RMH

ellievsbear

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Aqua Utopia|海の底で記憶を紡ぐ
almost home

oozey mess
🪼
One Nice Bug Per Day

#extradirty
wallacepolsom
Misplaced Lens Cap
Xuebing Du
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taylor price
todays bird
h
$LAYYYTER
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Product Placement
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@kirkwallhellmouth
is okay you do not need hard drive. i remember computer for you.
thank you for teaching me important tech vocabulary @kirbymybeloved
happy pride from the trans flag on the floor in deep space nine
I always say: Star Trek: Deep Space 9 started in 1993 and ran until 1999, and the trans pride flag was designed (by Monica Helms) in 1999.
The carpets on Deep Space Nine aren't Trans Pride flag colored: the trans pride flag is Deep Space Nine carpet colored.
hey, that dogs whole job is to point at birds, and it is indeed pointing at a bird
What more do you want?
That German shorthair pointer is sure pointing.
I am once again begging people to realize that AI checker doesn’t work. it’s never worked. it’s notoriously known to have flagged human-made works as AI and AI-generated works as human-made. and by feeding it people’s works, you are feeding more works to AI, because apparently the machine itself is AI.
the only thing AI checker does is harm genuine artists and people in general too.
one simply must not underestimate the amount of intense transandrophobia that comes from self-identified TMEs & other trans men. & one must not underestimate the amount of people that would be considered "TMA" and trans women who get treated like shit for calling out anti-transmasculinity.
this is why the problem of anti-transmasculinity in trans spaces is not as simple as "non-transmascs need to stop talking over transmascs on transmasc experiences" because while yes that is true! the real problem is anti-transmasculinity as something we all internalize. our goal should be collective healing through unlearning anti-transmasculinity, so we can treat each other better and be more effective in resisting oppression, not treating different trans groups as warring factions.
(additionally there are people who don't identify as transmasculine who are still affected by anti-transmasculinity, or who otherwise contribute in valuable ways to the discussion on it; "talking over" does not mean "talking at all.")
excerpts from erin in the morning's article on the ioc's ban on transgender women and sex testing policy
in happier pride news i actually found this deeply heartwarming
that's solidarity baybeeee
Further context: Durham city council (Reform UK) cut funding and support for Pride. The Durham Miner's Association and other trade unions raised enough money for Durham Pride 2026 to go ahead - a direct call back to when Lesbian and Gays Support the Miners (LGSM) raised money for mining communities when Margaret Thatcher seized union funding during the miner strikes of 1984-85.
At the 1985 Labour party meet, the motion to support LGBT rights as a party was passed due to a block vote from mining unions.
Stephen Guy, the chair of the Durham Miners’ Association, said that when it became apparent Durham Pride was under threat, he took it upon himself to “encourage the trade union movement to step up and do the right thing, and stand shoulder to shoulder with the LGBT+ community […] They not only raised funds for us, but came to our communities, uplifted our spirits when they were down, and showed their solidarity.”
2025.11.22 TOKYO TRANS MARCH @ SHINJUKU
linked tree (includes options to donate to Ghanaian projects)
petition to show support
It's one of many reasons that workers tell Polygon they are eager to unionize.
Employees and developers working on Magic: The Gathering Arena say they were hired with promises of remote flexibility, so they bought homes and built lives around those assurances. But they say they are now being told they may need to relocate to Washington state — or effectively lose their jobs.
Those concerns are a major reason why a supermajority of workers on the Arena team are attempting to unionize with the Communications Workers of America, under the banner United Wizards of the Coast. The group publicly launched its campaign on April 27, calling on Wizards of the Coast and parent company Hasbro to voluntarily recognize the union by May 1.
These employees are doing important and laudable work in response to being forced into a bad situation but I’m glad they still took the opportunity to call themselves “United Wizards”
WotC has still refused to recognize the union and has escalated to sending organizers letters directly to their homes about how unionizing is a bad idea. Luckily, our United Wizards are educated, organized, and agitated and the form letter from Hasbro was as laughable as it was threatening.
If you want to help out the United Wizards you can sign this petition
cwa.org/uwotcletter
Solidarity baby!
my hottest take
Counter point, those machines can make me a peach sprite.
guys did you know the tech in that nefangled machine revolutionized preemie healthcare
yeah the guy who invented them made incredibly precise infusion pumps (as opposed to gravity fed ivs) which not only meant they could give medications to teeny tiny babies safely, it's also used for insulin pumps and portable dialysis machines. the key element is that it's a peristaltic pump so the liquid stays in sterile tubing for safety
(unholy drink cloaca uses it to dispense precise amounts of flavored sugar syrup)
Then how the haters loved him,
As they shouted out with glee,
"Unholy Drink Cloaca
You'll go down in history!"
You DON'T get this on any other site in quite this format.
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
#'this is present in the text' is often a good first step #but those second and third ones (naming it; describing its function) are vital (via @elucubrare)
unrestrained summer fun
every year around late may, without fail, this post starts getting notes again . and my little wet raw chicken breast of a brain gets puzzled. because i forget that summer is , in fact. a yearly event
has no one submitted the no parking signs on I-95 just outside of St. Augustine for the 22nd??
Official ominous sign sign sign sign sign sign sign si
