own lives and beliefs.
In the Mormon faith, I am dirt. Please don’t argue me on this point; it is quite apparent to anyone that studies Mormon scripture and faint, and I have no desire to argue semantics. I internalized that contamination, probably from the time I was born; certainly from as far back as I can remember. I still live with the consequences. The real insidious part of internalization is that it does not go away, no matter how much you may want it to. No matter how much you know better. No matter how much you learn. The homophobia of the religion and the people I was raised around/with is a part of me. A part I constantly fight, yes; but still a constitutive part of what made me. Being cognizant of that fact, doesn’t make it easier or make it hurt less; it just pushes it closer to the surface.
And being that close to the surface, internalization - an internalization I would argue the Mormon church endorses, encourages, and intends - turns into other things. In my younger years, I considered suicide; even planned it out one night and, thankfully, just cried myself to sleep trying to work up the courage to go through with it. But what I’m left with also sometimes feels like suicide. Just a prolonged kind of suicide.
Spoiler Alert / Confession time: possibly the one thing that most no one knows about me - the one thing I try to keep under wraps at all times - is the fact that I’m afflicted by pretty severe obsessive-compulsive disorder (OCD). And it has debilitated me on more than one occasion.
Just like I was taught long ago, I feel that I am dirt - or rather, I am dirty for being who I am and so am destined to be inevitably contaminated and diseased because I am who I am. This belief was instilled in me - tacitly - by my family, my community, and the culture and religion in which I was raised. Symptoms began to manifest themselves in high school - the same time I began to try to come to terms with my own sexuality. But my attempts at independence and empowerment backfired. Or maybe they imploded.
I may have appeared confident, cool, and collected on the outside, but all the while I was worrying that clean laundry out of the dryer would be contaminated by disease if I grazed a wall as I carried it to my room, which necessitated me to start completely over and throw it back into the washer. While I wore a “fuck you” menacingly look on my face in the halls of my high school, I figured any unspoken thought that belied same-sex desire somehow turned my boy dirty. I became dirty to myself and a source of contamination for those around me. As an intelligent person, I knew this made no logical sense. But as a young person trying to deal with internalized contradictions about the way the world was “supposed” to be and the different ways that my own experience challenged that, these were matters of life and death.
I’ve had intense panic attacks. I’ve collapsed under the metaphorical weight of the possibilities of disease. I’ve washed my hands hundreds of times a day - until they cracked and bled - and then washed some more. I’ve memorized where band-aids were stuck on sidewalks so that I wouldn’t come anywhere near them on my commute. I’ve thrown out $50 worth of brand-new cleaning products after carrying them home from CVS because the cashier that checked me out mentioned going to the doctor to a co-worker as I stood in line; thus, “infecting” my items as she checked me out. I’ve taken 6 or more showers in one day, until my skin was raw because I couldn’t make myself feel clean. I’ve cried, not wanting to take a 7th shower, but continuing to do so because I didn’t fell clean with out it. And the trick of OCD is, I didn’t feel clean after it either.
Where do these feelings come from? Who taught me I wasn’t clean in the first place? Who planted the seed in my head that certain things were “dirty” and needed to be avoided, all while those same thoughts seemed so natural and normal to me? Yeah, maybe the wiring in my brain was genetically disposed to imperfections and probably faults, but without the cultural conditioning that I was wrong - that I was literally DIRT - those tendencies may have found other outlets. Maybe with even stronger cultural conditioning, I wouldn’t be here to tell this story. Maybe with none of that cultural conditioning, there would be no story to tell.
Luckily, I have managed the OCD (mostly) successfully for the past few years. I haven’t found myself spiraling out of control - crying in a scalding hot shower still not feeling clean - in over 6 years now. But it’s happened. And it could happen again. And it could happen again after that. And no matter what, the thoughts are always with me. Even when I don’t act on the impulse to wash my hands or take that shower, the thought crosses my mind. Because I was programmed to think that way. And while I may suffer for it all, the joke is still on the Mormon community that conditioned me. Because somewhere the wires got crossed and they’re condemnation never served as an actual deterrent to my feelings. I trusted myself more than I trusted them.
