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Corsets & Carnage, Garters & Gore: Why Women Love Horror as much as they love Romance

After the incredible output of female driven horror in 2014-2015 (A Girl Walks Home Alone At Night, The Babadook, Honeymoon, Under the Skin, Shrew’s Nest, It Follows, Crimson Peak.) it is clear that modern horror is exploring the dark and complicated side of being a woman that no other genre is currently doing as well on-screen. READ MORE

steelplatedhearts

if I was ever the kind of person to write a thesis this is what it would be on attn @c-has-a-blog

m-has-a-blog

YES LOVELY

g3lc0r3

Various blow up chairs and couches rainbow edition

davidsfincher

"Burrow and snug to your heart's contentment. Use my high body temp to warm you." | Kelvin & Keefe in their matching PJs

Uh

naogardunoyou

funeral procession (miss you forever) I - IV, 2024, oil pastel on paper.

drawings of photos from the 99 highway in my home province of British Columbia during the past three years of driving up and down from city to town at midnight to catch planes to get to funerals.

asakoizumiya

HERETIC (2024) dir Scott Beck & Bryan Woods

souvenirsofsurgery

Horror Movies on Internet Archive

Spider Baby (1967)

Black Christmas (1974)

Carrie (1976)

Suspiria (1977)

Alucarda (1977)

Possession (1981)

An American Werewolf in London (1981)

The Evil Dead (1981)

Evil Dead II (1987)

Army of Darkness (1992)

Basket Case (1982)

The Thing (1982)

The Return of the Living Dead (1985)

Re-Animator (1985)

Bride of Re-Animator (1990)

The Lost Boys (1987)

Nekromantik (1987)

Elvira: Mistress of the Dark (1988)

Tetsuo: The Iron Man (1989)

Singapore Sling (1990)

Man Bites Dog (1992)

Braindead (aka Dead Alive) (1992)

Ghostwatch (1992)

Perfect Blue (1997)

Cure (1997)

Pulse (aka Kairo) (2001)

gonetocroatoan

Sneha Solanki ‘The Lovers’

Two networked machines, one infected with a virus, slowly infects the other through the interface of classic romantic poetry.

A breakdown in the relationship was inevitable once the virus had seeped into the memory of one machine and then into the other through a singular network cable affecting the poetic text files. Communication between the two deteriorated, leading to irrational & at times odd behaviour. Each machine reacted with equal confusion and conflict. The interface text became an illegible poetic mutation of itself.