Consider this (based on a conversation I had with some friends a while ago): Pride and Prejudice and Zombies for people who actually like Pride and Prejudice. Look–I tried to read Pride and Prejudice and Zombies and I got about 20 pages in before I came to the conclusion that the person who wrote it did so out of the belief that the original Pride and Prejudice was stuffy and boring. There were out of character vulgar puns. And the trailer for the movie did not convince me that I had missed anything by cutting short my reading experience. So, what I’m talking about here is this premise: the world of Pride and Prejudice, but if you die, it’s highly likely, almost certain that your corpse will get up and try to eat people. But no one dies in Pride and Prejudice, you might say. In fact, few or no people die in any Jane Austen novel. This is true. But people do get sick with some regularity. Imagine the tension added to Jane getting sick after going to visit Bingley if there was the chance that she would become a zombie after she died. Becoming a zombie in an eligible bachelor’s house probably would have seriously wrecked any chances of any of the living sisters ending up with him. Imagine Mr. Collins, as a minister, having the duty upon someone’s death of severing their head with a ceremonial plate or something that would prevent the corpse from rising. Obviously important, but this only makes him more self-important and obnoxious. And dangerous. For you see, in this version, Mr. Bennett, who stays in his office all the time, whose life is the only thing allowing Mrs. Bennett and her daughters to stay in the house–Mr. Bennett is definitely a zombie. He died at home, and Mrs. Bennett decided that, no way were they dealing with this, and so…just started faking it. Jane and Elizabeth know. The younger sisters don’t. In this universe, I think we have to go with zombies that are not any faster or stronger than the humans they were, and in fact tend to get weaker as time passes because their flesh is rotting. And…hmm, okay, how about they are pretty violent upon rising, and for about a week afterward, trying to bite people and spread the infection (even though most people are carriers anyway, but getting a nasty bite from a corpse will give you other stuff that will have you die while carrying the virus). But then they calm down and basically just start sort of attempting to act like they did in life, that is, taking habitual actions with no consciousness, in a depressing and desiccated way. So Mr. Bennett is a zombie, and Mrs. Bennett’s number one goal is to get her daughters married before anyone finds that out. And this, actually, makes Elizabeth’s refusal of Mr. Collins more frustrating for Mrs. Bennett–obviously Mr. Bennett didn’t tell Elizabeth that she could refuse Mr. Collins, because Mr. Bennett is dead, but Mrs. Bennett can’t say anything or the game would be up. Another question in this version–does Mr. Darcy find out about Mr. Bennett being a zombie somehow? Does Elizabeth find out that he knows and didn’t say anything and this is something that helps repair his earlier actions? Anyway, this is the Pride and Prejudice and Zombies that I was looking for.
Okay also: in the original, when Elizabeth walks through the rain all the way to bingley’s to care for Jane while she’s sick, it’s a very dramatic expression of both Elizabeth’s love for her sister and her penchant for flamboyant rebellion, but consider, if there is a chance Jane will wake up a zombie and Elizabeth knows it, how does that change the dynamic? Elizabeth might be going to help take care of Jane, or to *take care* of Jane should things take a more morbid turn…by killing her zombie sister.
This works especially well if zombieism is communicable prior to death; if mr. Bennett is a zombie and only the elder Bennetts know, that means Jane has been pre-exposed and is almost certain to wake up as a zombie should she die in the Bingleys’ care— which the Bingleys do not know. Elizabeth has to forge through the rain to be there in case things get ugly, because she knows that the Bingleys aren’t prepared.
And I think you pretty much HAVE to make Mr. Bennett’s zombie status play a role in how and why Darcy separates Bingley from Jane—the heavy implication behind Darcy’s line about the want of propriety shown even by her father hits Elizabeth like a ton of bricks as she realizes he knows—he knows, and he thought Jane lying to Bingley about it was evidence that Jane didn’t love Bingley—but—but Darcy must not have told Bingley that part of it. Bingley couldn’t keep a secret on his life; if he knew, his sister would know, and word would already be out and they’d have been ruined by now—
And of course, not only does the fact that Darcy, who owes their family nothing, has kept and continues to keep this secret for them even after Elizabeth’s refusal deepen the gratitude she begins to feel for him after the letter of explanation, but it also liberates Elizabeth to fall in love with him. Because Elizabeth-who-wants-to-marry-for-love would never be happy marrying someone who didn’t know the family secret in advance. She had resigned herself to spinsterhood because she couldn’t be satisfied with having to hoodwink someone to have their hand, but also couldn’t put her family at risk by trusting someone who wasn’t bound to them by more than an engagement. (Maybe she was even tempted to confide in Wickham at one point, and hasn’t Darcy’s letter proven she was absolutely right not to yield to that passing thought.) But Darcy figured it out himself, and he’s kept her trust, and she could fall in love with him without guilt—if she hadn’t already turned him down.
AND THEN LYDIA HAPPENS. And Darcy realizes immediately that Mr. Bennett can’t do anything to recover her—and if Mr. Bennett doesn’t do anything about Lydia, Mr. Collins might become suspicious, or even just officously involve himself, so find out the while thing. When Darcy blames himself for not revealing Wickham’s character, it’s with a much more immediate sense of urgency. It’s not that the other sisters’ marriage prospects being ruined may impoverish them down the road—it might immediately drag them all into destitution. That’s why he rushes off to go look for Lydia himself.