Now, every time I feel that dirtiness, every time I feel like the dirt under you shoe - which is much more often that I care to admit, I experience a brief sadness. But not a sadness for myself. It’s a sadness for everyone that tried to make me feel like I was unworthy. Yeah, I could have had a different upbringing - for better of worse. But each time I give in to the impulse to wash my hands because I feel dirty for no reason AND for each time I resist the impulse to wash my hands because I feel dirty reason, I choose to feel sad for those sorry, petty people that can’t open their minds wide enough to see outside their own experience. Because I’m here, whether or not they believe it; whether or not they want me to be. I scramble and I struggle and I survive. And if they keep working against that reality, there is a beautiful world they will never see. There is a beautiful world they will actively prevent. That beautiful world includes a lot of wonderful, dynamic, diverse people: their children, neighbors, friends, etc. That beautiful world includes me. And I choose that beautiful world. All the ugliness is on them…
Analee
I’m a small-town boy. Still, I always thought I would do great things. Or…I always imagined that I would do great things. Or…I always dreamt that I would do great things. While falling asleep at night, I concocted scenarios where I was being interviewed by Oprah because I was a big-shot celebrity; or where I was ducking out of the back of venues after performing sold-out concerts to avoid being trampled by overly rambunctious fans. I practiced my ingenious answers to questions and daring escape routes. I schemed these things curled up in the comfort of my twin bed in my parent’s house in Logan, Utah. (Don’t worry if you’ve never heard of it; it’s unremarkable.)
I was an insular kid - never had many friends. Most of the friends I did have didn’t know anything about these dreams. Most of my current friends don’t even know these dreams. Hell, these were my personal fantasies - and they all involved bidding goodbye to the sorry, sad town that raised me. In high school, my best friend and I planned our future: we were going to move together to New York City, where she could go to school - probably for psychology - and I could attempt to make a living singing the songs I wrote. But plans change; things happen. Life moves in unexpected ways.
On December 26, 1997, my best friend was killed in an automobile accident. One second was Christmas and presents and carefree; the next was tears in her empty bedroom. They said it was immediate and she felt no pain. But how can anyone say? I wasn’t with her. I hadn’t even been spending that much time with her in the previous weeks because life happens - especially in high school. Friends revolve around different orbits and we were currently in a kind of aphelion, waiting to reconnect as our axes realigned. That all makes it sound much more dramatic than it was. Not a fight or even disagreement; just a temporary lapse in connection that people look back on or forget altogether as inconsequential over the course of two long lives. But what if one of those lives is cut short? Without permission or approval. One minute here; the next, a crushed, empty version of her already broken body.
And what about the pieces she left behind? Maybe they were meant to be buried only to be discovered at important intervals, like treasure. Maybe she shattered to give a small bit of herself to each person that demanded a piece of her and her existence. Maybe we’re all stretched that thin and we’re just unfinished prototypes, trying to learn to break. Maybe she was too perfect for this world: maybe our hearts would have burst if we had known her for one more day. Or maybe she was just so, so, so tired and needed to finally rest.
But how do we put our pieces back together again? How do I reassemble the person that I was? We all have broken pieces; we all have insecure spaces. Maybe the imperfections make us more perfect. Maybe our cracks and our breaks shatter us to show that we were broken to begin with. And being broken is beautiful.
I don’t believe in a god. A god wouldn’t do the things that have been done, and the things that will continue to be done. A god wouldn’t force us to feel the kinds of pain we feel. A god couldn’t bear it. Just like we can’t bear it. But we do. We do bear it…
We are stronger than the gods we imagine. Hearts break at random. Lives end for no good reason. But I choose to believe in my friends. Especially those that are no longer here. And I believe in myself. And I choose to put myself back together each time I fall off the wall and shatter. Sometimes I soak the broken pieces in whiskey. Or food. Or sadness. But seasons change. And I rebuild.
And I always feel the terrified, shy boy from Utah inside of me. He cries. He ducks his head. He defers. He doesn’t dare to be much of anything. Then I remember his dreams. And I remember my friend. I remember our plans. I remember that she believed in me when I didn’t believe in myself. And I remember that now, 18 years later, I do live in New York City - just like we planned. It took me a lot longer to get here, but here I am. And I’m speaking, and singing, and writing, and teaching. And I think Analee would be proud of me. She would be here if she could. She would plant a piece of herself here, if her pieces aren’t here already. She would look straight into my eyes and say, “Kevin, we did it.” And yet there’s so much more to do. There’s so much farther to go. I will carry her pieces on to so many more great things…
Crying Rivers...
I write to you as writer; someone who uses words as weapons to combat violence, bigotry, intolerance.
I write to you as a speaker who tries to use his voice to change the world.
I write to you as a teacher in America with a broken heart.
My heart is broken for my country, for young people around the world, for those subject to brutal violence every day for no other reason than they were born in a certain place, a certain time, a certain skin. While those in power shoot tear gas at those raising their voices and standing in the line of fire, tears flow from a wide variety of eyes. And tears pool at our feet - from Ferguson to New York City to Palestine to Peshawar. Our various oppressions wear different masks, but they all have the same dry-eyed face underneath. And it is our tears that run a river between these sites, between our grieving hearts. Tears stain our faces like battle scars, but tears also wash us clean. We are still able to cry and that means we still feel, deeply. We still have power, even when faced with the most hopeless circumstances.
In the background as I write, I hear Emeli Sandé singing; a meditation, an incantation, a prayer. “If you’re too proud to follow rivers, how you ever gonna find the sea?” It makes me think, maybe we need to find the movement in the tears - the rapids in the river - and ride them to a response. Those people behind their masks don’t see our tears, or they pretend not to. They cast their eyes aside as we cry. Our tears make them uncomfortable. And that’s why they are powerful. It may not seem like much, but it is a mighty connection. We are the tears, we are the river, and we can run its course.
I am a teacher and my job consists of standing in front of groups of people, mostly young people, and helping them believe that our world is still a decent place to live, a place worth saving. And honestly, there are some days when I am unsure. But, I am a drop in the river and I hope my ripple can help chart a course. And Emeli Sandé is still singing a mantra:
“Follow me
I’ll be your river, river
I’ll do the running for you
Follow me
I’ll be your river, river
I’ll move the mountains for you
Follow me
I’ll be your river, river
I’m here to keep you floating”
I want to tell my students that it’s okay to feel. It’s all right to break down. It’s acceptable to lose sight of the goal and be torn up inside. It’s normal to be unsure and lose hope once in a while. The world doesn’t happen in textbooks. Our lives unroll in front of us whether or not we have finished the assigned chapter on time. Strength waxes and wanes. Sometimes tears teach us more about ourselves than an A, a C+, or an F. There’s so much required reading in college, but where is the required feeling? If nothing else, I want to teach my students that it’s perfectly okay to cry; that it is powerful to cry; that it is revolutionary to cry.
Remember, those in power have used the threat of dripping water as a form of torture, a way to slowly drive a person insane. But are those same people in power prepared for us to turn the tables? What are tears, after all, but dripping salt water. Our tears fall one by one, and sometimes cascade down, onto the face of our enemy. And they can sting if we stand strong. We are sad. We are unsatisfied. We are crying. And something must be done.
If you haven’t yet shed a tear, with all that’s going on in this world, I urge you to ask yourself: why? How can you remain unmoved? Are you part of the problem or do you want to be part of the solution?
"I hope these words kill you..."
Text from above follows if you can't read it:
December 4, 2014
Dear America amerikkka,
We have a problem. You’ve been sneaky and you’ve gotten away with it for far too long. All along, in fact. You cloak your racism and bigotry in patriotism. You make it impossible for those oppressed to appeal for their rights, safety, and very lives because you are the masked force denying them in the first place. You scold us for destroying your property. We beg you for our lives. You instruct us to be patient. We plead with you for air. We can’t breathe. The air is toxic - it’s filled with the ash of our ancestors, friends, family that you stole from us. When we won’t comply, you beat us. When we question, you kill us. And that’s not enough. You pollute our memory to all within earshot once we’re gone. You blame us for our own murder. You call us thugs, no good, criminals simply for existing. This is a genocide - but we’re not surprised because you’re no stranger to genocide.
I grew up in religious, conservative Utah - white faces as far as the eye can see, including my own. I remember one black girl in my kindergarten class and I remember her name was Adejoke, but by 1st grade she had moved elsewhere - hopefully somewhere more welcoming and affirming. I’ll never know where she went or what happened to her or the story that brought her to Utah in the first place. I hope she is well. I didn’t see another black face in my town until college. Where were they? It’s easy not to think about race and racism when you only see white faces - in school, on TV, in the movies.
There were a number of reasons I “woke up” regarding these issues - one being that even in that homogenous white environment, I was different. I’m gay. But my skin is still white and I am usually able to walk in the world unscathed. But my background taught me what privilege is. White privilege. I have lived it, benefited from it, learned to recognize and criticize it, even co-opted it for my own purposes. I’ve been disgusted by it, sick to my stomach because of it, and hopeless because it seems so pervasive. It remains unrecognized by those that need to recognize it most. And when your beloved privilege is challenged, you shoot us with tear gas. We’ve tried our best and it’s not enough. YOU ARE WHAT’S WRONG, AMERIKKKA - NOT US!!!
You have no morals or conscience to which we can appeal. You have no sense of equity or fairness that we can lean on, trust in. We have our bodies, we have our rage, we have our voices. And I hope these words kill you. I hope each syllable stops your beating heart. I hope each consonant hits you like a bullet, tearing up your insides like you have torn up countless communities and bodies. I hope each vowel is a noose around your neck. I hope every noun annihilates your existence. I hope every verb paralyzes you. I hope every adjective cuts an artery and every adverb stabs your soulless body. I hope these words haunt you each night and leave you terrified to leave the house during the day. And even if all this came to be, you’d still be getting off easy.
We cry our tears dry. We gasp for any available oxygen. We stand on soil still soft with hundreds of years of innocent blood, while evil still flows through your veins. I hope these words kill you, Amerikkka. Until you die, none of us can be free. Until you die, we simply can’t breathe.
Sweet dreams,
Kevin Allred